RAMP :: Everybody Loves The Sunshine

As summer doesn't officially call it quits until September 22nd, here's a three and half minute sonic respite; RAMP's extra languid 1977 twilight take on Roy Ayers "Everybody Loves The Sunshine". All drowsy synthesizers and celestial vox, if things got any more laid back you'd likely slide right out of your chair. Meditate on that.

RAMP :: Everybody Loves The Sunshine

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The Lagniappe Sessions :: Sarah Louise

Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Guitarist Sarah Louise's 2018 album Deeper Woods is one of our favorites of the year, a haunted and spectral work that invokes the beauty, and mystery, of nature. The record unites Louise's Appalachian folk roots with free jazz, drone, and ambient, and her covers for this Lagniappe Session reveal her as an artist intent on constantly inventing and reinventing her sound. Louise is about to head out on a solo tour, but first, she explains her song choices.

Sarah Louise :: Dreams (Fleetwood Mac)

I’m happiest working on things that I don’t fully understand. To say the least, there was a lot of room for discovery in this synthy-disco take on my favorite Fleetwood Mac song. This cover is in honor of my friends who threw a dance party to end all dance parties last New Year’s. I’ve always enjoyed good pop and dance music and am increasingly fascinated by how to make it. I love the idea of making music for a group activity like dancing, where people can feel safe to let it all hang out. I had a lot of fun working to keep the momentum going throughout the repeating three chords and had a chuckle or two about the '80s Casio disco beat I used on it.

Sarah Louise :: Journey in Satchidananda (Alice Coltrane)

Alice Coltrane is an absolute giant for me. "Journey in Satchidananda" was my gateway, so it will always be close to my heart. I feel deeply touched by the level of presence and surrender all of the performers bring to this record and the spiritual devotion that inspired it. I enjoyed working out elements of the original’s rhythmic underpinning (swapping out upright bass and tanpura for electric guitar and glockenspiel) and wanted to include enough suggestion of the original riffs to make it recognizable. But it felt important to take it in a different direction in deference to the perfect original. I paid a lot of attention to atmosphere, which is on my mind more and more the deeper I get into recording myself. It’s a whole new world!

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Alice Coltrane :: Jaya Jaya Rama

The humidity continues to linger, so we’re choosing to sweat it out with this fierce slice of late night free jazz. “Jaya Jaya Rama,” the closing number to Alice Coltrane’s 1969 lp, Huntington Ashram Monastery, is pure, unabashed expression. Featuring Coltrane on piano, Ron Carter on bass, and Rashied Ali on drums, the trio takes a nocturnal blues and stretches it way out, with Coltrane blistering away on the keys, entering a deep modal groove. While the gentlemen keep the . . .

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Doug Paisley :: Drinking With A Friend

Though he's a masterful lyricist, Doug Paisley knows that language has its limits. On "Drinking With a Friend," the first taste of his forthcoming album Starter Home, he confesses over churning upright bass, acoustic guitar, gentle organ, and a resonator guitar: "So many things that I wanted to say/I always found that words got in the way." Set for release via No Quarter Records on November 2nd, Starter Home follows 2014's

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Arthur’s Landing :: Singing Tractors 64

In 2011 Strut Records released Arthur's Landing, a 13 track collection of (largely) unreleased materiel composed by Arthur Russell. Brought to life via former musical collaborators and compatriots, Peter Zummo, Elodie Lauten, Ernie Brooks, Bill Ruyle, Alex Waterman and Mustafa Ahmed, the set exudes the late artist's indelible fingerprints while creatively thriving in its own right. As a whole, the collective's renderings and interpretations of Russell's music scan the breadth and depth of his varied career, synthesizing the genre-bending oeuvre . . .

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Voices Of Conquest :: O Yes My Lord (1968)

Percussive exaltation. Enjoy the long weekend. All propers to the Numero Group for the hip a decade ago, via their Good God! Gospel Funk Hymnal compilation.

Voices Of Conquest :: O Yes My Lord

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Transmissions Podcast :: Nate Chinen’s Playing Changes/Exploring Japan’s Kissa Bars/Little Wings

We’re back. Welcome to the August edition of the Transmissions podcast, just under the wire. We've got a great episode this month. First, Aquarium Drunkard's Mary Sartini Garner sits down with Nate Chinen, author of a new book, Playing Changes: Jazz for the New Century. A longtime New York Times critic and scholar, Chinen’s new book looks at the shape of modern jazz, examining how the art form has incorporated new genres, how jazz education has shaped a new generation of players, and where jazz is headed.

