Musician-folklorist-documentarian-artist John Cohen died September 16 at the age of 87. Here, archivist and guitarist Nathan Salsburg offers a remembrance of his life and work.
Diversions , a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing. The first time I heard “Impossible Air,” […]
With John Renbourn passing into the great unknown this year to join his six-string brother in arms Bert Jansch, it’s a good time to be reminded of the wonderful sounds two acoustic guitarists in joyous communion can make. These […]
On September 13th, Alasdair Roberts releases his new album, The Fiery Margin, via the venerable Drag City label. To mark to the occasion, guitarist and archivist Nathan Salsburg reflects here on “The Evernew Tongue,” the first selection shared from the forthcoming lp: “…a jeremiad against the all-too-familiar ‘mocking whine of demagogues…. quick to mock and slow to bless,’ hollered from amid the revelry of the changing year and among the small comforts of home.”
Bandcamp is stepping up once again on June 19 in honor of Juneteenth, a celebration of the end of slavery in the United States. For 24 hours, the platform will donate all of its our share of sales to the NAACP Legal Defense Fund, a national organization dedicated to effectively enacting racial justice and change through litigation, advocacy, and public education. In other words, it’s another good day to spend some money on Bandcamp. Here are a few suggestions to get you started.
Bandcamp threw thousands of musicians a lifeline in March by waiving its fees for 24 hours, ensuring that all cash spent went directly to artists and labels. The music community showed up in a big way, spending $4.3 million. Every good deed deserves an encore, so Bandcamp is waiving fees again on Friday, May 1. Just like last time, we’ve got some recent/random recommendations for you … and there’s a whole lot more in the Bandcamping archives.
Part family memoir, part investigative fiction, part historical exploration, Rachel Grimes’ The Way Forth is a multi-layered Southern epic that digs below the foundational myths of the country to uncover the true experiences of people often left out of the historical narrative.
Once again, our obligatory year-end review. The following is an unranked list of albums that caught, and kept, our attention in 2019.
Well, that was fast. Decade is just about over, and as it draws to a close, its highs look awfully high in the rearview. Presented here, an unranked sprawl of 100 records that stuck with us, managing to break through the noise of an increasingly distracting age, and stick around in our heads.
The second song released from her upcoming lp Like the River Loves the Sea, Joan Shelley’s “Cycle,” feels suspended in mid-air, a tale of a romance that keeps finding back itself where it started. “The best music would be a conversation with the divine…” says Shelley. “These songs are partly that conversation, at times through the lens of lovers.”
Welcome to the December edition of the Aquarium Drunkard Transmissions podcast. We just published our massive and overstuffed Year in Review feature, and to celebrate, members of the AD crew hooked up to discuss the year in music and more. . .
Here it is. Our obligatory year-end review. The following is an unranked list of albums that caught, and kept, our attention in 2018. Let it blurb. – AD
Here it is. Our obligatory year-end review. The following is an unranked list of albums that caught, and kept, our attention in 2017. Let it blurb