Though he's been playing for years, Fortune's Mirror, released by the esteemed VDSQ imprint, is Barry Johnson's proper instrumental debut, and has the distinction of possibly being the most "California" sounding solo guitar record to come out since Will Ackerman's first few albums for Windham Hill . . .
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Though he's best known for his work in thrash metal band Skeletonwitch, guitarist SW Hedrick sets his sights on more pastorale zones with Devotional Drift: Vol. 1. A collection of meditative guitarscapes and consciousness-expanding grooves, the album was recorded at Scott Hirsch's Ojai studio Echo Magic (Hirsch mixed the album, too). Devotional Drift finds Hedrick evoking Fripp, Fricke, Göttsching, Rother et al, but it's no mere pastiche; nor is it overly monastic . . .
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Broadcasting from the Hollywood Forever Cemetery … The Aquarium Drunkard Show. The Halloween edition, Wednesday night / 7pm California time. SIRIUS/XM ~ Channel 35 . . .
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Existing in a dusty space between shambolic whimsy and rock solid songwriting, the experience of a Baggett record is one in which the stalwart musician crafts his own classic rock fantasy. Like an afternoon drive through a seaside beach town, Waves of a Begull delivers the washed out guitar rompers you need this year . . .
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This week on the show, a double-header. First, Rosali Middleman, and then, her bandmate, collaborator, and the leader of Mowed Sound, David Nance. Together, they both play on Rosali’s fantastic 2024 album, Bite Down. This week on Transmissions, they open up about their collaborative process in two individual interviews . . .
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"It's almost a Biblical connection." Today at Aquarium Drunkard, Jason Pierce, aka J Spaceman, discusses Harmony Korine, Jim Dickinson, and his new soundtrack to William Eggleston's 1974 documentary Stranded in Canton, released this week on Fat Possum Records . . .
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An American Werewolf in London straddles the line between comedy and horror without ever tipping the scale too far in either direction. Tonally, it’s a maverick balancing act, and this tightrope walk between laughs and screams makes it an enduring example of gateway horror . . .
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Earlier this year saw the return of Rich Ruth via the Nashville based artist's third long-player, Water Still Flows, an album we described as "absolutely audacious in its musical fusions and amalgamations... a woozy kaleidoscope of spiritual jazz, post-rock, chiming minimalism, Berlin school synth sequencers, metal and drone." For this installment of the Lagniappe Sessions, Michael Ruth and co. reimagine the Boognish via a cover of Ween's "A Tear For Eddie," and take on Black Sabbath outlier "Planet Caravan," via the band's sophomore effort, 1970's Paranoid . . .
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What does an American Halloween in the year of our lord 2024 sound like? Everyone rings in the spooky season differently. Some people want some melancholy goth rock, others need novelty record exploitation trash. Some people want to draw the shades and build Berlin school synthesizer cathedrals in the air. And some just need to howl 'Werewolves of London' at the top of their lungs. It's all good. We asked some of the contributors to tell us how they're soundtracking All Hallows. What we got back comprises a monster playlist suitable for apple-bobbing, axe-sharpening and keeping . . .
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There was an eight year gap between Nottingham, UK band The Soundcarriers' 2014 album Entropicalia and 2022's Wilds, but thankfully the retro-pop combo have returned after a much shorter wait with Through Other Reflections, a spellbinding collection of beatific harmonies, motorik pulses, reverberating flutes, and fuzz guitars, all eased along by the haunting vocals of members Leonore Wheatley and Dorian Conway. Multi-instrumentalist Paul Isherwood joins us today to discuss the new album, creating music for the sorely missed television program Lodge 49, and the enduring influence of Scott Walker . . .
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Elias Rønnenfelt, lead singer of the Danish punk dismantlers Iceage and the art rock prophets of Marching Church, has just released his first solo record, Heavy Glory. It features Joanne Robertson and FAUZIA and includes cover homages to Townes van Zandt and Spacemen 3. Where the early Iceage works were collections of punchy, dry, martial miniatures, this solo album seems to triumphantly conclude Rønnenfelt’ conversion from godless hardcore to gnostic americana . . .
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Hayden Pedigo is from Amarillo and he pledges his loyalty to the place at the top of his new live album, Live in Amarillo, Texas. Recorded on-stage at The Amarillo Globe News Center just a few days shy of Christmas in 2023, the new album casts a revealing spotlight on Pedigo’s solo guitar grace and evocative songwriting. It’s his attention to both that makes this collection gleam, holding up alongside even his proper studio efforts . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Arriving after a four-year gap, the latest album from the acerbic Canadian indie rock band reveals a group in a state of graceful turmoil and artistic ferment. A work of stoned eschatology involving Yeats, Pushkin and a jet-ski-racing game for the N64, The Neon Gate finds Nap Eyes scattered but not disenchanted, committed to finding new ways to sound exactly like themselves . . .
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If the people behind Bob Dylan’s new 1974 Live Recordings had a sense of humor, the set would come plastered with a sticker reading: “FOR SICKOS ONLY.” With 27 discs containing 431 performances (more than 24 hours!) drawn from Dylan and the Band’s hotly anticipated return to the stage in early ‘74, it’s a massive archival haul aimed at the ridiculously obsessed, the hopeless completist. If that’s not you, stick to the three-LP "highlights" release from Third Man. But if you’re like us and love this kind of deep immersion in a very specific . . .
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