From the rare and obscure to the unknown, producer Tee Cardaci mines eleven genre-spanning gems produced during the waning days of Brazil’s military dictatorship, recorded by a new emerging class of artists operating outside of the major label system. Set to release August 4th, via AD and Org Music, we asked Brazilian music authority Allen Thayer to catch up with Cardaci in regards to the three year process it took to make the Sonhos Secretos compilation a reality…
Portland selector Mr. Wriff paid a visit to AD HQ last weekend, a visit that dovetailed with the weekly broadcast of his Friday night KMHD radio show, Altered State. We tuned in, and now you can too.
Click the play button as Traver and guest Allen Thayer (The Brazilian Beat), guide a late-night, spirituous journey sampling strains from Brazil, Italy, Poland and beyond.
Upon first learning that Khruangbin’s next album would be a dub version of their last album, I was confused. I already imagined Khruangbin as a dub version of some imaginary, intermediary group. That’s how otherworldly they seemed. But aside for some atmospheric overdubs, the entirety of their recorded output was recorded live as a trio in a barn in Texas. They’ve fixed that with this latest release, Hasta El Cielo, which finds their most recent album receiving a thorough dub-oscopy with no amount of echo, reverb or heavy low-end spared.
… I started to see these two-plus albums (and a posthumous Vol. 3) as the centerpieces of Tim’s most prolific, creative and influential phase, what I’d like to call his “Seroma” phase, named after the rehearsal space and production company of the same name. […]
In 2013 Light In The Attic Records is set to reissue four of Marcos Valle ‘s 70s studio albums; now available for the first time in North America. Complimented by legendary Brazilian […]
Gabriel da Rosa’s debut album, É o que a casa oferece, arrives at an auspicious time as Brazilian music is becoming more ubiquitous, cresting a wave of popularity that has been building over the better part of a century. The last 90 years have seen Carmen Miranda’s polyrhythmic schtick in the thirties and forties, the smooth and sophisticated bossa nova craze of the early sixties, and in the seventies Flora Purim, Airto Moreira, and Milton Nascimento championed an adventurous style of Brazilian jazz. Now, a new Brazilian tide is rising, building off the previous waves’ continued relevance, and it’s washing ashore along the Southern California coast.
There’s something really comforting about a cover song…familiar while still feeling fresh, soothing and confounding at the same time. …
It’s common knowledge amongst armchair pop music historians that The Beatles album Rubber Soul inspired The Beach Boys’ creative genius Brian Wilson to raise the bar for the group’s seminal sleeper album Pet Sounds and that album, in turn, galvanized The Beatles to respond with Sgt. Pepper’s Lonely Hearts Club Band. That’s usually where the factoid ends, but there’s another iconic album that emerged from this friendly transatlantic competition that perfectly encapsulates the zeitgeist of late-sixties pop-psychedelia and continues to inspire musicians around the world: The Zombies’ Odessey & Oracle.