Welcome back to the stacks. It's Aquarium Drunkard's Book Club, featuring looks at Jennifer Lucy Allan's The Foghorn's Lament, Joe Banks' Hawkwind: Days of the Underground-Radical Escapism in the Age of Paranoia and more recent (and not so recent) recommended reading . . .
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A look at a Richard Swift assisted bummer pop gem by Jeff Cloud and Pony Express, a Starflyer 59 supergroup, recently reissued for the 25th anniversary of the Velvet Blue Music label . . .
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Outré California. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Erin Birgy returns to the art-pop playground of Mega Bog with "Station to Station," the first taste off her forthcoming Life, And Another. In its visual companion, co-directed with visual artist Laura Conway, she lurks amongst the purple and gold grandeur of Colorado’s Paint Mines . . .
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Guitarist, songwriter, and producer Sarah Louise joins us this week on the show to discuss her new album, Earth Bow, an interconnected eco-system of guitar, synth, vocals, and hypnotic rhythms. Though Louise is known for her 12-string folks fantasias, her work is wide ranging, evoking the soundscapes of Robert Fripp and the interlocked rhythms of electronic pop. Louise joins us for a return visit to Transmissions to discuss being off the grid, the perils of social media, and her spiritual and creative practice . . .
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New Zealand icons The Chills have a new LP, their seventh, out this month entitled Scatterbrain. We caught up with founding member Martin Phillips to discuss the history of the group, their sonic trajectory, being an “autarchic on the mend", the new record, and more.
"There have been a lot of wasted years, being down and out, and, you know, drug addicted,” says Phillips. “This time for the first time, I feel that we’re back where we should be and we’re able to move forward. I’m excited about it . . .
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The true story of how a song from Manchester and a commercial from Tokyo came together to form a deadly curse . . .
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As you probably know, Bob Dylan turns 80 years old today. As such, here's a mix (approximately 80 minutes for Bob's 80 years) of unreleased gems, stretching from 1973 to 2019, including studio outtakes, rehearsals, live performances and television appearances.
It's a mess. It's beautiful . . .
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Danish pianist/composer Nikolaj Hess returns, melding two ensembles on Spacelab & Strings. Interweaving a classical string quartet with a piano trio, the recombinant septet finds Hess delving into new abstractions, exploring color, tonality and time . . .
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The Los Angeles based Naya Beat Records is a reissue and rework label dedicated to uncovering forgotten electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Its first release, Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992, is out on June 25th and features future classics from India, Pakistan, the U.K., Canada, Guyana and Suriname, released between 1983 and 1992 . . .
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With his debut Fat Possum single "Easy to Love" Sam Evian pens a Ram-style ode to life upstate. It's a supremely frisky boogie, balancing sweetness with loose limbed rock & roll charm . . .
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Though Mdou Moctar firmly fits the bill of "guitar hero," his new album Afrique Victime demonstrates how he's grown as a bandleader and singer/songwriter. This is a group deeply zoned into one another . . .
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Wade in the water. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Composer, trumpeter, and theorist Wadada Leo Smith joins us to discuss year of releases centered around his 80th birthday, his blues roots, spiritual journey, and creative outlook . . .
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Four years before Harmony Korine's seminal hilljack masterpiece "Gummo" would shock audiences across the world and rewrite the rules of independent cinema forever, an amateur auteur by the name of Craig Smith was exploring a very similar corner of the zeitgeist with his thirty-minute short film "Psychedelic Glue Sniffin' Hillbillies . . .
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