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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 310: Jean Michel Bernard — Générique Stephane ++ The Acton 13 - More Bread To The People ++ Rob Jo Star Band — I Call On One’s Muse ++ Cisneros & Garza Group — I’m A Man ++ Rolling Stones — We Love You ++ Music Convention — Sitar Track ++ Shin Joong Hyun — I’ve Got Nothing To Say . . .

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Tom Waits :: San Diego Folk Festival / April 19, 1974

Early Tom Waits chestnut, sans band, accompanying himself on piano and guitar in his native San Diego, April 1974. I originally happened upon this recording several years ago via Captain's Dead, who is presently re-hosting the show during their pledge campaign.

Zipped download/tracklisting after the jump...

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Diversions :: William Tyler / Out West (A Tour Diary, Pt. 1 of 2)

Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing. This week we catch up with William Tyler, who's been touring behind his second solo lp, Impossible Truth, released earlier this year via Merge. It's one of our favorite records of the year - instrumental or otherwise. Below, Tyler's stream of consciousness reflections concerning his late-Summer North American tour out west. Tyler is presently touring Europe -- look for more US dates beginning in October.

I'm sitting in a hotel bar in Cincinnati, listening to the menacing and comfortably familiar electric sitar of Dave Stewart on Tom Petty’s "Don't Come Around Here No More". It's a little hard to fathom that I was on these same highways a month ago, driving from Nashville to Columbus to begin my three-week cross-country trek. As I type this, my computer auto corrects " cross" to "crisis ". Nice.

When I returned the rental car this Monday, the odometer read 13000 miles. It had been 5000 when my dad and I rented it. It was a gray Camry, new car smell, satellite radio, proud and clean and anonymous and hardly aware of the intense trans continental journey I was about to subject it to.

The continental divide is the latitudinal point that decides where the rivers' paths are guided: to the Atlantic or to the Pacific. I would cross this twice on the tour. Fuck man, 8000 miles on a rental? That's more than most people drive in a year. My carbon footprint is like Godzilla. The only way to neutralize it is to walk everywhere and just eat parsley out of my backyard for the rest of the year.

I spent a year daydreaming about the end of oil, the sprawl of America, the lure of the sleeping seemingly dead places off the interstate and hidden on the ‘blue highways’. Ghost towns of old or towns that were fast becoming ghost towns. James Kunstler and Richard Heinberg and Mike Davis were my mental tour guides and all of them would be horrified at how environmentally unsustainable my trek was. But hey, I’m a working musician. We’re not quite dinosaurs yet but we are still fighting for relevance just as much in this insane world, still having to justify our existence. Those big old town cars that Detroit used to crank out back when we had cheap gas are just like the rock stars of thirty (shit, twenty!) years ago who figured the party would never end and people would still want to pay for “art” forever. Anyway I saw my trip as a cross between Lewis and Clark, National Lampoon’s Vacation, and  Two Lane Blacktop.

People ask me all the time how I reckon with the magnitude of this country.   I always compare the size and scope and population to our relevant colleagues and peers: China, Russia, India, Brazil…It’s useless to try to compare the USA to anything but those guys. We’ve got too much land and too many people. We are a country of illusions/ delusions. Never gonna run out of land, never gonna run out of sky, never gonna run out of soil, never gonna run out of trees, never gonna run out of people. Ever since World War 2 ended the people here have craved some sort of unifying edifice to keep the linear thinking going: the interstate, the sprawl of fast food chains, billboards, rest-stops.

True Fact: Anywhere in America right now, you can turn on your radio and find Rush Limbaugh or the Eagles playing. I’ve been testing this thesis for almost a year.

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Catching Up With Califone :: The AD Interview

The sound of Califone has always been tattered: Delta blues grafted to clattering, deconstructed rock ‘n’ roll, synths hovering over buzzing, droning strings. It’s a patchwork of ideas held together by the worn voice of songwriter/sole constant Tim Rutili. But in the case of Stitches, the group’s first proper LP since 2009’s All My Friends are Funeral Singers, there’s a tangible connection to the process of assembling from existing parts . . .

