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Sandro Perri :: In Another Life

Sandro Perri asks our patience. And time and again, he proves worth the wait. This week sees the release of In Another Life, his first proper lp since 2011’s visionary Impossible Spaces (that record arriving four years on the heels of his previous outing, Tiny Mirrors).

Perri asks our patience not only in the waiting between albums, but in the listening to them as well. His songwriting increasingly elliptical . . .

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Daniel T. :: Heliotrope

Frequent AD contributor, and one of our favorite selectors, Daniel T. returns this month with Heliotrope, the follow-up to his 2015 EP ,Tetrachromat. Produced by Daniel and Filip Nikolic, Dan told us he wanted the album's flow "to be something diverse in tempo and mood, but tied together with a common sonic thread -- something that would grab the attention of a record digger decades from now combing through used bins for something unique." The LP is out on the 14th via the NYC based Cascine label; in the meantime stream it below.

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Unearthed, Vol. 1 :: Sausalito Haze

Welcome to the first installment of Unearthed, a series of thematic mixes that travel deep into dusty vintage zones to dig up bootleg gold.

First up is Sausalito Haze, a selection of choice live-in-the-studio performances recorded in the 1970s at the Record Plant in Sausalito, California (where many classic LPs were created) and broadcast on KSAN-FM (AKA "Jive 95"). Plenty of stoney and intimate vibes here from the leading lights of the folk / country / rock scene at the time, some on their way up, some on their way down. There's . . .

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AD Presents: Unwise Promises, Unwise Pleasures (A Mixtape)

Jake and Jamin Orrall are JEFF the Brotherhood. Flanked by the addition of some new hands, the group returned last week with Magick Sounds, an lp whose sonics push far beyond their previous output. As part of our guest curated mix series, we asked Jake to expand on some of the sounds gestating before and during the album's sessions. Enter: Unwise Promises, Unwise Pleasures. Orrall, below.

While we . . .

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Jim Gavin (Lodge 49) :: The Aquarium Drunkard Interview

Magic lurks around the corners in AMC's Lodge 49, a late-summer blur of Pynchionian mystery, beach bum charm, and golden hour SoCal haze. Written and created by Jim Gavin, author of the bleakly funny 2013 short story collection . . .

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Talk Show / Aquarium Drunkard In Conversation With Matt Sullivan

Los Angeles: Wednesday night, Aquarium Drunkard presents TALK SHOW, an intimate series of conversations centered around the worlds of music, art, film and beyond. Our guest this month is Matt Sullivan of reissue label Light in the Attic. With releases by Rodriguez, Betty Davis, and Lee Hazlewood, LITA has stood at the forefront of archival music culture. Sullivan joins Justin Gage discussing the label's history. 8pm. Records and revelry to follow.

Free and open to the public at Gold Diggers in East Hollywood. 5632 Santa Monica Blvd . . .

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RAMP :: Everybody Loves The Sunshine

As summer doesn't officially call it quits until September 22nd, here's a three and half minute sonic respite; RAMP's extra languid 1977 twilight take on Roy Ayers "Everybody Loves The Sunshine". All drowsy synthesizers and celestial vox, if things got any more laid back you'd likely slide right out of your chair. Meditate on that.

RAMP :: Everybody Loves The Sunshine

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The Lagniappe Sessions :: Sarah Louise

Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Guitarist Sarah Louise's 2018 album Deeper Woods is one of our favorites of the year, a haunted and spectral work that invokes the beauty, and mystery, of nature. The record unites Louise's Appalachian folk roots with free jazz, drone, and ambient, and her covers for this Lagniappe Session reveal her as an artist intent on constantly inventing and reinventing her sound. Louise is about to head out on a solo tour, but first, she explains her song choices.

Sarah Louise :: Dreams (Fleetwood Mac)

I’m happiest working on things that I don’t fully understand. To say the least, there was a lot of room for discovery in this synthy-disco take on my favorite Fleetwood Mac song. This cover is in honor of my friends who threw a dance party to end all dance parties last New Year’s. I’ve always enjoyed good pop and dance music and am increasingly fascinated by how to make it. I love the idea of making music for a group activity like dancing, where people can feel safe to let it all hang out. I had a lot of fun working to keep the momentum going throughout the repeating three chords and had a chuckle or two about the '80s Casio disco beat I used on it.

