ECM Records All-Star Night :: The Village Gate, New York City, January 1976

The most beautiful sound next to silence comes to NYC. This “all-star night” of ECM-related performers is a delight, with some unique performances and collabs. Manfred Eicher’s esteemed label had been around since the late 1960s, but Keith Jarrett’s blockbuster surprise, The Koln Concert, brought ECM closer to the mainstream in 1975. Jarrett wasn’t there for this evening’s celebration, but the All-Stars shine bright without him.

Pat Metheny Group (ECM, 1978)

Guitarist Pat Metheny recently described music as a “carrot”, “I am still figuring out what the stick is,” he concluded to Ross Simonini in The Believer. That idea of constant investigation permeates Metheny’s nearly 50 year music career as well as his first s/t LP with his Pat Metheny Group.

John Surman :: Upon Reflection (ECM)

Here’s something to get lost in, the hypnotic world of British reedman John Surman, courtesy of his 1979 ECM effort, Upon Reflection. Recorded in Oslo, with production helmed by Manfred Eicher, the recording finds Surman in widescreen form experimenting with sequencers and synthesizers in addition to his duties working bass clarinet and baritone/soprano saxophone.

Aquarium Drunkard :: 2025 Midyear Review

The clock never stops, but sometimes music manages the impossible: slowing time for a moment. It’s in those vibrational encounters with music that we find peace and we find ourselves. In the spirit of sharing the stuff that moved us, we’re back with our midyear review. As always, the list is unranked and far reaching; there’s more than enough here to guide you into those rare encounters with deep time.

Transmissions :: Justin Gage (2025)

We close out the 10th season of Transmissions with a special look under the hood with Justin Gage, who founded Aquarium Drunkard 20 years ago in 2005. Initially envisioned as just a place to share cultural recommendations with friends, Aquarium Drunkard blew up as the blog rush began. Suddenly, Gage found himself running a respected media outlet. 20 years later, he joins host Jason P. Woodbury to discuss how Aquarium Drunkard has stayed true to the maxim of only the good shit.

Mal Waldron :: Sweet Love, Bitter

Clouded by the obscurity of the film itself, Sweet Love, Bitter is a poignant example of the brilliance of jazz pianist/composer Mal Waldron. Adapted from 1961 novel Night Song (loosely inspired by the life and final years of the legendary Charlie Parker), Waldron’s soulful soundtrack is the perfect accompaniment to the gritty, somber themes and even lucid dream montages. After decades of languishing in obscurity, Sweet Love, Bitter proves to be a provocative, multi-faceted display of jazz culture.

Eli Winter :: The Aquarium Drunkard Interview

Appearing here at Aquarium Drunkard in 2022 for a Lagniappe Session, Chicago guitarist Eli Winter described one of his cover selections as “Arabian Nightingale” as “arresting, cool, and strange.” The three words come to mind regarding his latest LP, A Trick of the Light. Another full-band outing following his self-titled 20202 LP, the recording drifts even deeper into jazz rock territory, pairing Winter’s snarling electric guitar lines with drifting pedal steel and sax. Aquarium Drunkard caught up with Winter to discuss the record’s genesis and what inspired him to spoof Hot Ones in a music video.

Bennie Maupin :: The Jewel In The Lotus

Out of print on vinyl since 1977, Bennie Maupin’s solo debut, The Jewel in the Lotus, makes its welcome return to the format this month via ECM’s Luminessence reissue series. A counterpoint to the playful funk of Hancock’s Headhunters, The Jewel in the Lotus swings the pendulum well beyond Mwansishi’s heady explorations into more earthy, deeply spiritual turf.

A true headphone journey and an aural balm for a world that’s spinning a bit too fast.

Wadada Leo Smith & Vijay Iyer :: The Aquarium Drunkard Interview

Composers Wadada Leo Smith and Vijay Iyer are inveterate collaborators. Compile their past work together and you’re staring down a list that includes Bill Frisell, Jack DeJohnette, Pauline Oliveros, DJ Spooky, John Zorn, Anthony Braxton, and more. But something singular and deeply special happens when they work one on one, as they do on the recently released Defiant Life. “We just create,” Smith says. “You could call it ‘composition’ or ‘spontaneous composition’ or ‘spontaneous improvisation’ or some kind of stuff like that. But the truth is, all the serious documents about humans on this planet refer to creation.”