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Dead Notes #6 :: Operator (11/8/70 Port Chester, NY)

Welcome to the sixth installment of Dead Notes, where we find the Grateful Dead in the Fall of 1970, gigging at the famed Capitol Theater in Port Chester, NY. Between 1970 and 1971 the band played the theater 18 times, placing it thick in the pantheon of Dead venue lore alongside historic nights at Bill Graham's Fillmore East and West.

As the sixties came to a close, the psychedelic setlist center pieces of yore ("Dark Star" and "The Other One'' in particular) began to slowly disappear, replaced with a series of individual songs anchored by heavy Pigpen fueled R&B (see Dead Notes #1 & #4). Shows also began to include an opening acoustic set, drawing heavily from the American Beauty album and its predecessor, Workingman's Dead -- two albums that once again found the Dead shedding their skin. Donning a rural Americana vibe, a unique fusion of bluegrass, rock & roll and folk, with a heavy dose of country music, the Dead soon found themselves at the forefront of the country-rock movement with 5 of American Beauty's 10 tracks receiving radio play on both AM and (at the time underground) FM radio.

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B.J. Cole :: The New Hovering Dog

As a sideman, pedal steel master B.J. Cole has played on a litany of great recordings, including albums by Elton John, T. Rex, the Walker Brothers, Loudon Wainwright, John Cale, Bjî¶rk, Elvis Costello, Bert Jansch, and Spiritualized. Ladies and Gentlemen, We Are Floating in Space? That’s Cole. His playing is unique, with countrypolitan touches and spacey elements that endear him as much to downtempo DJs as seasoned songwriters.

His approach is beautifully displayed on 1973’s The New Hovering Dog. Recorded following the dissolution . . .

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AD Presents :: Kurt Vile — Berlin, Germany / @ Lido December 9th

We’re in Berlin for six months. Next up — AD presents Kurt Vile & The Violators, December 9th, at Lido. True Widow supports. We’re giving away a few pairs of tickets to AD readers. To enter, leave a comment below with you name and a valid email we can reach you at. CuvrystraîŸe 7 10997 Berlin

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 321: Jean Michel Bernard — Générique Stephane ++ Link Wray & The Wraymen - Rumble ++ Bernard Chabert - II Part En Californie (He Moved To California) ++ Pete Ham - Without You ++ The Kinks - Big Sky ++ Brenton Wood - Baby, You Got It ++ The Millennium - I Just Don't Know To Say Goodbye ++ The Beach Boys - Surf . . .

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Happy Thanksgiving :: Doug Sahm And Friends – Austin, TX 1972

Tradition runs rampant around Thanksgiving: generations of old recipes, football, Alice's Restaurant, The Last Waltz, and, of course, a parade of balloons shutting down NYC. What else do you need? If you thought you were covered in the Thanksgiving tradition department, we did too...until a few years ago, when someone blew the dust off a long lost tape -- Doug Sahm's Thanksgiving Jam.

Thanksgiving weekend, 1972: the . . .

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Peter Walker :: Has Anybody Seen Our Freedoms?

Peter Walker has lived a remarkable life. The 76-year-old guitarist was a contemporary of Sandy Bull, Fred Neil, Karen Dalton, and Lowell George; a musical director for Timothy Leary’s famed “Celebrations;” a student of Ravi Shankar and Ali Akbar Khan. He recorded two LPs for Vanguard, Rainy Day Raga (1967) and Second poem to Kamela, Or Gypsies are Important (1969), and then retreated from the music business.

Since contributing four new tracks to 2006’s A Raga for Peter . . .

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Josh Tillman :: The History Of Caves (Film Score)

I don't fool with Black Friday anything...but if you do, Josh Tillman's score for the short film The History of Caves is out later this week, via Sub Pop, on vinyl (limited run of 2k copies). A digital version will hit iTunes, etc November 26th.

Full stream, after the jump...

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Richard Swift & Damien Jurado :: Other People’s Songs Vol. 1

Damien Jurado and Richard Swift - Other People's Songs Vol. 1: A free digital download featuring the pair covering nine of their favorite songs, ranging from Bill Fay and John Denver to Kraftwerk and Yes.   AD caught up with Swift, and asked him to run down the tracklist with his thoughts on each selection. Swift, in his own words, below.

Other People’s Songs Vol. 1 is a collection of covers recorded on the weekend of August 21-22, 2010 (with the aid of a four-track cassette recorder and a Coles-4038 ribbon microphone).

