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Aquarium Drunkard Presents: Soulful Shade of Blue – A Medley

An eclectic medley of ramblin' folk, African rhythms and mellow tunes to usher in that October breeze.

Aquarium Drunkard Presents: Soulful Shade of Blue - A Medley

Brook Benton — Don’t Think Twice, It’s Alright
Miriam Makeba — Oxgam
Bob Lind — Fennario
Tom Paxton — Last Thing On My Mind
The Beach Boys — Little Bird
Buffy Sainte-Marie — Soulful Shade Of Blue
Matthews Southern Comfort — Tell Me Why (Neil Young)
Richard & Linda Thompson — Down Where The Drunkards Roll
Tom Waits — Old Shoes
Greg Brown . . .

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The Lagniappe Sessions :: Benjamin Booker covers Furry Lewis / Otis Redding

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

In 2012 I wrote about a young guy living in New Orleans who had just released a set of self-recorded demos. His name was Benjamin Booker. Like his voice, they were raw, intense and inspired. I then lost track of him, only to hear his name reappear a couple of . . .

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Lucinda Williams :: The Aquarium Drunkard Interview

This week marks the release of Down Where The Spirit Meets The Bone, the 11th studio album from Lucinda Williams. It's a first in many ways - her first double studio album, her first on her new self-run record label, and her first to feature lyrics written by her father, poet Miller Williams. Williams spoke with AD via phone earlier in September about learning to expand her songwriting palate, using other songs to craft her own, starting the new record label and how you should get out and play in front of an audience all ready.

Aquarium Drunkard: The last time you and I talked, we talked a little bit about whether there was a theme to that album, Blessed. And you said it was difficult to answer, that you hadn't really thought about a theme ahead of time. And maybe this is me projecting my own thinking onto your work, but this time it really feels like there's a connective thread for these songs, especially built around the title track and your father's poem. Was there a more conscious decision this time?

Lucinda Williams: Uhm, not really. [laughs] As far as the songs - we actually recorded about 35 tracks worth of material. This group of songs were picked to work together from those, so in that sense, yes, it was a conscious effort. The other ones will be on another album separately. But when I was sitting down to write the songs, I wasn't thinking of a specific theme.

And the "Compassion" song [ed. note: which contains the album title phrase], I wrote that kind of at the 11th hour. I didn't have it written. I'd been trying to get that done. I'd been wanting for years to take one of my dad's poems and turn it into a song, but it's a really hard thing to do. It proved to be really challenging. And the title [of the album] was decided before I had got that song. But I finally got the song done. It was something we wanted to see happen, but I wasn't sure if I'd be able to pull it off or not. That was the last thing we cut.

AD: If you hadn't been able to finish the song, the record would have still had the same name?

Lucinda Williams: Yeah. Interestingly enough, on the inside of [2007 album] West, we used the same quote from that song. It just seemed to be sticking with us and making sense. It was all just kind of a work in progress.

AD: In the promotional material, it talks about how you've been coming up with more material for each record than there is room for..

Lucinda Williams: I used to not do that though! [laughs] I'm not sure why that is, but I've become more prolific as I've become older.

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The Mekons :: Where Were You?

I don’t want to talk about the Mekons. There are plenty of hardcore devotees out there who will be more than eager to tell you everything: how the Mekons are possibly the most prolific college radio act ever, how they started as snotty-nosed art students making meta-critical punk, how they borrowed Gang of Four’s gear to record their first album and inadvertently sounded post-punk, how they then moved into synthy New Wave territory before that was viable, how their mid-Eighties embrace of folk and country (on Fear and Whiskey) is maybe up . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 358: Jean Michel Bernard - Générique Stephane ++ Ty Segall - Tall Man Skinny Lady ++ Pain Dimension - Everything Spinning ++ White Fence - Anger! Who Keeps You Under? ++ Jack Name - New Guitars ++ Jack Name - Pure Terror ++ Thee Oh Sees - Toe Cutter - Thumb Buster ++ David Vandervelde - Nothin' No ++ Landline - Wire ++ The Fall - A Lot . . .

