Amon Düül: A Young Person’s Guide 001

At three in the afternoon on Thursday, September 28, Amon Düül II took the stage of the Aula der Pädagogischen Hochschule. Freshly split from the ‘nonmusical’ portion of their Munich commune, the eight-piece ensemble intended to make waves, not as a leftist collective, but as a strict musical unit.

Agitation Free :: ORTF Studio, Paris 1973

Rare footage of experimental krautrock travelers Agitation Free, captured via the French television program Rock en Stock in the summer of 1973. Shot in black & white, sixteen minutes of sweaty, glassy-eyed improvisation riffing on the track “Laila II” off the band’s sophomore album, 2nd.

CAN :: Live in Stuttgart 1975

Over the course of Live in Stuttgart 1975‘s 91 unbelievable minutes, Can emerges as the ultimate jam band—forget whatever negative connotations you may have with the term. Here, jamming isn’t about technical flash or aimless noodling; rather, it’s about the quest for collective ecstasy, for both the musicians and the audience.

Roedelius :: A Retrospective

To celebrate the 86-year-old’s latest pair of releases – a return to the Selbstportrait series of albums he began in 1979, and the demo collection Tape Archive Essence 1973-1978 – the time felt fitting to compile a chronological musical retrospective. Of course, it barely skims the surface of Roedelius’s countless projects and partnerships, but should provide a pleasant introduction to the life of a man spent painting with sound.

Damo Suzuki :: The Aquarium Drunkard Interview

The mythic Damo Suzuki is out on the road, traveling the highways of the United States, to team with up with “sound carriers,” local musicians assembled from each town he visits. Freelance scribe and One Eleven Heavy bassist Daniel A. Brown—known for his work with Royal Trux, ‘68 Comeback, the Screws, and South Filthy—recently caught up with Suzuki via Skype to discuss his artistic approach and history.