Be Not So Fearful (Originally by Bill Fay):: This is the first thing we recorded in this session. Josh Ottum and Chris Colbert were in my studio mixing Josh's new record, so we decided to set up operations in the kitchen/dining room of my house. We used a four-track recorder and a Coles ribbon mic for the entire weekend, trying to keep things as immediate, and simple as possible. For this song in particular, Damien played guitar and sang in one room (the living room), while i played drums in another (the kitchen), there was a room between us (the dining room) which is were the microphone was placed. The ribbon mic we used records in a "figure 8" pattern, which means it records both what's in "front" of the mic, and what's "behind" the mic in equal parts. This made it possible for Damien and I to layer vocals and instruments (at the same time) to the limited number of tracks. Many times Damien would sing background parts while i'd be doing a drum overdub, or i would play tambourine and wood block while he was whistling… you get the idea.

Hello Sunshine (Originally by Relatively Clean Rivers) :: I'm not going to name-drop Jeff Tweedy's name, because I'm better than that, but a "certain singer/songwriter who plays in a band i once toured with" turned me onto this band a few years ago, and I've been obsessed ever since. You can hear a distinct similarity between this song and Wilco's equally hypnotic "You Are My Face". We decided to leave out the seagull/oceanside sound fx found in the original, but we were temped… There's a really great guitar riff/noodle that weaves throughout the original, and neither Damien nor myself are capable such "tasty-riff-dome" at this time. Like I mentioned before, guitarist Josh Ottum was in my studio mixing, so naturally, his talents were enlisted. He learned the entire set of guitar parts in 12 minutes and started recording on the 13th. Amazing.

Sweetness (Originally by Yes) :: Damien suggested this one, I think it's a childhood dream of his to cover it. He stretched his voice to places I've never heard it go before, and it is amazingly earnest. I never thought I'd sit down and figure out a Yes song, much less think, "Oh man, this is actually really simple once you get your head around it." There are no tricky chords necessarily, although there is a strange key change in the middle breakdown. The arrangement is what shines musically most for me, and with all the forward movement in the song It was particularly fun playing bass guitar.

Sincere Replies (Originally by Oh! Calcutta! Original Broadway Cast) :: I can't remember where I first heard this song, but I thought I'd be fun because of the playful nature of the vocal parts. Plus it's just fucking groovy right?

If The Sun Stops Shinin' (Originally by Chubby Checker) :: Damien had a hard time singing the lead vocal for this, mainly because he kept cracking up over the lyrics. The song includes words and phrases that "sad-artist-types" like Damien Jurado aren't accustom to singing. Words like "horsies" and phrases like "love your life, love everything… make peace in this world" are funny and corny to debby-downers like us.

Follow Me (Originally by John Denver) :: John-fucking-Denver.

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These Trails :: Garden Botanum

It’s been 40 years since These Trails was privately pressed in Hawaii, and two years since Drag City reissued the previously forgotten LP. A lush tapestry of native Hawaiian folk and kaleidoscopic, synthesizer-laden psych, These Trails blends sincere island homage with '70s psychedelia.

Margaret Morgan's cool, dreamy vocals -- sometimes playful, sometimes brooding -- carry the album's meditations on nature and existence. The album highlight is the closer, "Garden Botanium." A synthesizer cascades and shimmers tranquilly alongside an acoustic guitar. The observations read microscopic, but they . . .

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Bill Callahan :: Tiny Desk Concert

Some friends and I drove out to the desert last week to see Bill Callahan, who is presently touring behind his latest LP, Dream River - yet another outstanding work, from a near peerless artist. As I've been proselytizing since that night, this is not the Callahan tour you want to miss. He and the band are air tight, completely in step with one another. Without getting too woo woo, the atmosphere was near  transcendent at times. I (no shit) almost . . .

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Lou Reed :: WPIX Radio (NYC) – 1979

When Lou Reed penned the classic "Rock and Roll" he paid tribute not only to rock and roll music, but also to the transformative powers of rock and roll radio. Radio was a lifelong preoccupation for Reed, from his days as a Long Island teen with an ear pressed against the speaker during Alan Freed's legendary broadcasts to the New York Hustle, an eclectic satellite radio show he co-hosted with producer Hal Willner towards the end of his life. Had he . . .

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Sevens :: Tim Hecker – Live Room

(Sevens, a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

"Live Room" sits like an elephant on the hardy chest that is Virgins, Tim Hecker's latest and perhaps most breathtaking accomplishment. Positioned between the appropriately ethereal "Radiance" and the long exhale of "Live Room Out," this battle pitched between a pair of glows isn't a composition so much as it is a conjuring. A conjuring of what, though, I couldn't quite . . .

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AD Presents :: Jacco Gardner – Berlin, Germany / November 26th

We’re in Berlin for six months. Next up — AD presents Jacco Gardner, November 26th, at Privatclub. Zulu Pearls supports. We’re giving away a few pairs of tickets to AD readers. To enter, leave a comment below with you name and a valid email we can reach you at. Skalitzer Strasse 85-86, Berlin.

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