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Ural Thomas :: Smile

Ural Thomas is a soul singer from Portland who, despite having allegedly rubbed elbows with the likes of Otis Redding, The Rolling Stones and James Brown, never quite made it to the show.

No one can argue with the man’s talent. Look no further than his 1967 tune “Pain is the Name of Your Game,” a psychedelic soul ballad, with haunting organ, cascading piano, and ghostly backup singers, all supporting Ural's raw . . .

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Aquarium Drunkard Presents: No Jacket Required — CMJ 2014 — October 24th — Rough Trade, NYC

We’re heading to New York, so come party with us. Aquarium Drunkard — CMJ 2014 — No Jacket Required. October 24th at Rough Trade in Brooklyn. Tickets available, here. More details next month. . .

Kevin Morby ~ Twin Peaks ~

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Here Is Barbara Lynn

By the time she got around to recording 1968’s Here is Barbara Lynn, set for reissue October 28 by Light in the Attic Records, young Barbara Lynn was already a hitmaker.

Born in Beaumont, Texas in 1942, Lynn was drawn to the guitar, in her case a left-handed model, and she set to learning it, developing a singular style of picking. After learning hits by Elvis Presley, Brenda Lee, and Ray Charles, Lynn set about writing her own songs, and eventually the underage guitarist convinced her parents to let her head to New Orleans, to record in the . . .

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Madisen Ward & The Mama Bear :: Live By Water

Meet Madisen Ward and the Mama Bear, a mother and son act from Kansas City. The guitar and vocal duo weave a charming and homespun cloth of country, blues and folk. Their interplay of guitars is warm and tender — joyous, yet delicate. Mama’s sweet, worn backup vocals provide a sturdy footing for Ward’s dynamic and eccentric range — at times bold and boisterous, at others alien and reedy — not unlike Robbie Basho, a strange, wavering voice.

"Live by the Water” feels timeless and familiar, yet completely fresh. Ward’s lyrics paint comfortable, rural visions, a paean for the simple . . .

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Tinariwen :: Iljaych Tareq / The Joshua Tree Sessions

If it seems you are seeing Tinariwen's name with more regularity these days, it's because you are. In addition to this year's Emmaar lp, recorded in Joshua Tree, California, and lengthy Western tours, the group just saw the reissue of their albums Amassakoul and Radio Tisdas Sessions -- both for the first time on vinyl, via Light In The Attic Records.

The group's story continues October 7th with the release of the five song acoustic EP, Inside / Outside Joshua Tree Acoustic Sessions.  Recorded in Joshua Tree while the band were working on Emmaar, Tinariwen would jam nightly, both in the house and outside around a campfire. First taste, below.

Tinariwen :: Iljaych Tareq

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Clifton’s Corner :: Volume 25 — Power To The People

(Volume 25 of Clifton’s Corner. Clifton Weaver, aka DJ Soft Touch, shares some of his favorite spins, old and new, in the worlds of soul, r&b, funk, psych and beyond.)

When I . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 357: Jean Michel Bernard - Générique Stephane ++ Jacques Dutronc - Les Métamorphoses ++ Rob Jo Star Band — I Call On One’s Muse ++ Cisneros & Garza Group — I’m A Man ++ Rolling Stones — We Love You ++ Courtney Barnett - Lance Jr. ++ Kevin Morby - Slow Train (w/ Cate Le Bon) ++ Kevin Morby - Reign ++ Big . . .

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Shelley Duvall :: He Needs Me (Harry Nilsson – 1979 Demo)

In 1979 Harry Nilson took a hiatus from recording what would turn out to be his final (full) album, Flash Harry, in order to act as musical director behind filmmaker Robert Altman's 1980 film, Popeye. Co-produced by Bruce Robb, with arrangements by Van Dyke Parks, Nilsson composed all of the film's original songs.

An inspired collaboration that almost didn't happen, re: an . . .

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Bill Deal & The Rhondels :: Hey Bulldog (1970 Beatles Cover)

Straight out of Virginia Beach, Bill Deal & The Rhondels 1970 cover of Lennon/McCartney's "Hey Bulldog". The fabs...this is not.

Bill Deal & The Rhondels :: Hey Bulldog

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