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Senza Decoro: Liebe + Anarchia / Switzerland 1980​-​1990

Senza DecoroPosted on

Some excellent spooky season jams on the latest compilation from Strut, Senza Decoro: Liebe + Anarchia / Switzerland 1980-1990. Curated by Turkish-Swiss producer / DJ Mehmet Aslan, the collection traverses a diverse, free-form musical landscape splintering off from Europe’s post-punk scene. Trick or treat, indeed . . .

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Posted on Senza Decoro

Videodrome :: Race With The Devil (1975)

VideodromePosted on

While being a low-budget exploitation film, Race With The Devil transcends its genre trappings and sets itself apart from other drive-in movies of the 1970s. It understands that true horror — the kind that gets under your skin and lingers with you long after the credits roll — doesn’t come from blood and guts, but from the universal fear of the unknown: not knowing who to trust or who is out to get you . . .

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Posted on Videodrome

Woods :: Perennial

WoodsPosted on

As is the case in pretty much any situation, the late David Berman said it best when describing Woods as his very own “jangle merchants” around the time they served as his backing band on Purple Mountains. Songwriters Jeremy Earl and Jarvis Taveniere have created something spellbinding, impressive and lasting with Perennial, their 12th record . . .

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Chuck Johnson :: The Aquarium Drunkard Interview

Chuck JohnsonPosted on

Whether composing for film or creating records of windswept, spectral pedal steel, Chuck Johnson imbues his music with a sense of mystery and dynamic tension. His latest album is Music From Burden of Proof a soundtrack to Cynthia Hill's HBO docu-series exploring Stephen Pandos' investigation into the 1987 disappearance of his sister, Jennifer Pandos . . .

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Trick Or Treat: Vintage Halloween Mixtapes

HalloweenPosted on

Spooky season is officially here. As such, we are uploading each volume of the Grey Haas compiled Trick Or Treat mixtape series for AD patrons (they begin with Volume five). Choice vintage Halloween spookers . . .

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Posted on Halloween

En Attendant Ana :: Principia

En Attendant AnaPosted on

It’s always a great feeling when a band hits its stride — and that is the feeling you’ll get when you spin En Attendant Ana’s third LP. Principia makes good on the promise of the Parisian quintet’s earlier work while expanding and enhancing their overall sound, centered on Margaux Bouchaudo’s terrific vocals. There’s a pleasing swagger to the album’s 10 tracks, a confidence mixed with playfulness, whether the band is approximating mid-period Stereolab on “Same Old Story,” getting beautifully wistful on “Fools & Kings,” or — sweetest of all — crafting a towering motorik anthem on . . .

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Posted on En Attendant Ana

Kuku Sebsibe :: S/T

Kuku SebsibePosted on

A marvelous collection of Ethiopian pop from the early 1980s. The Addis Ababa-born Kuku Sebsibe’s beautiful vocals float over classic Ethio soul/jazz backing — elegant keys, breezy brass and melodic bass all wafting through the mix. Though it leans towards the gentler side of things for the most part, things do get fairly funky from time to time. Released on the excellent Little Axe label, it feels like a necessary breath of fresh air . . .

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Posted on Kuku Sebsibe

The Aquarium Drunkard Show (The Halloween Edition)

Halloween SIRIUSPosted on

Broadcasting from the Hollywood Forever Cemetery … The Aquarium Drunkard Show. The Halloween edition, Wednesday night / 7pm California time. SIRIUS/XM ~ Channel 35 . . .

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Posted on Halloween SIRIUS

Cactus Lee :: Caravan

Cactus LeePosted on

On Caravan, his sixth album in four years (not accounting for the crackling Live from the Dry Creek Cafe), Cactus Lee’s Kevin Dehan showcases an incredible and exponentially focused growth in songwriting, an ascent as fast as you can hear his band now play. Expanding out from the lo-fi homespun beginnings of his now classic early efforts, Dehan has embraced a bigger and more studio-based sound that, in part, now reflects the live show that has become so integral to the world of Cactus Lee . . .

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Posted on Cactus Lee

Video Age :: The Aquarium Drunkard Interview

The AD Interview Video AgePosted on

New Orleans duo Video Age are associated with rhythmic, dream pop pallette, but with their latest album Away from the Castle, songwriters Ross Farbe and Ray Micarelli augment new wave gloss with a heavy dose of tuneful, guitar-based pop—think Real Estate in a particularly sunny mood or Whitney on a heavy Beatles kick. With all that jangle and strum comes a rededication to their core friendship, complete with "Better Than Ever," a number that works like a platonic love song . . .

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Posted on The AD Interview Video Age

Aquarium Drunkard :: Mailbag, Vol. VI

MailbagPosted on

Long time reader, first time caller? Welcome to Mailbag, our monthly column in which we dig in and respond to your questions. Got a query? Hit us up at aqdmailbag@gmail.com. In this month’s bag: a grip of essential mixtapes, jazz tomes, and overcoming listening burnout . . .

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Transmissions :: Buck Meek (Big Thief)

Buck Meek PodcastPosted on

You know Buck Meek from Big Thief and his solo albums, like this year’s Haunted Mountain. Full of near-death experiences and tender but insistent roots-inspired songwriting, it’s an album that finds inspiration in the mysterious Mount Shasta, long a site of high strangeness. He joins us to discuss Jolie Holland, Judee Sill, Bob Dylan, Big Thief and reciprocity this week on Transmissions . . .

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Posted on Buck Meek Podcast

Joseph Shabason :: The Aquarium Drunkard Interview

Joseph Shabason The AD InterviewPosted on

If you’ve ever stepped foot on a skateboard, you’re in the club for life. For Toronto-based saxophonist Joseph Shabason, this revelation provided the inspiration for his latest project: a new album-length score for the classic 1996 skate video, Toy Machine’s Welcome To Hell. With the blessing of company founder, pro skater, and visual artist Ed Templeton (who also provided album art), Shabason’s Welcome To Hell is a passion project dating back to his formative childhood memories . . .

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Posted on Joseph Shabason The AD Interview

BCMC :: Foreign Smokes

BCMC Bill MackayPosted on

Bill MacKay and Cooper Crain run in the same Chicago circles, MacKay tilting, maybe, a little further towards folk and blues and Crain of Bitchin Bajas and Cave leaning harder into krautish experimental drone. There’s certainly plenty of common ground, however, judging from this four-track collaboration, as both work to find magic in still, pooling reservoirs of sound that do not move so much as they glisten in unearthly light . . .

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Posted on BCMC Bill Mackay

Mark Mothersbaugh :: The Aquarium Drunkard Interview

Devo Mark Mothersbaugh The AD InterviewPosted on

On the eve of the new 4-LP Devo retrospective, Mothersbaugh caught up with us from his Los Angeles studio. We discuss the experimental beginnings and future of Devo, the group working with Brian Eno and David Bowie, his fascination with early animation soundtracks, auditioning for Mick Jagger, the NYC scene that brought the band’s breakthrough, the death of the album format and much more . . .

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Posted on Devo Mark Mothersbaugh The AD Interview