On João Gilberto

ECM recording artist Fred Thomas stops by Aquarium Drunkard for a detailed examination of the artistry, process, and editing of Brazilian guitarist and singer João Gilberto, not a source of delightful kitsch but actually, a countercultural aesthetic monk.

The Lagniappe Sessions :: Chico Bernardes

The past 18 months have found our ears trained on Brazil’s burgeoning contemporary music scene. To name a handful, Ana Frango Elétrico, Tim Bernardes, Sessa, Kiko Dinucci, Catavento, and O Terno’s records have all soundtracked our Los Angeles HQ.

São Paulo singer-songwriter Chico Bernardes is the latest to join this loose cadre, whose debut lp remains ripe and in steady rotation. For his Lagniappe Session the 20-year-old multi-instrumentalist reflects on early inspiration (Grizzly Bear), and local sonic compatriots (Sophia Chablau and Téo Serson).

Kiko Dinucci :: Rastilho

With Rastilho, Kiko Dinucci set out to make an album in the vein of Brazilian compatriot João Gilberto … as scanned through the lens of São Paulo’s avant-garde scene, African polyphonic rhythms and percussive post-punk. Sacrosanct this is not.

The Lagniappe Sessions :: Sessa

Atenção! An outsize portion of our 2019 listening was dominated by Grandeza, the debut album from São Paulo–born artist Sessa. As such, the follow lagniappe session is something akin to the sound of the inevitably. This, the first installment of a two-part session, begins with Sessa’s delicate rendering of Helene Smith’s soulful “I’m Controlled By Your Love”, a cover deftly employed to audiences while in LA earlier this year. Next, the artist pays tribute to fellow countryman, and Tropicália pioneer, Jorge Mautner — taking on 1976’s “Samba Jambo”, before closing out with Haitian composer and guitarist Frantz Casseus’s “Yanvalloux”.

The Lagniappe Sessions :: Boogarins

Brazil’s Boogarins recently released their third album, Sombrou Dúvida, a set which finds the group refining their Tropicália influenced, mutant psych-rock into a concentrated, glowing sheen. For this installment of the Lagniappe Sessions, the group lay their influences bare with covers from My Bloody Valentine, the Velvets, and the Kinks.

Tim Maia’s Seroma Years (1972-1977)

… I started to see these two-plus albums (and a posthumous Vol. 3) as the centerpieces of Tim’s most prolific, creative and influential phase, what I’d like to call his “Seroma” phase, named after the rehearsal space and production company of the same name. […]