Songwriter Sharon Van Etten joins Aquarium Drunkard Transmissions to discuss the 11th anniversary of her landmark album Tramp, her origins, her collaborators, and of course, her time on Twin Peaks: The Return, and why she was worried watching that show with her son in the house . . .
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Over his many years perched in the tangled branches of American underground music's family tree, James Jackson Toth has employed many names for his projects, including his own name, the ever-morphing Wooden Wand designation, DUNZA, and more. And now: James and The Giants. He joins us to discuss the personal and sci-fi nature of the record and ponder: What would Neil Young do . . .
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...a brilliantly raw snapshot, a weirdo masterpiece that trades the celebratory nature of most live albums for uncertainty, experimentation and feral wildness. To celebrate Time Fades Away’s golden anniversary, we’ve compiled an alternate version of the album. Some of it comes from the original Stray Gators tour, some of it comes from much later on. All of it captures the unhinged thrills of the original. Don’t be denied — listen in . . .
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The latest installment in the always-winning Habibi Funk series highlights Libyan composer & producer Najib Alhoush’s band, The Free Music. The tellingly titled “Part 1” collection compiles tracks off two 1976 albums from the band, who all in all recorded, and self-funded, ten lps. The premiere selection absolutely smokes—bursting with a technicolor blend of soul, funk, disco, and reggae . . .
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Just in time for another Bandcamp Friday on April 7, we’ve got another selection of recent/recommended releases for your listening pleasure ranging from Agharta-damaged workouts to homemade minimalism. Fill up your cart and hit that “Buy” button . . .
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Mike Polizze's acoustic album Long Lost Solace Find was one of 2020's prettiest and most laid back folk rock recordings. But with Purling Hiss' Drag On Girard, he resumed his assault on the ampflier with a blistered headlong brilliance. He joins us to discuss . . .
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Fifty years ago, fifty two minute bootleg fan compilation of Pink Floyd tour footage in support of Dark Side of The Moon, 1972-73 . . .
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Late last year Wadada Leo Smith turned 81. The trumpeter and composer has been making records since the late 1960s when he was part of Chicago’s AACM, and he’s recorded for everyone from ECM to Tzadik, doing everything from solo trumpet records to string quartets. But as he gets to an age when most slow down, Smith’s been even more prolific than ever. Last year saw seven discs of string quartets, plus another five of duos between him and musicians like Jack DeJohnette and Andrew Cyrille. And now there’s another set: Fire Illuminations, a digital only . . .
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Courtesy of rain soaked LA. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Rod Argent and Colin Blunstone of The Zombies join us on the Transmissions podcast to discuss new music, their classic single “Tell Her No” and landmark LP Odessey and Oracle, their relationship to super fan Tom Petty, and of course, we had to ask them about the fake Zombies that toured in the wake of the band’s late ‘60s breakup . . .
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With a career spanning six decades, Joel Vandroogenbroeck witnessed nearly the entire development of western pop music’s lesser-known backrooms—from the early days of jazz singers in smoky bars to soul crooners to kosmische-inflected Fusion and the rise of New Age soundscapes. Rising to recognition in the 21st century as sonically adventurous listeners began deep dives into the cosmic landscape of European jazz-rock, the Vandroogenbroeck-led Brainticket existed on the same plane as Between, Bob Downes, and Xhol Caravan . . .
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On May 26, Aquarium Drunkard and Org Music present Jesus People Music Vol. 2. Culled from the BlackForrestry’s AD mixtapes of obscure ’60s and ’70s Jesus People psych, rock, folk, and country. In advance of this collection’s release, we’re presenting its liner notes, written by Jason P. Woodbury . . .
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The inaugural Lagniappe Session from songwriter Tim Hill arrives on the heels of his sophomore effort Giant, a cozy collection of songs rooted in the traditions of LA troubadours like Warren Zevon and Neil Young. Also a Whittier, California-based ranch worker and known as the touring keyboardist for Allah-Lahs, Hill continues to brew his own craft of cowboy originals rooted in worn and dusty standards . . .
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Coming through the haze, it's Radio Free Aquarium Drunkard on dublab. Up first, New Happy Gathering offers an overcast hour of South African jazz, Japanese surf guitar psych, Hungarian pop, and outsider Americana. Then Range and Basin drops in with spoken word sci-fi mysticism, jazz, funk, and live recordings. Then, Doom and Gloom from the Tomb brings a mid-'60s Blue Note extravaganza of moody post-hard-bop. And to close, SUSS brings us a special hour-plus broadcast of influences, icons, and outliers from the Ambient Country scene. Tune in Sunday, March 19 from 4-8 PM . . .
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We caught up with Doug Paisley on a foggy January night at his home in Toronto. His new album Say What You Like, out March 17th on Outside Music, was recorded over the past few years, with selections pulled from his huge trove of songs in progress. “For me it’s all about recording these little ideas and then they just keep coming back,” Paisley said. “And there's a question in them and then the answer is somewhere way down the road . . .
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