Dougie Poole :: The Aquarium Drunkard Interview

Dougie Poole’s got a clear-eyed view of our modern moment and a country songwriter’s ability to sum it up in a perfect line. The songs on his 2020 album The Freelancer’s Blues concerned themselves with the ennui and indignity of urban 21st century work, life, and work-life – dead-end gig economy jobs, cross-country moves from one coast to another, and the yearning for a “Natural Touch” while cycling through futile first dates. Poole’s new album, The Rainbow Wheel Of Death, finds him doomscrolling even further, and just as before, he finds “troubles stacked . . .

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Stella Kola :: Stella Kola

Western Massachusetts strikes again. Fronted by Beverly Ketch and Robert Thomas, Stella Kola is rounded out with support from members of John Andrew’s Yawns, Sunburned Hand of the Man, understated guitar hero Willie Lane, bliss ambassador Wednesday Knudsen, and a whole slew of Feeding Tube records alumni. The self-titled debut from the ensemble makes clear an intention to work themselves into a small, yet prolific scene that fully embraces the groundbreaking era of the British Isles electrified folk rapture at the close of the 1960s . . .

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Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights

Given their mastery of the archival compilation record, it should be no surprise that Numero Group would eventually dive into exotica, releasing Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights in 2018. Exotica is a perfect pairing for Numero Group's statement of intent: a hyper-specific subset of music that quickly came in and out of vogue, reflecting a bygone era's style and cultural context. More so, due to its short lifespan as a commercially viable genre, much of exotica is largely uncharted, and in these uncharted waters of adrift songs, a label such as Numero Group sets its . . .

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Jeffrey Silverstein :: Cowboy Grass

Emerging from a billowing cloud of smoke, a bramble of electric guitars growing from the soil beneath him: behold "Cowboy Grass," a new jammer from Jeffrey Silverstein. The first single from the forthcoming Western Sky Music, it adds a healthy dose of swagger to the familiar brew of JJ Cale-styled boogie, loner folk ambiance, and Silverstein's Berman-esque wordplay . . .

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Death Valley Girls :: The Aquarium Drunkard Interview

Death Valley Girls' Islands in the Sky might look from the outside like a celestial new age outing, but it's something else and all together unexpected: an old fashioned rock & roll album boasting consciousness boosting effects. Today at AD, Bonnie Bloomgarden of the band joins us for a discussion about the radical aspects of creativity . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Celtic Guru :: Van Morrison In The 80s | Live at the Grand Opera House Belfast

Part 4 of our Celtic Guru series. Released in 1984, Live at the Grand Opera House Belfast was recorded a year prior on the heels of Inarticulate Speech’s release. With the familiar cast of musicians that he had been using on tours and in the studio over the last few years, Van could construct a comfortable atmosphere that, while surely demanding, cultivated the appropriate balance of studio re-creation and spontaneous musical ideation . . .

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Transmissions :: Lou Reed Archive

Today on Transmissions, a tremendous conversation with Jason Stern and Don Fleming of the Lou Reed Archive. From the contents of the archive to under-recognized albums from Reed's discography, this talk covers fascinating aspects of Lou's life, offers insight into his art, addresses controversies, and much more . . .

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The Lagniappe Sessions :: Courtney Marie Andrews

The Lagniappe Sessions return in 2023 with Courtney Marie Andrews. Recorded last fall around the release of her Sam Evian produced LP, Loose Future, the following set finds Andrews taking on late-era Leonard Cohen, along with a low key rendering of the ubiquitous late 90s radio smash that was Shania Twain's "You're Still The One . . .

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Bonus Tracks, Vol. 1: Jerry Garcia, Gram Parsons, David Bowie

The compact disc era brought with it endless reissues of old albums — and to entice us all into buying those old albums for the second, third or fourth time, they often included bonus tracks. Was there a fair amount of barrel scraping as the years went by? Oh yeah. But there were also plenty of completely awesome sounds that gave us fresh perspectives on classic LPs and artists. In this new, ongoing Aquarium Drunkard column, we’ll be diving back into our CD collections to highlight some of the very best bonus tracks . . .

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Jenny O. :: The Aquarium Drunkard Interview

Singer/songwriter Jenny O joins Aquarium Drunkard for a searching talk about Spectra, growing up in rock, jazz and classical music, learning to work within her own unique parameters and she’s through writing love songs and wants to dedicate the rest of her life to communicating about the climate . . .

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Monde UFO :: Visions Of Fatima

Awash in reverb and rippling bridges of synth, “Visions of Fatima” is the latest communiqué from cosmic LA weirdos monde ufo and the first taste off their forthcoming album, Vandalized Statue to Be Replaced With Shrine. The lounge-laced dose of ambient psych from the duo references the Marian apparitions witnessed by three shepherd children in Fátima, Portugal in 1917 and proceeds to blend the sacred and the supernatural in their keenly overcast fashion . . .

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You’re A Ghost :: John Cale’s Paris 1919, Re-Imagined

"Paris 1919 is John Cale's furthest excursion into musical imagination, illuminating horizons heretofore unsighted," went the PR copy for John Cale's third solo effort, which was released 50 years ago this month. To celebrate Paris 1919's 50th anniversary, here's a re-imagined version of the LP, featuring some choice covers, oddities and even a few appearances from Cale himself. Take down the flags of ownership and listen in . . .

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Surface Noise :: Here: Extras

Andy Norris’ Surface Noise project is an ambient beat tape. Its sound originates deep in the pocket, not a sample library, with paint dolloped on thick and deliberate–more like Van Gogh than Pollock. The latest is Here: Extras. These six alts, remixes, and “outtakes” reveal more of jazz and funk elements and shows off the intricate and wildly divergent drumming styles. Tinges of Thievery Corporation, Monster Rally, and Flying Lotus flutter through . . .

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Radio Free Aquarium Drunkard :: February 2023

Radio Free Aquarium Drunkard, every third Sunday on dublab. This month, New Happy Gathering bundles a collection of new digs (current and archival) and heartfelt farewells to some recently lost legends. Then, Range and Basin offers a jazzy, soundscapey trip into the Sonoran Desert. To follow, Doom and Gloom sprawls out with an hour of neo-classical, library music, post-post-rock, retro-futurist situations, and recent jazz. To close, Sick Sad Motherslug with Ana Gavrilovska of Maggot Brain Magazine drifts out into cosmic expanses. Tune in Sunday, February 19 from 4—8 PM Pacific on dublab . . .

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