Posts

Sam Burton :: The Aquarium Drunkard Interview

Los Angeles singer/songwriter Sam Burton isn't trying to "reinvent the wheel" with his sophomore album, Dear Departed. Crafted in collaboration with Jonathan Wilson (Margo Price, Angel Olsen, Father John Misty) in Laurel Canyon, the album incorporates familiar and trusted elements—think Nick Drake at his most windswept, Leonard Cohen in a slightly sweeter mood, or a less rhinestoned Glen Campbell—but Burton presents his own vision. He joined us to discuss teaming up with Wilson, his roots in rural Utah, and finding a newfound appreciation for the '90s pop country he grew up hearing . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Transmissions :: Lincoln Barr

Back in 2022, songwriter Lincoln Barr got in touch, writing a personal note in which he expressed an appreciation for what we do here at Aquarium Drunkard. "Listening to the topics that come up in your conversations, I can't help but recognize a kindred spirit out there in the desert.” Since then, Barr and Transmissions host Jason P. Woodbury have gone back and forth via email, discussing spirituality, art, poetry, Ireland, Sinéad O'Connor, NRBQ, psychedelia, personal work, and much more. And now, they finally link up for a proper podcast discussion. Though their conversation was shaded by . . .

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Aquarium Drunkard Book Club :: Chapter 25

Welcome back to the stacks. It’s Aquarium Drunkard’s Book Club, our monthly gathering of recent (or not so recent) recommended reading. In this month’s stack: an experimental reggae novel, Lou Reed's tai chi practice, the final chapter of The Dead, and an oral history of The Hold Steady. Your librarians this month are Jarrod Annis, Justin Gage, Tyler Wilcox . . .

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Nana Caymmi e César Camargo Mariano :: Não Diga Não

In “Não Diga Não”, part of Voz e Suor (1983), with maestro Cesar Camargo Mariano, Nana Caymmi is covering not bossa nova but an obscure Tito Madi song, of the samba-canção generation, a crooner-inspired genre which bossa nova was precisely reacting against . . .

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The Lagniappe Sessions :: Hollow Hand + Aoife Nessa Frances

Returning with another Lagniappe Session, Irish singer-songwriter Aoife Nessa Frances and Hollow Hand’s Max Kinghorn-Mills collaborate today on the following pair of inspired covers, recorded with Aoife’s long time collaborator Brendan Jenkinson. First up, the majesty that is the Elvis Costello penned "Shipbuilding", via Robert Wyatt's 1982 single, followed by a spirited rendering of the 1992 Yo La Tengo gem, "Always Something . . .

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No Way Out: An Oral History of Sunburned Hand of the Man (Coming Soon)

With this podcast, we embrace the full force of Sunburned Hand of the Man. The final result is assembled from conversations and recordings with 15 current and past members as well as outside commentary from friends, fans, and collaborators. Across eight episodes, we unravel the band’s complex history and examine the hows and whys of this bizarre creative endeavor. Coming August 14th from Aquarium Drunkard and Talkhouse Podcast Network . . .

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Tyrone Evans and Bullwackie :: Rise Up

Like many reggae classics, there’s some digging to do when looking into the history of “Rise Up.” The track originated as a riddim for roots legend Max Romeo on the Barnes-produced I Love My Music in 1982. However, a keen producer’s instinct told Barnes he had a burner on his hands, and he overhauled the mix. Stripping away Romeo’s original vocal entirely, leaving only the relentless rhythm track and mantra-like chorus . . .

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Sean Wolcott :: Violent Hand Of The Sleeping City

If Violent Hand of the Sleeping City feels like the soundtrack to a mid-century noir film that doesn't actually exist, well, that's the point. With a background in television & film scoring, the composer self-describes the record's mutated jazz as a homage to 1970s crime film scores . . .

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Red Hot + Ra :: Nuclear War

A wide cast, including avant-R&B singer Georgia Anne Muldrow, trumpeter Josef Leimberg, punk jazzers Irreversible Entanglements, cosmic reedist and vocalist Angel Bat Dawid, vocalist Malcolm Jiyane Tree-o, Grandmaster CAP, and remixers Dennis Bovell, Rich Medina, Moon Medicin, Sanford Biggers, Joel Tarman, and the Kronos Quartet unite to explore, expand, and reinterpret Sun Ra on Red Hot & Ra: Nuclear War and Red Hot & Ra: Nuclear War (Remixes . . .

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Bandcamping :: Midsummer 2023

You’ve probably seen the headlines — this summer is the hottest summer … ever. As we all wilt beneath 2023’s scorching heat, music is a good way to chill out, figuratively if not literally. And with another Bandcamp Friday (Aug. 4) upon us, we’ve got a few recommendations for the dog days . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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First & Last: Japanese Private Press, Vol. 10

Welcome to the tenth installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board . . .

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Transmissions :: Hataałii

Hataaliinez Wheeler grew up in Window Rock, Arizona, the capital of the Navajo Nation. And though he’s just recently released his Dangerbird Records debut, Singing Into Darkness, he’s spent the last few years creating as much art as he can—recording music, making lo-fi videos, and writing poetry. Today, he joins host Jason P. Woodbury to discuss his run-in with and shout-out from Mac Demarco, discuss the influence of his father's record collection, and discuss what its felt like for his personal art project to find a life outside of his own head . . .

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Banana And The Bunch :: Mid-Mountain Ranch

So steadfast was their faith in Jesse Colin Young, Warner Brothers ended up giving the frontman and his Youngblood cohorts the keys to a subsidiary label as the 1960s faded out. A greasy affair overall, the selections and the general atmosphere of camaraderie is cut from the same cloth as The Band’s early output, though with far less emphasis on the tightness of arrangements and harmonies . . .

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