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Bob Dylan :: The Bootleg Series, Vol. 10: Another Self Portrait

In the early 1970s, rumors floated around the lunatic fringe that the dude making records under the name "Bob Dylan" was not in fact Bob Dylan. The real Dylan had died in that 1966 motorcycle accident and an imposter had taken his place. It's unlikely anyone took this theory seriously -- even in a "Paul-Is-Dead" way -- but it's a good illustration of the deep bewilderment that greeted some of Dylan's work back then, a bewilderment that reached its apex with the release of become a member or log in.

SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

The Indian Summer mix can be downloaded HERE.

SIRIUS 309: Jean Michel Bernard — Générique Stephane ++ The Skygreen Leopards - Johnny . . .

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Arnold Dreyblatt & Megafaun :: Appalachian Excitation

Appalachian Excitation is the sound of four people in a room. It’s the sound of expat composer Arnold Dreyblatt -- in the States from Berlin, where he’s lived and worked since 1984 -- and the members of experimental folk outfit Megafaun, Phillip and Brad Cook, and Joseph Westerlund, specifically, at Pinebox Recording studio in Graham, North Carolina. Following successful . . .

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Dead Notes #4 :: 9/19/70, Fillmore East / NYC

Welcome to the fourth installment of Dead Notes. Coming down from the 8/27/72 'Dark Star' featured in #3 we're heading to New York City's East Village and the infamous Fillmore East. West coast rock & roll impresario Bill Graham opened the Fillmore in March . . .

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Ruby The Rabbitfoot :: Coffee & Honey

Sometimes pain brings out the best in people. Such is the case with “Coffee & Honey” from Athens, Georgia newcomer Ruby Kendrick aka Ruby the Rabbitfoot. Worn down by the strain of producing a new full-length record, juggling two jobs, and dealing with a significant other living across the Atlantic, the young songwriter sought therapy in the way of home recording. Though Ruby is known around town for quick witted folk songs, this jaw-dropping cut finds her exploring overgrown R&B similar to that of onetime Athenian Phosphorescent’s “become a member or log in.

Allah-Las :: Every Girl

Following a 75 date European tour, California sons the Allah-Las return to the states next week to support the Zombies at the Observatory in Santa Ana. A fitting homecoming, indeed. LA denizens can catch the band October 2nd during their California tour with Jacco Gardner at the Troubadour   If you make a gig, keep an eye on the merch table, as they're . . .

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Neil Young :: Sad Movies / Let It Shine (Amsterdam, 1976)

Songs poured out of Neil Young during the 1970s at such a rate that he left entire albums unreleased. He's dipped into his stash regularly over the years, but there are plenty of tunes still gathering dust, waiting for Neil to finish saving the world with his electric car, and to put the finishing touches on Archives, vol. 2. Knowing how Shakey operates, that'll be...any time in the next two decades or so.

Until then, take a listen "Sad . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

The AD session with White Denim (recorded in Los Angeles in the summer of 2011) I played during the second hour is still available for download, here.

SIRIUS 308: Jean Michel Bernard — Générique . . .

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Lou Reed :: Acoustic Demos (1970)

Twelve acoustic demos recorded in the Fall of 1970 following Lou Reed's departure from the Velvet Underground. Concerning the set, A History of The Underground notes that while many of the tracks are similar to that of their  officially released counterparts "a couple of the recordings are barely  recognizable  as the building blocks of the  finished product. This recording serves as an  important  snapshot of . . .

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Bonnie ‘Prince’ Billy & Matt Sweeney :: Blood Embrace

The second entry of our new cult film column, Videodrome, went live this week focusing on the 1977 revenge fandango, Rolling Thunder - a film I was initially turned onto in 2005 via the Bonnie 'Prince' Billy / Matt Sweeney collaborative LP, Superwolf. One of our favorite records of the past . . .

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Dolly Parton: Jolene / Wanda Jackson: Funnel Of Love (The Slow Versions)

Honky-tonk-molasses.  If by some slim chance you happened to miss this curio making the rounds last week, enjoy. 45 rpm recording of Dolly Parton's  “Jolene” slowed down by 25% at 33 rpm. Similar effect to the  slowwwed down version of Wanda Jackson's "Funnel of Love", from a couple of years back, re-upped below.

Dolly Parton :: Jolene . . .

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