Multireedist Doug Wieselman is known for his work with the vanguard of pop, jazz, and avant-garde, but with his new album WA-Zoh, released by Shahzad Ismaily's figureight records, he turns his attention to electronically manipulated birdsong . . .
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Photo Summerlude. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Over the course of its thirteen year existence, Skygreen Leopards would further evolve, hone and refine its bent take on classic west coast psychedelia. As an album, Family Crimes not only stands as the nexus of this evolution, but is home to some of the group's best material.
Summer is here and so is its music . . .
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David John Morris of Red River Dialect joins us to discuss his 2021 album Monastic Love Songs, 2022’s Wyld Love Songs, his time in a Buddhist monastery, how it augmented his approach to music, his podcast listening habits, the consistent spiritual longing of the creative process and, truthfully, so much more . . .
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Following on from their excellent 2017 debut, The Bonk Seems To Be A Verb, the Dublin-based group led by Phil Christie continue to explore the boundless potential of experimentation and instinct with the equally cavalier titled Greater Than Or Equal To The Bonk . . .
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With Heaven Is a Junkyard, Trevor Powers returns to the Youth Lagoon banner. Crafted with producer Rodaidh McDonald (The xx, Adele, Gil Scott-Heron) after period of medical strife that robbed Powers of his ability to sing his signature lilt—thankfully only temporarily—the album finds Powers at his most generous and adventurous . . .
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This is Protomartyr’s sixth album, arriving out of a maelstrom of uncertainty and loss. The sound has turned slower, weightier and more violent. Where the band began in a spiked Fall-ish spatter, its songs now move with a ponderous nearly metallic heft . . .
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The Search For God is best served on close listen, not succumbing to its musical simplicity and charm, but sitting with the simpler and harder-to-tackle questions it poses. Whispers doesn’t bathe much in metaphor, doesn’t water it down with lo-fi glam or frills. Instead, by trimming some excess and focusing on the song craft, Whispers takes a massive step forward. Like those who are subject to his words, we are left wanting more . . .
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The Seventh Continent is classified as a family drama, but it’s undoubtedly a horror film, perhaps one of the most horrifying films ever made. It’s nihilism as an aesthetic, misanthropy as a philosophy, and construction as deconstruction . . .
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I’ve Got Me is a collection of folk songs in every sense, from Randy Newman-inspired ditties, to dew-eyed ballads, to timeless finger-picked tunes of self-discovery, each with a wonderfully distinct point of view . . .
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Welcome to the ninth installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board . . .
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Aquarium Drunkard speaks with Douglas McCombs about the formation of Black Duck, the approach they took for their album, the motivation behind his 2022 solo release VMAK . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Bar Italia occupies a shifting, shadowy ground between sunny 1960s euro-pop and post-punk, leaning one way or another depending on who is singing. Yet while each member has a distinctive timbre and personality, the song circles nonchalantly around a common theme: what it’s like to watch youth slipping away . . .
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“Get your head out of the clouds.” It’s an idiom often associated with parents, teachers, authority figures, or any sort of ‘straight folk.’ Ascribe to the mundanity of life, the endless rat race, the wheel of productivity. On Cloud Suites, California pianist and experimental composer Nico Georis offers a gentle rebuke of this sentiment with a dizzying array of stratospheric keyboard arrangements . . .
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