Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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With a Pavement reunion tour going all over the place in 2022, it's a good time to revisit Lance Bangs' excellent Slow Century doc. Originally released in 2002, it tracks the band from the scruffy early days as a "special new band" through their, er, slightly less scruffy time as indie rock darlings . . .
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“Video Life” this is not. Prior to being reborn in the late 70s while riding the crest of British new wave, guitar guru Chris Spedding kicked off the decade with his solo debut, 1970’s Songs Without Words. Originally a Japan-only release, the instrumental jazz album found itself reissued and augmented in 2015 with a number of the tracks shortened, along with the inclusion of bonus track “Sub-Continental Drift . . .
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Ahead of his DJ set on Radio Free Aquarium Drunkard on dublab November 21, psych scholar Erik Davis joins us for a talk about the Jesus People Movement, Larry Norman, Judee Sill, Philip K. Dick and more . . .
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A heavy lidded instrumental, Wicked Lady cut this near seven minute riff 'n fuzz ripper in 1970. Both a testament to the endless endurance of the power trio as form, and an example of basement recording as unintended aesthetic, this shit just chugs. Like setting fire to grain alcohol, a late-night slab of hard psych perfect for summoning all manner of lower beasts and sub-creatures . . .
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Busy man John Dwyer doesn't slow down. In addition to Thee Oh Sees, Dwyer erects cracked, synth-heavy jams under his Damaged Bug moniker, mans the Castle Face label, and has been increasingly delving into jazz, free and otherwise, via multiple ad-hoc collaborations. Where last year saw the release of Bent Arcana, a half dozen tracks scanning krautrock, minimalist jazz, prog and fusion, 2021 introduced Witch Egg--Dwyer's latest improvisational outfit rounded out by Nick Murray, Brad Caulkins, Tom Dolas, and Greg Coates. The skronk is alive . . .
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Neal Casal once sang “Don't forget the old times my friend 'cause you know they were good times.” Today, Dave Schools of Widespread Panic and Hard Working Americans reflects on his late friend and a new tribute to him, Highway Butterfly . . .
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Ain't it funky now. Released in 2014 via Light In The Attic Records, this 18 track compilation of Sly Stone's short lived Stone Flower label continues to deliver empyrean dividends from the way-out. Over the course of four 7" singles, the label focused on a serpentine hybrid of minimal electro-funk, all delivered via house artists Joe Hicks, 6IX, Sly, and Little Sister. Produced and arranged by Stone himself, the catalog possesses an incredible lo-fi charm, slipping between proto-versions of Family Stone joints ("Just Like A Baby"), would-be anthems, and drum machine laden soul . . .
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Lloyd McNeill’s Treasures (1976) remains the most comprehensive work in displaying the merits of his artistic genius. The mind expanding “Griot” is a 17-minute epic that runs the gambit from deep spiritual heaviness to triumphant fanfare to a sure-strutted swagger that dances the listener into the blues-y shuffle of “As a Matter of Fact.” For the uninitiated and familiar alike, however, side two’s “Salvation Army” should be thrown on in memory of McNeill. A brilliant and bouncy affair, the group burrows into a victorious march with a groove that refuses to stop . . .
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Shot out of a hyper-creative canon, Kit Sebastian (Kit Martin and Merve Erdem) landed with a formidable debut in 2019's Mantra Moderne. Its audience held tightly to the album's global sprawl, advocating for more ears to agree and more music to arrive. The duo's follow-up, Melodi, answers those calls and then some. Intercontinental instrumentation is back - traversing sounds from the Cold War-era Balkans to rural South America - replete with Erdem's versatile, multilingual voice. Delightfully dancy, impressively intricate. Melodi’s momentum delivers a confident band for their first Lagniappe Session with Martin and Erdem . . .
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Charlatan channel science fiction into sound. Tying together various strands of Brad Rose’s multidisciplinary output, The Blades combines a chapbook of poems with the latest excerpt of a sci-fi novella, all soundtracked by an album of kosmische synth instrumentals . . .
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Mod out. Released in 1967 (and penned by Marc Bolan), this proto T. Rex nugget found itself banned by the BBC due to the lyric, "lift up your skirt and fly," How quaint! A high watermark of the short lived Leatherhead, England art/pop outfit, John's Children, "Desdemona's" eccentric charms continue to refrain. And though Bolan departed shortly thereafter, he would soon rework the group's "Mustang Ford" and "Hot Rod Mamma" for the nascent Tyrannosaurus Rex . . .
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Thursday, February 24th, Aquarium Drunkard presents Cate Le Bon with Mega Bog at the Teragram Ballroom, Los Angeles. Tickets on sale now ...
We are giving away five pairs of tickets to AD readers. Head over to our Instagram to land a pair....
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Welcome back to the stacks. It’s Aquarium Drunkard’s Book Club, our monthly gathering of recent (or not so recent) recommended reading. On the deck this month, books on The Velvet Underground, legendary bootleg purveyors, an acid western urtext, and more . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
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