Oksana Linde :: Aquatic And Other Worlds

Oksana LindePosted on

Oksana Linde’s music is where she lets her dual passions of nature and music bleed together. Her compositions are inspired by both the wonder scientific observation generates and the questions it can’t quite answer, playing to imagined and perceived worlds. Treading a line between cognizant experimentation and blissful meditation is a rare craft to witness and it’s here in spades . . .

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Dehd :: Blue Skies

DehdPosted on

On what is Dehd's best album to date, the band finds its most full creation: an album of happiness, reflection, and effusive exploration, Blue Skies is the Chicago band's triumphant entry from out of a pandemic world . . .

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The Cure :: Charlotte Sometimes (Soundcheck, 1982)

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The bootleg live version of "Charlotte Sometimes" from The Cure’s soundcheck at The Hammersmith Odeon could be considered the definitive version of the song. It's a perfect concoction of composition and environment, adding an additional ghostly layer to an already haunting song. The lo-fi recording quality and cavernous reverb from the empty venue perfectly plays into the song's eerie nature. It’s as if The Cure are performing to an audience of phantoms beneath the dim lights of an abandoned theater - is there a better way to hear The Cure than that . . .

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Ra Can Row :: Ra Can Row (1983)

Ra Can RowPosted on

Heavy kosmische from America’s Rhine substitute: the mighty Ohio River. As if Ash Ra Tempel recorded at the Black Ark. For a one-off group of unknown Ohioans, Ra Can Row sounds remarkably contemporary for their time . . .

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Cedric “Im” Brooks :: United Africa

Cedric “Im” Brooks Reggae/DubPosted on

...it’s “Silent Force” that rises out of the album like a thick encroaching mist. It’s a massive groove that wouldn’t be out of place on an Africa 70 record, displaying the full strength of Brooks’ tenor sax and the supple interplay of his ensemble as they funk hard over an insistent undercurrent of nyabinghi drums. With Brooks’ tenor backed by Jamaican session luminaries like Ernest Ranglin, Harold Butler, Boris Gardiner, and Tony Allen, “Silent Force” is an otherworldly melding of roots reggae, spiritual jazz, and African polyrhythms that transcends the narrow confines of genre. This is fusion . . .

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Radio Free Aquarium Drunkard :: July 2022

Radio Free Aquarium DrunkardPosted on

Coming in clear and loud: Airing every third Sunday of the month, Radio Free Aquarium Drunkard returns for four hours of freeform tunes on dublab this week, on July 17 from 4-8 PM Pacific, with New Happy Gathering, Range and Basin, a Doom and Gloom from the Tomb Pavement deep dive, and an hour of country funk from Jocelyn Romo of Heaven and Earth Magic . . .

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Lael Neale :: The Aquarium Drunkard Interview

Lael Neale The AD InterviewPosted on

Singer/songwriter Lael Neale sits down at Schubas Tavern in Chicago to discuss her album Acquainted with Night, her collaborator Guy Blakeslee of Entrance Band, and where she's going next . . .

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Color Green :: The Aquarium Drunkard Interview

Color Green The AD InterviewPosted on

Arriving July 22 via AD and Org Music, Color Green’s full-length debut is music of absolute forward motion, meant to be played from open car windows no matter the speed you’re traveling. The songs nod reverently to their forebears—from the Allmans-tinged sunshine of “Ill Fitting Suit” to the JJ Cale taillight lament of “Ruby”—before tossing up a wave and taking the whole show a little further down the road. With another record in the works and a road-tested band behind them, we caught up with Noah Kohll and Corey Madden as their Color . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmuting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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The Lagniappe Sessions :: Al Riggs

Al Riggs Lagniappe SessionsPosted on

For their first ever Lagniappe Session, North Carolina songwriter/singer/producer Al Riggs takes on songs by The Who, Liz Phair, and Hidden Cameras . . .

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Transmissions :: Vish Khanna

Podcast Vish KhannaPosted on

Transmissions with Canadian podcaster, broadcaster, music journalist, and music lifer Vish Khanna. He’s the host of the long running and inspirational Kreative Kontrol, a podcast dedicated to creativity, which has featured talks with people like Will Oldham, members of Pavement, Sonic Youth, Warren Ellis of The Bad Seeds, Jeff Tweedy, Ian MacKaye, and many others. Khanna and host Jason P. Woodbury embark on a revealing conversation about niche music podcasting and creative process . . .

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Charles Stepney :: That’s the Way of the World (Home Demo)

Charles StepneyPosted on

Step on Step presents soul and funk producer Charles Stepney alone and in the basement, working with drum machines and synths to craft sounds that feel remarkably modern. Take his embryonic version of "That's the Way of the World," an eventual hit for Earth, Wind & Fire: its lo-fi instrumental glory shines as brightly as a heart on fire . . .

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Weed & Molasses: Little Feat | Live at WLIR Ultrasonic Studios, April 10, 1973

Little FeatPosted on

The band's live recording at WLIR in Long Island on April 10, 1973 is undoubtedly one of the great early Feat bootlegs, and perhaps only rivaled by the following year’s performance at the very same studio on September 19, 1974 (now officially released as Electrif Lycanthrope: Live at Ultra-Sonic Studios, 1974). Fresh from the recording sessions for Dixie Chicken, this 1973 set is red hot . . .

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Cleve Alleyne’s Force 3 :: Remember Where You Came From (1983)

Cleve AlleynePosted on

Armchair funk residing in the same universe as Herbie Hancock’s transitory explorations before remaking his identity with Headhunters in 1973—an organic merging of pop music with jazz and funk tropes that, despite feeling experimental, remains palatable to a broad audience . . .

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Anna Butterss :: Activities

Anna ButterssPosted on

On her solo debut, Activities, Anna Butterss embraces expansive electro-tinged jazz. Revealing the full depth of her musicianship, she performs the record almost entirely herself, utilizing a gamut of upright and electric bass, guitar, piano, Rhodes, analog and digital synths, drums, drum programming, percussion, flute, and vocals . . .

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