Then, hosts Jason P. Woodbury and Justin Gage discuss Justin's experiences in Japan's kissa bars — small, intimate bars/coffeehouses where the music selection isn’t just incidental — it’s essential to the identity of the place. The concept is gaining traction in the US as well, so we ponder what makes such a dedicated listening space so appealing. To close, Jason sits down with visual artist and musician Kyle Field. For 20 years, he's played under the Little Wings banner. He’s got a new split 12” out now with Maher Shalal Hash Baz called Share, which we discussed, along with his storied history and what life on the road looks like for a DIY artist in 2018.

Transmissions Podcast :: Nate Chinen/Kissa Bars/Little Wings

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SIRIUS/XMU :: Aquarium Drunkard Show (7pm PST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard every Wednesday at 7pm PST with encore broadcasts on-demand via the SIRIUS/XM app.

SIRIUS 534: Jean Michel Bernard – Générique Stephane ++ Dent May - Right Down The Line (Gerry Rafferty) ++ Dent May - When Am I Gonna Make A Living (Sade) ++ The Mountain Goats - Blood Bank (Bon Iver) ++ The Mountain Goats - Bridge of Sighs (Robin Trower) ++ The Mountain Goats - Save the People (Godspell) ++ Cornelia Murr :: Why Keep On Breaking My Heart (Nina Simone) ++ Cornelia . . .

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The Lagniappe Sessions :: The Mountain Goats

Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Last year was a busy one for John Darnielle. In addition to releasing his third book, the spooky and spiritual Universal Harvester, his long-running project the Mountain Goats released its sixteenth studio album, Goths. Featuring empathetic and riveting songs and character studies, it signaled a bold turn in the Goats' discography, sharply melodic, sleek, and keyboard-based. Now, Darnielle returns for his first Lagniappe Session, covering Bon Iver's "Blood Bank," "Save the People" from Godspell, and Robin Trower's "Bridge of Sighs." In his own words, Darnielle explains his song selections:

Aquarium Drunkard asked us to do an EP of covers over a year ago, and I said: "Sure!", because I am pretty manic when I have a new album coming out, and I don't think about how busy I'm about to be. Complicating matters further was that I'd just published a new book a few months before, so the whole season was sort of blossoming into this glorious stress-test blur of motion, to which I was trying to respond with more "Sure!"s and fewer "I'm going to crack, like a fine porcelain figurine from Delft, or, if Delft is not where they make porcelain, then wherever it is they make porcelain, the Czech Republic or something, please somebody stop me, I don't know my limits."

Anyway, Goths came out, and people liked it, and I was relieved, because it was a pretty different record for us, and we toured & toured & toured some more, and then the paperback edition of the book came out and I toured that, and all the while, my man Ryan was saying -- hey -- you told Aquarium Drunkard you'd record them some covers, what are we if not people of our word, and I concurred, making good on your marker is an important principle at Chez Mountain Goats.

So I hollered at Matt Douglas, with whom I've developed a musical partnership so strong over the past few years that it's one of the great blessings of my entire life, not just this part of my life but legit the whole deal -- just love that dude -- and I said --

Matt, are you hip to doing some covers at that home studio of yours? We can have Chris Boerner mix them, he did such a stunning job on that cover of War's "Summer" we did a while back, plus I love that dude, too, and Matt was like, let's do the thing.

After that it took like four more months to find a hole in the calendar where we could put the session, and, even then, I kept proposing and withdrawing new suggestions -- at one point, we were going to try "Mastercontrol" by Graeme Downes, and who's to say we won't someday, but for the time being there's these: the Bon Iver song that I initially read as being about junkies in the Pacific Northwest donating plasma for money in the '80s, because that was a thing a lot of my friends did and a lot of those friends have gone home to God now so this song holds, for me, both great pain, and the sweet memory of friends too beautiful for this world; and "Save the People," from Godspell, performed entirely live, on two guitars & vocals with only the responsorial vocals overdubbed; and "Bridge of Sighs," by Robin Trower, with whom I am totally obsessed, you would not believe the size of my Robin Trower vinyl collection, I'd be willing to bet Robin Trower doesn't have as much of his own vinyl as I do, plus he's basically 60s British blues filtered through a proto-goth lens as my friend Dave Queen once noted and that is pretty much exactly the nexus at which I wish to live in six-minute blocs for the rest of my life.

I hope yall enjoy these songs; Matt and I had more fun playing them than I can tell you. Yours from the solitude of the making-new-stuff interzone, John Darnielle

the Mountain Goats :: Blood Bank (Bon Iver)the Mountain Goats :: Bridge of Sighs (Robin Trower)the Mountain Goats :: Save the People (Godspell)

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Heart of Snake :: S/T

From the same folks who brought you Krano's lost gem Requiescat In Plavem, comes another otherworldly taste of Italian psychedelia: Heart of Snake. Released earlier this year by Maple Death Records, Heart of Snake finds Vincenzo Marando (a Krano contributor) and Alberto Danzi crafting buzzy, gorgeous folk drones. Their compositions, each filling a side of a limited-edition cassette, shift from sustained, droning viola into sprightly . . .

