Posts

Well Hung :: ’60s Communist Hungarian Funk

When I'm asked "so, what are you listening to these days?" more often than not, the answer regularly involves some sort of compilation, sanctioned or otherwise, ranging from dancehall, dub, French pop, tropicalia, Ethiopian hybrid jazz/funk to '60s garage-rock, freakbeat, obscure soul and weird psych comps from yesteryear.   While I will always be an admirer of the album format, these collections, in terms of gathering up the one-offs and interesting curios, consistently deliver (see labels: Soul Jazz, become a member or log in.

Wilco (The Album)

Starting with “Wilco (The Song),” which sounds like an upbeat inverse of the Velvet Underground’s “I’m Waiting for the Man,” Wilco announce their intentions quickly on Wilco (The Album).   “Do you dabble in depression?” Jeff Tweedy asks, and it’s not the question itself that’s new for Wilco–far . . .

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Yoî±lu :: A Society In Which No Tear is Shed

Yoî±lu was the recording nom de tune of 16 year-old Vinicius Gageiro Marques.   Note the use of "was" here.   His story is as interesting as it is tragic.   From his parents home in the Southwestern Brazilian city of Porto Alegre, Marques, recording as Yoî±lu, crafted lo-fi, tropicalia-soaked, pop and folk pieces reminiscent of José Gonzî¡lez and Nick Drake all in the fragmentary style of

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Off The Record :: Citified (Greensboro, NC)

Off The Record is a recurring feature here on the Drunkard that marries two of my greatest interests; music and travel. Having a locals perspective when visiting a new locale is the difference between experiencing it through the lens of a tourist and of that of a native.

Off The Record gathers some of my favorite artists, asks them to reflect on their city of residence, and choose a handful of places they could not live without – be them bookstores, bars, restaurants or vistas.

Thus far we've seen NC related entries in the Off The . . .

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The Low Anthem :: The AD Interview

Formed in 2006, Providence, RI trio The Low Anthem have provided the summer of 2009 with music that, while purposefully anachronistic, offers glimpses into the past, present and future like a great American novel.   Behind the air blowing through their ancient harmonium is a band who actually sees the music of the future as far more intimate. However, their music should not be viewed reductively as simply a new branch of folk music -- it is, instead, more natural.   As such, it is quite fitting that they would use the . . .

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Big Star :: Reissues/Vinyl/Box Set/Tributes

With reissues, a box set and vinyl all hitting shelves this year it's a good time to be a Big Star fan, if albeit, a somewhat confusing one.   A quick wrap-up: Two weeks ago saw the release of the long-standing double CD version of the #1 Record/Radio City LPs.   The music contained within is obviously . . .

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John Vanderslice & The Tallest Man On Earth

Tonight in LA at the Troubadour in West Hollywood: John Vanderslice & The Tallest Man On Earth.   Come on out.   Photo by: Elizabeth Weinberg

+ Download JV via eMusic’s 25 free MP3 no risk trial offer

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Sevens :: Cheap Trick, Surrender

(Sevens, a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

We spend a lot of time discussing the elements of the music that moves us, whether it's lyrics or instrumentation. However, at a certain point, there is an ineffable quality about the music we like that affects us in ways we cannot describe. One of the musical structures that is often hardest to describe is the idea of resolution . . .

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SIRIUS/XM Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XM, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 100: Jean Michel Bernard - Generique Stephane ++ Neutral Milk Hotel - Glue (Gerbils cover) ++ Modern Skirts - Indiana Indian ++ Foreign Born - That Old Sun ++ Venice Is Sinking - Ryan's Song ++ Red Red Meat - Rosewood, Stax, Volts And Glitter ++ Guided By Voices - Don't . . .

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R.E.M. :: Reckoning (Reissue)

"Reckoning was a chance to turn up the volume, tear up the rule book, and instead capture R.E.M.’s on-stage mojo." - Don Dixon (producer, Reckoning)

My relationship with Reckoning began roughly twenty years ago via a dubbed cassette copy I recorded off my friend's older brother's vinyl LP. The flip side of the tape was Lifes Rich Pageant. I still have the cassette, the sleeve's paper yellowed and stained, with the track titles written in the hand of a 13 year old boy. The red ink is a bit smeared . . .

