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Halloween II : Soundtrack (Death Waltz Records) 1981

Trick or treat. I was trying to phonetically write out the sound the 'dark' synthesizers gracing the score of John Carpenter's Halloween II, but it just became too ridiculous. But, you know, feel free to give it a spin in the comments. Death Waltz Records specializes in vinyl reissues of classic soundtracks/scores from the realms of horror, sci-fi, and beyond. Their reissue of become a member or log in.

Parquet Courts :: Tally All the Things That You Broke (EP)

Following the re-release of 2012’s stellar Light Up Gold on respectable mid-level indie What’s Your Rupture? earlier this year,   the quartet of Texans-cum-Brooklynites in Parquet Courts have ridden the critical wave to respectable mid-level success. They were the unofficial kings-in-the-making at Pitchfork Fest this summer; they played Chicago no less than three times that weekend, including a major-league taping of Sound Opinions with fellow post-punks Savages at a . . .

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Clover :: Harvest

We've previously mentioned Clover (along with Goose Creek Symphony) as part of the lost “Band Not Band” mixtape. Clover would later feature Huey Lewis on harmonica, back Elvis Costello, and emerge as part of the London pub rock scene. Following the band's dissolution, its members would spread across a disparate musical landscape, popping up in unexpected places (see: Toto, “867-5309/Jenny”).

But in 1971 there was no Huey, just a band of four dudes — lead vocalist/pianist/guitarist Alex Call, John McFee on organ, pedal steel, guitar, organ, and vocals, bassist/vocalist John Ciambotti, and Mitch Howie . . .

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Dead Notes #5 :: That’s It For The Other One (9/2/68 Seattle, WA)

Welcome to the fifth installment of Dead Notes where once again we find ourselves in the great Northwest, at the Sky River Rock Festival, on the outskirts of Seattle in Sultan, WA. Oddly enough the inspiration for this festival goes back to May 1968, at the annual Duvall Piano Drop, where Country Joe & The Fish played to an enthusiastic crowd of 3,000 after a piano dropped from a helicopter into a rural pasture. With a crash of wood, keys and strings, Paul Dorpat, of Seattle's historic underground newspaper Helix, began assembling a who's who of psychedelic West Coast musicians for the three day festival. The short list included the Flamin' Groovies, Santana, John Fahey, Kaleidoscope and our heroes of the "thick air" - the Grateful Dead...who showed up unannounced to perform on the festival's final day.

Grateful Dead :: That's It For The Other One

"That's It For The Other One" made its live debut in late 1967, prior to being reworked during the Anthem of the Sun sessions that yielded the Bob Weir beatnik Alice in Wonderland tale as we know it today. According to band lore the lyrics detail the persecution of the band's benefactor (and notorious acid king) Owsley Stanley, aka the Bear, who at the time was serving a three year sentence for possession of 350,000 doses of LSD.

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Marian Anderson :: Scandalize My Name

That voice. A spiritual, many have taken on "Scandalize My Name" over the past 70 years, but it's Marian Anderson's contralto that elevates the delivery. Recorded in 1961, "Scandalize" is culled from Anderson's 1962 collection of spirituals entitled He's Got the Whole World in His Hands. Originally a nineteen track long-player (eBay has the  original vinyl for sale , become a member or log in.

The Velvet Underground :: Guess I’m Falling In Love, Live 1967

The just-announced "super-deluxe" edition of the VU's White Light/White Heat will include a handful of previously unheard performances -- the most interesting of which are a live rendition of "The Gift" and an early studio version of "Beginning To See The Light," with John Cale on fuzz bass.

One thing the compilers didn't unearth, sadly, is footage of the Velvets on the Cleveland pop music show Upbeat. Amazingly, according to TV Guide, the band was . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 313: Jean Michel Bernard — Générique Stephane ++ Jack Nitzsche - The Last Race ++ The Non Travellin' Band - Two Hands Full of Fingers ++ Allah-Las - Busman's Holiday ++ King Khan & The Shrines - Que Lindo Sueî±o ++  Iggy Pop - New Values ++ White Fence - Pink Gorilla ++ Woods - Size Meets The Sound ++ Thee Oh . . .

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Diversions :: William Tyler / Out West (A Tour Diary, Pt. 2 of 2)

Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing. Below, part 2 of William Tyler’s stream of consciousness reflections concerning his late-Summer North American tour out west. Read part one, here. . .