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Abstract Truths: An Evolving Jazz Compendium – Volume Six

Volume Six of Abstract Truths, An Evolving Jazz Compendium. If unfamiliar with the series, please first read here per its genesis and intention. We return with Los Angeles selector Phil Cho, who can most readily be found in the real world playing around the city via his ongoing night, Floating, at the Melody Lounge in Chinatown, and/or hosting the Third Place listening parties. Cho . . .

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The Lagniappe Sessions :: Robert Walter’s 20th Congress (Second Session)

Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Hammond B3 composer and bandleader Robert Walter sees the release of his next full-length, Spacesuit, out next month, September 21st. An album influenced by early Fusion, Krautrock, Dub Reggae, the films of Alejandro Jodorowsky and Stanley Kubrick, and the imagery of Chris Foss, Moebius and H.R. Giger, Spacesuit finds Walter and co. exploring and improvising on a new palette of both sound and texture.

Walter's 2013 Lagniappe Session remains a favorite in the series, and here the artist follows it up with another genre-bending set of covers, kicking off with a dubbed out version of Roxy Music's "Avalon" and culminating with a take on the McCartney II enigma that is "Temporary Secretary". Walter on the selections, below . . .

Robert Walter’s 20th Congress :: Avalon (Version) (Roxy Music)

80's Roxy Music. I remember watching the video for this song on MTV as a kid. I was confused and fascinated by its weird romanticism. Shawn Everett was talking about the album a lot while we were recording Mike Gordon's OGOGO last year. I bought a copy and got really into it, and Greyboy Allstars guitarist Elgin Park suggested doing a dub/reggae version. *

Robert Walter’s 20th Congress :: My Little Red Book (Burt Bacharach)

I love Burt Bacharach/Hal David songs. My dad used to play this version from the first Love record for me when I was a kid. The opening riff supposedly influenced Syd Barrett to write "Interstellar Overdrive." It's a fun way to jam on a major 7 chord in a completely non-jazz way. This is an outtake from the Spacesuit recording sessions. **

Robert Walter’s 20th Congress :: Down In The Park (Gary Numan)

Gary Numan's dystopian synth-pop was a big influence on my writing for Spacesuit. He creates so much atmosphere and drama with relatively simple ideas. The eerie futurism feels relevant to me.  *

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Sandy Denny (Richard & Linda Thompson): Live In London, 1972

If there were justice in this world, there would be at least three albums full of Linda Thompson / Sandy Denny duets (under the Crazy Ladies moniker, perhaps?). But no! There are only a few examples of these two incredible singers harmonizing together. On this dusty 35-year-old audience tape you can hear a few of them — Sandy's “Crazy Lady Blues” and the Everly’s “When Will I Be Loved.” Both are great. The recording (including Richard Thompson on countrified lead guitar) is not hi-fi by any stretch, but every note Sandy sings and every . . .

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The Lagniappe Sessions :: RF Shannon

Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

RF Shannon's Trickster Blues, from May of this year, is a slice of hazy country-psych that creates a gorgeous and hypnotic mood over its just shy of 30 minute run-time. In a year in which every bit of escape is its own welcome respite, the album just such an oasis. For this installment of the Lagniappe Sessions, RF Shannon's main songwriter, Shane Renfro, takes on a pair of country chestnuts in the form of Jerry Jeff Walker's "About Her Eyes" and Gram Parson's "Luxury Liner" -- a cover that does the opposite of Emmy Lou Harris' own notable 70s version, slowing the song down just a notch from its original take by the International Submarine Band. Both of these songs were tracked on a rainy summer afternoon in Austin, Texas. Shane's thoughts on his selections, below.

RF Shannon :: About Her Eyes (Jerry Jeff Walker)

I grew up listening to Jerry Jeff Walker, but "About Her Eyes" slipped by my radar until about two years ago. I've been obsessed with it ever since. It's so lo-fi and mellow so I thought running it through a slightly more modern lens would be interesting. We definitely tried to stay true to the mellow vibe though; we tracked it live and it's just about the most fun song I've ever recorded.

RF Shannon :: Luxury Liner (International Submarine Band)

"Luxury Liner" was sort of an experiment and a fun challenge. I have a very soft spoken voice and hazy vibe and have always shied away from chugging country music, even though I'm in love with that vibe. Years ago, my brother and friends would blast this song and wish we could pull it off. So we went for it, and for better or worse it just felt good to give in to the tempo and energy of this song. I feel a kinship with Gram Parsons, the way he wove in between genres, so it was fun to get inside his head on this one.

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