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Beautiful Dreamer: Brian Wilson And The Story of SMiLE

Brian Wilson And The Story of SMiLE. 2004 David Leaf directed oral history of Smile. Originally presented by Showtime, the documentary is loaded with archival footage corresponding around the release of Brian Wilson's SMiLE and subsequent tour. Worth the watch.

And speaking of SMiLE, consider the following absolute required reading: The AD Interview :: Darian Sahanaja (Behind The Smile Sessions)

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Wax Wonders :: Philadelphia Soul, Pt. 1

Philadelphia soul will always be remembered for the hits of the 1970’s; a lush, string-driven, hit-making sound that was probably more responsible for the birth of disco than any other style of music. However, in the 1960’s, Philadelphia began carving out its own sound on stacks of soul 45’s that took the vibe of this gritty east coast city and began adding the type of trademark arrangements into the mix that birthed the patented Philly sound. These records, presented today, are a handful of my all-time favorite soul releases from ANY city; the level . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 347: Jean Michel Bernard — Générique Stephane ++ The Beach Boys - Surf's Up (solo piano) ++ Bedlam’s Offspring — I’ll Be There ++ The Emperors — I Want My Woman ++ The Blue Rondos — Baby I Go For You ++ The Graham Bond Organisation — Early In The Morning ++ Bo Diddley — Bo Diddley ++ Cat . . .

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Brother Claude Ely :: There Ain’t No Grave Gonna Hold Me

I was driving through my neighborhood in New Orleans one evening when Brother Claude Ely came on WWOZ. I had to pull over and shake the goosebumps off, then regain my composure. Known as the “Gospel Ranger”, Brother Claude was the walking archetype of Pentecostal Holiness. He spent most of his life on the road, giving sermons to the ones who needed it most and the ones who didn’t know needed them yet. Using his cowboy hat, department store guitar, Holy Bible, and starched white suits, he knew . . .

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Skygreen Leopards :: The Aquarium Drunkard Interview

It’s been half a decade since we were treated to an LP from San Francisco’s Skygreen Leopards. Having taken some time earlier this year to collaborate with Ben Chasney (Six Organs of Admittance) as New Bums, longtime collaborators Donovan Quinn and Glenn Donaldson have revitalized their brand of bucolic, jangle-pop via Family Crimes, their first effort for Brooklyn-based label Woodsist.   Despite a lengthy intermission, the duo returns effortlessly to a project that seems entirely unyielding to any standard cyclical pressures created by the music industry.   It is not often you find a group so grounded and determined, yet equally blithe and untroubled.

Ahead of their eighth full-length under the SGL moniker, we spoke briefly with Donovan and Quinn about keeping this band afloat, returning to work with Papercuts’ Jason Quever, and sticking to a formula.

Aquarium Drunkard: Hey Donovan/Glenn. How’s it going and where are you writing us from?

Glenn: San Francisco (while I should be working).

Donovan: Everything is great. About to play at Vera Club in Groningen. Cool place.

AD: You guys are set to release your first LP since 2009. What sparked the writing and recording process again?

Glenn: It's our goal to outlast every other band and trend. No. Basically, every now and then it's fun to be creative around the concept of Skygreen Leopards and hang out; other times we get sick of ourselves and put it on hold for a while.

Donovan:
We usually have about a year of harmonious beautiful music making togetherness before we start screaming at each other and making death threats. That's when it's time to take a break and rush back to our respective therapists.

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Bob Carpenter :: Silent Passage

Known names like Emmylou Harris and Billy Joe Shaver recorded his songs, but Canadian songwriter Bob Carpenter’s work has largely been overlooked, spoke of only by true believers and searchers. As is the case with so many lost records, the trouble was there right from the very start: In 1974 Carpenter recorded an album called Silent Passage for Warner Bros. Records, but the label shelved it during contract negotiations.

One look at the credits list and the move seems unthinkable. Producer Brian Ahern put together a cast . . .

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The Jayhawks :: Sound Of Lies (Reissue)

When I wrote about the Jayhawks' Sound of Lies six and a half (?!) years ago, the album was ten years old, out of print and the band had sailed into what seemed to be their sunset. Gary Louris and Mark Olson had toured as a duo doing Jayhawks songs, but there was no reason necessarily to believe that the band proper was still kicking. Now, in 2014, we have seen reissues of three of the first four Jayhawks albums, a reunited Louris . . .

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Gal Costa :: Baby

Vibes, here. Gal Costa, on her 1969 self-titled lp, covers, amongst other Tropicalia staples, the Caetano Veloso-penned - Os Mutantes-popularized - “Baby.” Costa swaps out the mutant garage-psych for a taste of airy and elegant cool. Gone are the shimmering organ and winding guitar and in their stead we find swirling and soaring strings. The tune starts with a subtle but undeniable bassline, accented by distant drum clicks . . .

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Jerry Lee Lewis :: Lincoln Limousine

Jerry Lee Lewis’ 1966 album, Memphis Beat, is filled to the brim with covers ranging from the Louisiana classic “Mathilda” to the country standard “She Thinks I Still Care.” But in the midst of all the mediocre covers, The Killer still manages to deliver two and a half minutes of greatness. Lewis’ sole writing contribution lies buried on side 2 in the form of an upbeat tributary anthem to our late great 35th president. “Lincoln Limousine” walks a thin . . .

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Lee Hazlewood :: No Regrets

The psychedelic cowboy known as Lee Hazlewood was a force unlike any other: his deep baritone, his effortless cool, his expansive, boundary-pushing production and, perhaps most of all, his immense talent for composition. It’s the latter two that, lately, have  caused his rendition of Tom Rush's “No Regrets,” from The Cowboy & the Lady, his 1969 collaborative album with Ann-Margret, to cut deep and true.   From the very first notes, the . . .

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Gilbert O’Sullivan :: Alone Again (Naturally)

This *might* make it into a film I am presently working on. Regardless, you need it in your life.

Gilbert O'Sullivan :: Alone Again (Naturally)

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Steve Gunn & Mike Cooper :: Cantos De Lisboa

As highlighted here recently, the recent crop of Mike Cooper reissues from Paradise of Bachelors are utterly essential. Fearlessly eclectic, masterful stuff. And judging from Cantos De Lisboa, Cooper's brand-new collaborative LP with Steve Gunn, the man has lost none of his sense of adventure. Both musicians are steeped in the folk/blues idiom . . .

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Ty Segall :: Girlfriend (At The Galaxy Barn, Pickathon 2013)

Ty Segall Footage performing “Girlfriend” (last summer in the Galaxy Barn at Pickathon) at the Pendarvis Farm in Happy Valley, Oregon. This year’s festival is happening August 1-3. We’ll be there again, DJing. Details, here.

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Aquarium Drunkard: Sidecar (Transmission 14) — Podcast/Mixtape

Black sand blues. More freeform interstitial airwave debris transmitting somewhere off the coast of Los Angeles. This is transmission fourteen.

Direct download, below. The first thirteen transmissions can be found and downloaded, here.

Sidecar: Transmission / 14

Intro / Strung Out
The Soul Inc. - Love Me When I'm Down
Jerry And Jeff - Voodoo Medicine Man
Dion - Baby, Let's Stay Together
Apple & The Three Oranges - Curse Upon The World
T . . .

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Kris Kristofferson :: Please Don’t Tell Me How The Story Ends

For those familiar with the sentiment, Kristofferson never penned or sang a sadder song -- and no version is more potent than this, found on the 2010 collection the Publishing Demos 1968-1972.

Kris Kristofferson :: Please Don't Tell Me How The Story Ends (demo . . .

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