It’s been said that this is a country ruled by its coastlines, but it’s only a half-truth. To be sure, the realms of big finance and cultural capital are largely controlled by the mega cities that line the east and west coasts. But the vast interior of the country is the realm of big dreaming, of yearning and reimagining. It’s often called the ‘heartland’ as if there is some continuum of wheat fields, big sky, churches, small towns in the middle of nowhere that produce football stars and corn, little else? Yet this is precisely the body integral of what makes the nation such a peculiar animal. The scope of the interior, the distances necessary to traverse, the land all at once full of haunted memory, new possibility, and a sly promise of something greater as one chases the horizon. This is the hypnosis of the land; the thing that keeps the traveler wandering, wondering, and moving westward.

I forgot that driving through Eastern Washington was a lot of high lonely desert, the promise of lush pine and frequent rainfall and access to the coast drawing you onward. I played in Seattle outside on a gorgeous Friday afternoon. Nothing like a place that doesn’t take sunny days for granted.

South through Portland, Eugene, down the coastal 101 highway. I was so relieved to be off the interstate for a few days, snaking through scenery humbling, exotic, and breathtakingly beautiful. Pine forests that seemed to rush all the way to the jagged coastline and then, off beyond the sheer cliffs and the sand dunes violently jutting down, nothing but the Pacific. This was the payoff for the folks who didn’t give out on the Oregon Trail. Manifest Destiny really began when Columbus accidentally hit a continent he didn’t think existed, and it ended when Lewis and Clark reached a point where they realized there wasn’t any further west you could go. The rest of the history was grisly detail.

I had stopped for a rare night off in Bandon, Oregon. My place of lodging for the night was an old school type drive up motel and it was walking distance from the waterfront. I wandered around the town at nightfall, grateful for an evening of respite in a quiet, hidden place. I found an Italian restaurant overlooking the dock and ate by myself half looking out the window, half paying attention to the conversation of the table beside me. It was a group of five or six middle aged guys from Texas, probably on a ‘let’s get the college gang back together’ kind of bro vibe, playing golf, drinking a lot of wine and scotch and making lots of bummer jokes about ‘the left coast’ and ‘bein out here with the liberals’ when the waiter wasn’t around. I was frightfully homesick for hearing southern accents, but not when the conversation was of this bent.

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Lou Reed / Mick Rock :: Transformer Photo Book / 7″ Giveaway

I rarely do giveaways...but couldn't pass this one up. Out this month via Genesis Publications: Transformer - a photo book documenting photographer Mick Rock's 40 year friendship with Lou Reed. From album covers to the candid. Their work is presented within a full leather bound tome, housed in a case that also encloses a 7" vinyl record. Further details via the book's promo video, become a member or log in.

Zachary Cale :: Blue Rider

There are definitely times when it seems like the last thing the world needs is another singer-songwriter armed with an acoustic guitar. But then a record like Zachary Cale's Blue Rider shows up and you're reminded that the well is far from dry when it comes to this breed of music. Over eight diamond sharp tunes, Cale casts a captivating spell. The LP is centered around his elegantly fingerpicked guitar (equal parts Takoma School . . .

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The Men :: The Aquarium Drunkard Interview

The Men rarely subjugate themselves to any neat genre filing system, essentially daring record store clerks to stock an acoustic record, entitled Campfire Songs, in punk bins. And while no one will actually fight over where the band's varied output should sit, there's two things that are becoming increasingly clear concerning the (present) quintet. First - how technically gifted and precise they can be, and secondly, how incredibly well they play when they toss those gifts and chops out the window and just rip. With Campfire Songs, that ripping proves to not only be of the turnt-up amp variety. Enter Kevin Faulkner, who brought pedal steel, and then much more, to the New Moon  sessions that birthed this month's acoustic EP.

We caught up with Faulkner last month to discuss how the band's live sound is evolving, and the ever-evolving expectations - or lack thereof - for The Men. For those of you reading in Los Angeles, the band gigs at The Echo on October 10th.

The Men :: I Saw Her Face (acoustic)

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Field Recordings / Alan Lomax’s Southern Journey, 1959-1960

I've had this on the mind, and stereo, of late: Worried Now, Won't Be Worried Long: Field Recordings From Alan Lomax's Southern Journey, 1959-1960. Specifically the track "Ida Reed". Compiled and annotated by Nathan Salsburg, coinciding with the fiftieth anniversary of Lomax's "Southern Journey", Worried is the second of five Alan Lomax collections released by the Portland based Mississippi Records in 2010. The five . . .

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Studio One: Ironsides / Coxsone’s Downbeat 1963-1979

First off, in regards to Jamaican vintage, our summer Bomboclat series is still available - volumes 1-3, here and volume 4, here. Onwards. Soul Jazz Records continues to . . .

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