Likely a precursor to the 2004 ECM double-duo-album Which Way Is East, which was Higgins’ final recording, the ’93 duet contains a familiar acoustic ambience—beautiful, ragged, scruffy—and sounds imprecise but locked in: theme and un-variation that could only be crafted by these two Americans.
Category: Jazz
Alice Coltrane :: 16mm Documentary
Culled from a 1970 documentary created for a segment of the Black Journal television program, this unearthed 16mm color film finds Alice Coltrane between the albums Huntington Ashram Monastery, and Ptah, the El Daoud.
Captured three years after the death of John Coltrane, the piece begins in media res outside the Long Island, NY home the artist shared with her late husband and children. In a floating voiceover, Coltrane reflects on matters of the spiritual and beyond, as we catch a glimpse of the family’s domestic life on the property. A scant yet powerful fifteen minutes, things soon turn to music as the film shifts to a grip of rare, live footage of Coltrane and Pharoah Sanders getting free in performance. Highly recommended.
Don Cherry :: It Is Not My Music (Swedish TV Documentary, 1978)
As a followup to last year’s phenomenal Don Cherry archival releases and book via Blank Forms, check out Det Är Inte Min Music (It Is Not My Music), a remarkable 1978 doc on the musician made by Swedish filmmaker Urban Lasson. Over the course of about an hour, we follow Don, his partner Moki and their kids from the pastoral Swedish countryside to the decidedly un-pastoral urban landscape of late-seventies NYC.
Robin Kenyatta :: Girl From Martinique
Funky: the last descriptor one would ever reach for while describing an ECM record…but that’s exactly what this is! Released in 1970, Robin Kenyatta’s lone ECM effort finds the reedman employing the clavinet vamp of Wolfgang Dauner, swathes of reverb, electronics, and the rhythm section of bassist Arild Andersen and drummer Fred Braceful. Come for “Blues For Your Mama”, stick around for the rest.
Nikolaj Hess :: Spacelab & Strings
Danish pianist/composer Nikolaj Hess returns, melding two ensembles on Spacelab & Strings. Interweaving a classical string quartet with a piano trio, the recombinant septet finds Hess delving into new abstractions, exploring color, tonality and time.
Don & Moki Cherry :: Organic Music Societies
Organic Music Societies, a new book (and its accompanying exhibit, currently on display at the Blank Forms gallery space in Brooklyn) is a fantastic and thorough documentation of Don and Moki Cherry’s time together, packed with dazzling art and photography, insightful essays, and illuminating interviews.
John Surman :: Upon Reflection (ECM)
Here’s something to get lost in, the hypnotic world of British reedman John Surman, courtesy of his 1979 ECM effort, Upon Reflection. Recorded in Oslo, with production helmed by Manfred Eicher, the recording finds Surman in widescreen form experimenting with sequencers and synthesizers in addition to his duties working bass clarinet and baritone/soprano saxophone.
Tune In, Zone Out :: Silent Ways
Silent Ways offers an immersive submersion into the depths of “In A Silent Way.” Composed by Joe Zawinul and made famous as the title track of Miles Davis’ first all-electric LP, it’s a song that doesn’t attempt to stop time as much as it attempts control time. Speed it up, slow it down, stretch it out, turn it upside down
Wolfgang Muthspiel :: Angular Blues
There’s a particular clarity made possible by the trio format, something guitarist Wolfgang Muthspiel, bassist Scott Colley, and drummer Brian Blade make clear on Angular Blues, Muthspiel’s fourth album as bandleader for the storied ECM label. This spacious arrangement makes for magnificent listening.
Journeys In Satchidananda ~~ Versions
In recent years, the smoky, mystical groove of Alice Coltrane’s “Journey In Satchidananda” has emerged as a go-to vehicle for musical travelers of varying stripes. This two-hour mix pulls together a selection of these journeys (along with some offerings from Alice herself). Hey, if you’re going to listen to a single bass line for 120 minutes, I can think of no better candidate than the god-like lope that Cecil McBee originally laid down back in 1970. No matter where these musicians go on their respective journeys, there’s a unifying questing vibe, a desire to tap into the cosmic imagination. Spend some time with them on a higher plane.
Sorcery in the Kingdom | A Miles Davis: Birth of the Cool Mixtape
Miles Davis: Birth of the Cool—now available on Netflix after a brief theatrical run and as an American Masters feature on PBS—is a beautifully directed film by Stanley Nelson, which guides us through the different changes of Miles’ life, smoothly handling the tale of an artist who refused any complacency throughout a long and undeniably brilliant career.
Abstract Truths: An Evolving Jazz Compendium – Vol 7 / Japanese Jazz
…the golden period from the 1970s into the early 80s when jazz in Japan came into its own identity and sound.
100 minutes of library groovers – dance floor bangers – funky fusion – modal swingers – big band stompers – jazz rock psychedelia and the impeccable sound of TBM are all represented.
Miles Davis :: Antibes, France July 1969
Five days after the first moon landing. Five days prior to the release of In a Silent Way. One month before the recording of Bitches Brew. The Miles Davis quintet at the 1969 Festival Mondial du Jazz d’Antibes, La Pinède, Juan-les-Pins.
John Coltrane :: Joe Brazil Bootleg (Detroit, 1958)
Recorded September 25, 1958 in the basement of Detroit-based saxophonist Joe Brazil, this bootleg finds John Coltrane in a loose, sentimental, and as always, spirited mood, and its dissemination online adds new wrinkles to the folklore of Trane.
And Then One Day: A Guide to the Music of Carla Bley
On the release of Carla Bley’s new album Life Goes On, Winston Cook-Wilson provides an overview of composer, bandleader, and pianist’s multifaceted career, from her pop and funk-inflected ’70s and ’80s work to her more recent “microcosms of a musical personality that is exceptionally difficult to distill.”