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Transmissions :: Scientist

Podcast ScientistPosted on

Incoming transmission from Hopeton Overton Brown, better known as Scientist. As a protege of dub pioneer King Tubby, Scientist represents dub’s third generation—at least that’s how his 1981 collaboration with Tubby and Prince Jammy, First Second, and Third Generation, puts it. These days he’s living in Los Angeles, where he joined host Jason P. Woodbury for this all-new episode. Prepare to cover a lot of ground, as we move from his origins at Channel One and Tuff Gong to divine messages, run-ins with Lee "Scratch" Perry, aliens and angels, simulation theory, his suspicions about . . .

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Jessica Pratt :: Life Is

Jessica PrattPosted on

Jessica Pratt returned last week with a delicately stunning new tune called “Life Is,” the first taste off her forthcoming new album, Here in the Pitch. The track, which has been on serious repeat, finds Pratt orbiting a Blossom Dearie-like sphere—its big 60s girl group backbeat, staccato strings, and kaleidoscopic production accompanying her on an existential carousel . . .

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Chet Sounds :: Changes Happen To Everyone, Everywhere

Chet SoundsPosted on

His sophomore outing, Chet Sounds' Changes Happen to Everyone, Everywhere, released this past fall, is a vibrantly slinky and saturated musical trip that rolls along the bayou and floats amongst the cosmos in equal measure. Performed, produced, and mixed by the Australian-based Chet Tucker in a shipping container on his family’s property in the Sutherland Shire, the album takes a lo-fi glossy and groove-laden trip across 70s-am pop, yacht rock, private press outsider folk, library funk, and Rundgren-esque psychedelia . . .

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Juana Molina :: Forfun

Juana MolinaPosted on

A hypnotic energy courses through Juana Molina’s 2019 EP, Forfun. The story goes that the songs here were reimagined from an improvised set Molina performed in 2018, after her instruments and pedals were misplaced in transit to a festival. Stripped of almost all of her bells and whistles, she more than compensated, conjuring frenetic new sounds . . .

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Atlantis Jazz Ensemble :: Celestial Suite

Atlantis Jazz EnsemblePosted on

Out jazz has always had thing for lost continents. Sun Ra had Atlantis. Don Cherry had Mu. Miles gave us both Agharta and Pangaea on the same day. Even Lee Morgan’s most adventurous record has us searching for new lands. “There are,” said Sun Ra, “other worlds they have not told you of.” And jazz often obliquely advanced its social and political critique of contemporary America by conjuring secret and unknown civilizations—beneath the oceans or beyond the stars.

As such, Ontario keyboardist Pierre Chrétien and alto saxophonist Zakari Frantz had to know they were tapping into the . . .

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Pulp Jazz: Twenty-First Century Groove Music (A Mixtape)

MixtapesPosted on

Pulp Jazz draws on long-traduced, sometimes crassly commercial, musical forms—jazz-funk, exotica, new age, sci-fi schlock, lounge music and library—and channels it all into deeply funky, low-key psychedelic groove music. More than that, like the best pulp, it somehow comes out sexy as hell, slinky and dangerous. Aquarium Drunkard has been here for it. The world could stand to be a shade groovier. And when we were asked for a mixtape of the primo stuff, we were more than happy to oblige. It’s what we do.

Let’s hope this fresh wave of fusion . . .

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Radio Free Aquarium Drunkard :: February 2024

Radio Free Aquarium DrunkardPosted on

Radio Free Aquarium Drunkard returns with a new installment of Chad DePasquale’s New Happy Gathering — freak-out funk, moody pop & avant-folk, plus a few tributes to some recently departed heroes. Then, Tyler Wilcox’s Doom and Gloom from the Tomb offers up some moody, ambient jazziness, gathered (mostly) from late 2023 and early 2024. Sunday, 5-7pm Pacific Standard Time . . .

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Nick Schofield :: Ambient Ensemble

Nick SchofieldPosted on

Since moving from Montreal to the bilingual city of Gatineau, Nick Schofield has scaled up his solo project into an ensemble. On his latest album, the electronic voyager glides through 12 short songs. Fans of kankyō ongaku may be used to sidelong odysseys, but Schofield’s compositions fade in and out in five minutes or less, allowing for a panoply of melodic song-sketches . . .

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Mary Timony :: Untame The Tiger

Mary TimonyPosted on

A veteran of such well-loved post-punk outfits as Autoclave and Helium, Mary Timony's Untame The Tiger emerged from a season of suffering. But it's far from a downer, surfing waves of survival with folky melodies and punky bursts of energy . . .

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Miles Davis :: Recorded On Stage, 1973/1974

Jazz Miles DavisPosted on

Collected here are five selections from a private stash of stage recordings, capturing the band at the Shaboo Inn in Willimantic, CT, London’s Rainbow Theater, and a pair of dates on its extraordinary tour of Brazil in the summer of ‘74. Beyond the blistering performances featured therein, the Brazil tapes are a notable document of guitarist Dominique Gaumont’s brief time with the band - a tenure that began on March 30, 1974 (as captured on sides 3 and 4 of the Dark Magus LP) and lasted through the fall . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays. All tunes via our ongoing Lagniappe Sessions series ...

34.1090° N, 118.2334° W . . .

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John Surman :: Way Back When

John SurmanPosted on

Discoveries like Way Back When (as well as the truly astonishing excavations the Jazz in Britain project has been putting out these last few years) illustrate how dramatically the UK jazz scene was metamorphosizing at the turn of the 1970s. There was a creative feedback mechanism at work, as innovative ideas from at home and abroad—American electricity, the European avant-garde, Canterbury prog and a homegrown free improvisation tradition going back to AMM and Cornelius Cardew—were instantly assimilated and refined . . .

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Transmissions :: Ty Segall

Podcast Ty SegallPosted on

For the last decade-and-a-half, Ty Segall has reliably cranked out records that show off his range, ping-ponging from scuzzed out glam rock to chiming folk ballads. He joins us this week to discuss his proggy new album Three Bells, his dogs, the influence of T Rex, and much more . . .

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The Smile :: Wall of Eyes

The SmilePosted on

Wall of Eyes is a canvas haunted by doubles, forking paths; alternate lives lived at a distance, in pieces, through keyholes. It’s also an effort that feels bracingly contemporary with a younger generation of rockers feeding on rhythmic eclecticism, from Tonstartssbandht to Water From Your Eyes. That it should mark another confident step into a post-Radiohead future is appropriate, if bittersweet . . .

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Bonus Tracks, Vol. 7 :: Thelonious Monk, Stevie Nicks, Love

Bonus Tracks Love Stevie Nicks Thelonious MonkPosted on

With vinyl prices still soaring, we may be on the cusp of a genuine compact disc revival! Or maybe not — who knows? But we do know that there are tons of awesome bonus tracks to be found lurking in the used CD bins. Here are just a few more . . .

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Posted on Bonus Tracks Love Stevie Nicks Thelonious Monk