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Transmissions :: Beauty Pill

Beauty Pill PodcastPosted on

The 2023 season of Aquarium Drunkard's Transmissions podcast is officially underway. This week on the show, Chad Clark of Beauty Pill. On January 20th, Ernest Jenning Record Co. releases Blue Period, a double LP compilation featuring music Clark recorded for the legendary punk label Discord Records between 2003-2005 . . .

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No Neck Blues Band :: (More) Letters From The Earth

No Neck Blues BandPosted on

No Neck Blues Band existed at the polar opposite of what these days can feel like over-sanitized accessibility and extreme exposure to everything-all-the-time. As longtime fans, we felt checking in with some of the members could not come at a more crucial moment . . .

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Jon Brion :: The Aquarium Drunkard Interview

Jon Brion The AD InterviewPosted on

As a prolific producer, composer, and session player, Jon Brion has been involved with some of the biggest movies and recordings of the last three decades. But with the recent archival release of his debut album Meaningless, listeners can finally hear him as a proper solo artist. Brion joins Aquarium Drunkard to discuss the album and what it means to him more than 20 years after its creation . . .

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Neil Young :: Even More Honey Slides

Neil YoungPosted on

Will the well ever run dry when it comes Neil Young live jams and rarities? God, I hope not. In recent years, Young has begun sporadically posting a selection of complete live gigs on his Archives site, spanning the from the late 1960s to the late 2010s. It's been a welcome feast for Neil fanatics. For this mix, the third installation of our Honey Slides series, we've grabbed a few highlights (as well as a choice Barn jam) for your enjoyment. Stretching from 1976 to 2010, it's all electric and leans heavily towards the darker, grittier side . . .

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Colin Wilkie & Shirley Hart :: Wild Goose

Colin Wilkie & Shirley HartPosted on

To be blunt, Wild Goose won’t be for everyone. Folk-jazz crossovers are a tough sell. Even tougher to execute. Especially in a way that doesn’t come across as forced or corny. And there is little to no nuance between the British folk stylings of Wilkie and Hart, and the post-bop, nearing Free Jazz blowouts of the musicians joining them. Imperfect, the album remains an ambitious and visionary album fifty years later . . .

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Posted on Colin Wilkie & Shirley Hart

Radio Free Aquarium Drunkard :: January 2022

Radio Free Aquarium DrunkardPosted on

Radio Free Aquarium Drunkard, every third Sunday on dublab. This month, New Happy Gathering showcases an alternately upbeat and somber hour of jazz & dream pop, Range and Basin leans into long instrumentals and new age, and Doom and Gloom starts the year off right with an Honey Slides mix of dark all-electric Neil Young rarities. To close, Grey on Gray, an all-vinyl hour long slide to close out the last year and open up a new one. Fireside GORP-jazz, new age, and beyond. 1969-2022. Tune in Sunday, January 15 from 4—8 PM Pacific on dublab . . .

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James Waudby :: On The Ballast Miles

James WaudbyPosted on

On his debut solo album, James Waudby (Salko/Horse Guard Parade) plays nimble, dancing acoustic guitar with a light touch, matching his six-string melodies with an unhurried voice that feels like belongs on a lost 1960s folk classic by Bert Jansch . . .

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Meg Baird :: The Aquarium Drunkard Interview

Meg Baird The AD InterviewPosted on

Meg Baird’s latest album, Furling, withdraws itself into small domestic spaces. It explores the partnership the songwriter has forged, both musical and romantic, with the guitarist Charlie Saufley. It meditates on the way that a piano can sit at the center of family life, making any house a home. And yet, it also faces outward, pushing out rollicking grooves and aching, pristine clarity. It makes the case for Baird, once again, as one of the finest singers and songwriters of her generation . . .

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Posted on Meg Baird The AD Interview

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Yura Yura Teikoku :: Hollow Me

Shintaro Sakamoto Yura Yura TeikokuPosted on

Prior to founding Zelone Records and becoming the emperor of mellow groove, Shintaro Sakamoto fronted Yura Yura Teikoku. A scrappy psych trio with humble origins in the Tokyo’s DIY underground, the band cut a unique trail guided by an eclecticism that pushed their sound ever further to new heights. Over two decades, 10 studio albums, a live record, and a slew of EP’s, the band eventually saw crossover success in Japan, signing to a major label and garnering a cult following abroad. However, as everything seemed to fall in place for in place for Yura Yura Teikoku, the . . .

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Posted on Shintaro Sakamoto Yura Yura Teikoku

Horse Lords :: The Aquarium Drunkard Interview

Horse Lords The AD InterviewPosted on

Comradely Objects is every bit as mathematical as it is melodic, and as already covered artfully here at AD by Brent Sirota, it is arguably the crowing achievement of the Horse Lords cannon. Fresh on the heels of their latest release, we caught up with guitarist Owen Gardner and bassist Max Eilbacher to discuss recording in lockdown, relocating to Germany, weaponizing the avant-garde, Cornelius Cardew, and what happens when lyrics fail . . .

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Posted on Horse Lords The AD Interview

Dezo Ursiny :: Modry Vrch (1981)

Dezo UrsinyPosted on

Slovak prog legend Dezo Ursiny is still to find the recognition he deserves outside of his homeland. A successful composer of documentary soundtracks in the socialist 1970s, and later a filmmaker in his own right, Ursiny passed away prematurely but left a significant oeuvre.

It's the music you'd hear in a dream where you're coming back from a party in a late night cab and the streets are empty and the sky is gleaming and the world is ending . . .

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Primal Scream :: Carry Me Home (Dennis Wilson Cover)

Dennis Wilson Primal ScreamPosted on

... dig into this remarkable cover. Arguably Bobby Gillespie’s most soulful delivery, the piano-driven track delivers a shimmering, almost spiritual ambiance before crashing into a haunting, slow burn of an outro. The narrative penned through the lens of a wounded Vietnam soldier, the stark minimalism of Wilson’s lyrics is a perfect match for the band’s bluesy comedown and the . . .

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Posted on Dennis Wilson Primal Scream

Celtic Guru :: Van Morrison In The 80s | Inarticulate Speech Of The Heart

Celtic Guru Van MorrisonPosted on

Picking up exactly where Beautiful Vision’s “Scandinavia” left off, “Higher than the World” unfolds amid a cascade of synthesizer, choppy R&B guitar, and the saccharine acknowledgment of higher consciousness that defined Van Morrison’s sonic pilgrimage of the 1980s. The third installment of what can be termed the Celtic Guru period, Inarticulate Speech of the Heart incorporates a softer edge to the sound that Van was building over the course of the decade . . .

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The Ecstasy of Gold :: Volume One

Acetone Bee Pieces Dick Slessig Combo Ecstasy of GoldPosted on

The Ecstasy of Gold finds members of Acetone, Dick Slessig Combo, and Dengue Fever teaming up for a set that spans fuzzed out workouts, psych, prog flexes, surf, and sure enough, Morricone-y grandeur . . .

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Posted on Acetone Bee Pieces Dick Slessig Combo Ecstasy of Gold