Cat Power :: What Would the Community Think at 30

By 1996, Chan Marshall had already recorded two lo-fi albums—Dear Sir and Myra Lee—with Steve Shelley and Tim Foljan and moved from her native south to New York City. She had just turned 24 when she holed up at Easley Studios in Memphis to record album number three with the same team, her first time recording in a professional space. And while 1998’s Moon Pix would serve as her breakout, this Matador debut captures the wild, raw, unfiltered power of Marshall’s art, an unpredictable electricity that runs through the songs, buzzing and fizzing and threatening explosion at any time.