Sarah Louise :: Journey in Satchidananda (Alice Coltrane)

Alice Coltrane is an absolute giant for me. "Journey in Satchidananda" was my gateway, so it will always be close to my heart. I feel deeply touched by the level of presence and surrender all of the performers bring to this record and the spiritual devotion that inspired it. I enjoyed working out elements of the original’s rhythmic underpinning (swapping out upright bass and tanpura for electric guitar and glockenspiel) and wanted to include enough suggestion of the original riffs to make it recognizable. But it felt important to take it in a different direction in deference to the perfect original. I paid a lot of attention to atmosphere, which is on my mind more and more the deeper I get into recording myself. It’s a whole new world!

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Alice Coltrane :: Jaya Jaya Rama

The humidity continues to linger, so we’re choosing to sweat it out with this fierce slice of late night free jazz. “Jaya Jaya Rama,” the closing number to Alice Coltrane’s 1969 lp, Huntington Ashram Monastery, is pure, unabashed expression. Featuring Coltrane on piano, Ron Carter on bass, and Rashied Ali on drums, the trio takes a nocturnal blues and stretches it way out, with Coltrane blistering away on the keys, entering a deep modal groove. While the gentlemen keep the . . .

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Doug Paisley :: Drinking With A Friend

Though he's a masterful lyricist, Doug Paisley knows that language has its limits. On "Drinking With a Friend," the first taste of his forthcoming album Starter Home, he confesses over churning upright bass, acoustic guitar, gentle organ, and a resonator guitar: "So many things that I wanted to say/I always found that words got in the way." Set for release via No Quarter Records on November 2nd, Starter Home follows 2014's

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Arthur’s Landing :: Singing Tractors 64

In 2011 Strut Records released Arthur's Landing, a 13 track collection of (largely) unreleased materiel composed by Arthur Russell. Brought to life via former musical collaborators and compatriots, Peter Zummo, Elodie Lauten, Ernie Brooks, Bill Ruyle, Alex Waterman and Mustafa Ahmed, the set exudes the late artist's indelible fingerprints while creatively thriving in its own right. As a whole, the collective's renderings and interpretations of Russell's music scan the breadth and depth of his varied career, synthesizing the genre-bending oeuvre . . .

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Voices Of Conquest :: O Yes My Lord (1968)

Percussive exaltation. Enjoy the long weekend. All propers to the Numero Group for the hip a decade ago, via their Good God! Gospel Funk Hymnal compilation.

Voices Of Conquest :: O Yes My Lord

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Transmissions Podcast :: Nate Chinen’s Playing Changes/Exploring Japan’s Kissa Bars/Little Wings

We’re back. Welcome to the August edition of the Transmissions podcast, just under the wire. We've got a great episode this month. First, Aquarium Drunkard's Mary Sartini Garner sits down with Nate Chinen, author of a new book, Playing Changes: Jazz for the New Century. A longtime New York Times critic and scholar, Chinen’s new book looks at the shape of modern jazz, examining how the art form has incorporated new genres, how jazz education has shaped a new generation of players, and where jazz is headed.

Then, hosts Jason P. Woodbury and Justin Gage discuss Justin's experiences in Japan's kissa bars — small, intimate bars/coffeehouses where the music selection isn’t just incidental — it’s essential to the identity of the place. The concept is gaining traction in the US as well, so we ponder what makes such a dedicated listening space so appealing. To close, Jason sits down with visual artist and musician Kyle Field. For 20 years, he's played under the Little Wings banner. He’s got a new split 12” out now with Maher Shalal Hash Baz called Share, which we discussed, along with his storied history and what life on the road looks like for a DIY artist in 2018.

