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Count Ossie and the Rasta Family :: Man From Higher Heights

If you’re wondering where to head after Dadawah and Heart of the Congos, this ain’t a bad next step. Man from Higher Heights is a roots reggae jammer shrouded in mystery. It's potent brew of reverent nyabinghi rhythms, synth, brass, and sinuous fuzz guitar will elevate you above the heat and humid murk to your own higher heights . . .

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“Blue” Gene Tyranny :: Real Life and the Movies Volume 1

Unseen Worlds is reissuing Real Life and the Movies Volume 1, a 1981 cassette previously published through Tyranny's collaborative private press. Spanning a 25-year period of his varied compositional experiments, the themes enclosed all blend cinematographic excerpts and American cultural miscellanea into a single, unified aesthetic . . .

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Library Music Series 1 & 2: Crime / Oceanography

2-Headed Deer, the label that recently gained notability releasing records by jazz experimentalists like Misha Panfilov and the Organic Pulse Ensemble, has just released the first two albums in a series inspired by European Library Music labels like KPM, CAM and Music De Wolfe. The first, Crime, by the Milan-based band Larry Manteca, replicates 1970s Italian b-movie soundtracks, while the second, Oceanography, produced by Chris Stullenberg under the alias of New Library Sound, pays respect to Jacques Cousteau documentaries, with liquid-like analog modular synths and sound effects recombining to evoke marine life and underwater exploration . . .

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Richard Metzger :: The Aquarium Drunkard Interview

"Changing reality is a group sport." Richard Metzger has been documenting the counterculture for decades with projects like Disinformation and the beloved blog Dangerous Minds. Now, he's launched Magick Show—a survey of modern occultists. He joins us to discuss online media, counterculture, and art and explain how "magick" is a part of it all . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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The Same Man: Bob Dylan’s “Shot of Love”

Even in its semi-bastardized state, Shot of Love stands as a major achievement. The songs harmonize into something spectacular, a perfect finished plan. Hard rockers, little love ditties, kaleidoscopic four-dimensional ballads, "Lenny Bruce": it’s all here, everything you could ever want, bursting out the grooves like a blast of blue-orange Ben-Day dots. It is the album Bob Dylan wanted to make at the time, made the way Bob Dylan wanted to make it. His furnace of desire had not stopped burning. It never would . . .

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Transmissions :: Yasmin Williams

This week on Transmissions, return guest Yasmin Williams. On October 4th, she releases Acadia via Nonesuch Records. It's her long awaited follow up to 2021's Urban Driftwood, and like that record, it's beautiful—a showcase for a one-of-a-kind artist. Williams first came back on the show way back in the lockdown days, but life has changed greatly for her since then. She discusses some of those changes, and opens up about her desire to create with Acadia something of a refuge from the chaos of the world. Ahead of its release, she joins Jason . . .

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Panda Bear & Sonic Boom :: Reset Mariachi EP

... the 2022 album Reset has been subject to many playful experimentations, including an expanded edition with remixes and instrumentals and an EP of dub versionings produced by Adrian Sherwood. For this year's own toying with Reset, the goal was making mariachi versions of two of the record's most compelling songs: "Danger" and "Livin in the After . . .

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Videodrome :: Obsession (1976)

Obsession is Brian De Palma and Paul Schrader at their most deliriously Hitchcockian, their fandom for the revered British director bursting forth from every frame. Obsession functions as a tale of memory and fixations as much as it works as a fanatical, meta-textual analysis of its creators: two young filmmakers obsessed with Vertigo, attempting to recreate their memory of it in their own image . . .

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Bill Callahan :: Resuscitate!

Last year Bill Callahan brought Jim White along on a series of tour dates to make his intricate songs more visceral, and even just with drums, it worked extremely well. This live recording of a March 2023 show in Chicago takes that augmentation a step further. For this single show, Callahan added not just White but Austin guitarist Matt Kinsey, Chicago free jazz saxophonist Nick Mazzerella, the Congolese singer Pascal Kerong’A, keyboard player Nathaniel Ballinger and the core of Natural Information Society in Joshua Abrams and Lisa Alvarado. The set leans heavily on songs from YTILAER—seven out of . . .

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Niningashi :: Heavy Way

Branching off their Nippon Acid Folk 1970​-​1980 compilation, Time Capsule’s reissue of Niningashi’s 1974 LP Heavy Way is a gem of private press, outsider psych. Recorded and self-released while in pharmacy school, the young Tokyo-based musician and his six-piece band captured lightning in a bottle here, and sound like they had fun doing it . . .

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Tidiane Thiam :: Africa Yontii

Tidiane Thiam’s last LP was a gorgeously stripped-down thing, featuring the Senegalese guitarist communing with nocturnal natural sounds. Africa Yontii, by contrast, is relatively lush and full, with beats, electric six-string and subtle electronics complementing Thiam’s intricate fingerpicking. It’s different, but the meditative space and spirit of the music remains . . .

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The Lagniappe Sessions :: Bobby Lee

Cosmic country rambler Bobby Lee takes the controls and sets a course for the heart of the cosmos with these covers of songs by Don Williams, Fred Eaglesmith, and funk legends Cymande . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Billy Talbot :: The Aquarium Drunkard Interview

Way back in the 1990s, Neil Young started mentioning Early Daze, a collection of previously unreleased studio recordings he made with Crazy Horse in the late 1960s. As with most everything in Shakeyland, it was a long time coming … but this summer Early Daze finally emerged. Worth the wait? Oh yeah.

For further insight, we went to one of the guys who was there for it all — bassist Billy Talbot . . .

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