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Circulatory System (Will Cullen Hart) :: The Aquarium Drunkard Interview

Talking to Will Cullen Hart, the force behind Circulatory System and one of the founders of Olivia Tremor Control and the Elephant 6 collective, is a bit like playing conversational whack-a-mole.   He is capable of ducking, diving, and reappearing two clicks down the consciousness stream at a moment's notice.   He's self-conscious about this, and blames it on his Multiple Sclerosis, which was diagnosed a few years ago when he went blind in one eye.   It also speaks also of his creative mind, which is always churning.   He talks in sounds as much as he talks in words, which is hard to transcribe.   Trust us, he's really good!

Circulatory System's new one, Signal Morning, is another psychedelic monster of a record, a little more compact and intense than previous releases.   It's short by Hart's standards at 45 minutes, and was manipulated and massaged into shape by Charlie Johnston and Nesey Gallons out of over seven years of material.   We spoke with Hart about his poor job of tracklisting the first Circulatory System record, his problems with MS, and wanting to leave home recording for the studio, among other topics. | l jensen

Will Cullen Hart: How's it going?

AD: Hey, Will!   Thanks for doing this interview with me.

Will: I'm excited.   I'll just babble on for days if you let me.   Please be kind.   I'll say "fuck" every other word.

AD: I'll trim all the naughty bits out for you! [laughs]

Will: Good!

AD: So, you have to be excited about the interest that the record and Circulatory System are receiving—

Will: For a 10 year old band!

AD: —especially from places like Entertainment Weekly, of all things.

Will: I met that guy before...with Olivia.   With Olivia.   I think so.   It's totally clouded.

AD: Simon Vozick-Levinson...

Will: It was during the Olivia reunion in New York.   I remember doing a mini-interview with him on the stairs there.   I just didn't remember his name.

AD: That's not a typical press outlet for Circulatory System records.

Will: No, but I'm hoping it will be!   Really!   It's great!   I think it can be accessible...uh, no, well, maybe it's not.   It may not be.   It goes in and out, I think.

AD: I will say that this record adheres to the idea of making an album, much like your other work with Circulatory and OTC.

Will: Thank you.   Yeah, the idea behind this one was to do a single album.   45 minutes.   The first Circulatory System album, on CD, says "Side One" and "Side Two."   John [Fernandes] and I weren't thinking when we did it.   It's a double album!

AD: It would be side 1, 2, 3, and 4!

Will: This new one, on vinyl, the songs split into this perfect order.   I can't believe we said "Side One" and "Side Two" on the last one.   It's "conceptually" sides of an album, I guess.   That's what we say.

AD: I think you can put 30 minutes on each side, but it sounds bad, right?

Will: There is some concern about one side being 25 minutes, but I don't know.   The Fall's Hex Enduction Hour is 30 minutes each side, and it sounds great.   In the end, I don't care.   I don't care.

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Frankel :: Anonymity Is The New Fame

Those who have been around a minute may recall that in 2007 Frankel's debut LP, Lullaby For The Passerby, ranked as one of my absolute favorite albums of the year.   It remains so today.   Frankel is the songwriting/recording vehicle of Michael Orendy who hangs his hat in the hills of L.A.'s Silver Lake neighborhood . . .

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Jay Farrar :: The AD Interview

There's no doubt about Jay Farrar's legacy in modern music. As a co-founding member of one of its genre-defining bands, Uncle Tupelo, and then as the creator behind one of its certifiable masterpieces, Son Volt's Trace, his body of work ranks among the finest in contemporary country and rock and roll. His unique voice and image-laden lyrics . . .

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SIRIUS/XM Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XM, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 99: Jean Michel Bernard - Generique Stephane ++ Foreign Born - That Old Sun ++ Dirty Projectors - What I See ++ El Guincho - Palmitos Park ++ Seu Jorge - Starman (David Bowie cover) ++ Dump - Raspberry Beret (Prince cover) ++ The Flaming Lips - A Spoonful Weighs A Ton ++ Grandaddy . . .

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