Transmissions Podcast :: Nate Chinen/Kissa Bars/Little Wings

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SIRIUS/XMU :: Aquarium Drunkard Show (7pm PST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard every Wednesday at 7pm PST with encore broadcasts on-demand via the SIRIUS/XM app.

SIRIUS 534: Jean Michel Bernard – Générique Stephane ++ Dent May - Right Down The Line (Gerry Rafferty) ++ Dent May - When Am I Gonna Make A Living (Sade) ++ The Mountain Goats - Blood Bank (Bon Iver) ++ The Mountain Goats - Bridge of Sighs (Robin Trower) ++ The Mountain Goats - Save the People (Godspell) ++ Cornelia Murr :: Why Keep On Breaking My Heart (Nina Simone) ++ Cornelia . . .

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The Lagniappe Sessions :: The Mountain Goats

Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Last year was a busy one for John Darnielle. In addition to releasing his third book, the spooky and spiritual Universal Harvester, his long-running project the Mountain Goats released its sixteenth studio album, Goths. Featuring empathetic and riveting songs and character studies, it signaled a bold turn in the Goats' discography, sharply melodic, sleek, and keyboard-based. Now, Darnielle returns for his first Lagniappe Session, covering Bon Iver's "Blood Bank," "Save the People" from Godspell, and Robin Trower's "Bridge of Sighs." In his own words, Darnielle explains his song selections:

Aquarium Drunkard asked us to do an EP of covers over a year ago, and I said: "Sure!", because I am pretty manic when I have a new album coming out, and I don't think about how busy I'm about to be. Complicating matters further was that I'd just published a new book a few months before, so the whole season was sort of blossoming into this glorious stress-test blur of motion, to which I was trying to respond with more "Sure!"s and fewer "I'm going to crack, like a fine porcelain figurine from Delft, or, if Delft is not where they make porcelain, then wherever it is they make porcelain, the Czech Republic or something, please somebody stop me, I don't know my limits."

Anyway, Goths came out, and people liked it, and I was relieved, because it was a pretty different record for us, and we toured & toured & toured some more, and then the paperback edition of the book came out and I toured that, and all the while, my man Ryan was saying -- hey -- you told Aquarium Drunkard you'd record them some covers, what are we if not people of our word, and I concurred, making good on your marker is an important principle at Chez Mountain Goats.

So I hollered at Matt Douglas, with whom I've developed a musical partnership so strong over the past few years that it's one of the great blessings of my entire life, not just this part of my life but legit the whole deal -- just love that dude -- and I said --

Matt, are you hip to doing some covers at that home studio of yours? We can have Chris Boerner mix them, he did such a stunning job on that cover of War's "Summer" we did a while back, plus I love that dude, too, and Matt was like, let's do the thing.

After that it took like four more months to find a hole in the calendar where we could put the session, and, even then, I kept proposing and withdrawing new suggestions -- at one point, we were going to try "Mastercontrol" by Graeme Downes, and who's to say we won't someday, but for the time being there's these: the Bon Iver song that I initially read as being about junkies in the Pacific Northwest donating plasma for money in the '80s, because that was a thing a lot of my friends did and a lot of those friends have gone home to God now so this song holds, for me, both great pain, and the sweet memory of friends too beautiful for this world; and "Save the People," from Godspell, performed entirely live, on two guitars & vocals with only the responsorial vocals overdubbed; and "Bridge of Sighs," by Robin Trower, with whom I am totally obsessed, you would not believe the size of my Robin Trower vinyl collection, I'd be willing to bet Robin Trower doesn't have as much of his own vinyl as I do, plus he's basically 60s British blues filtered through a proto-goth lens as my friend Dave Queen once noted and that is pretty much exactly the nexus at which I wish to live in six-minute blocs for the rest of my life.

I hope yall enjoy these songs; Matt and I had more fun playing them than I can tell you. Yours from the solitude of the making-new-stuff interzone, John Darnielle

the Mountain Goats :: Blood Bank (Bon Iver)the Mountain Goats :: Bridge of Sighs (Robin Trower)the Mountain Goats :: Save the People (Godspell)

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