The self-titled debut from Sweden’s Dina Ögon ... a work of singular and arresting fantasia pop, where vocalist Anna Ahnlund’s dreamy chanteuse vocals reign over a groove-laden collection dancing between bossa nova, lounge, r&b, and smooth jazz . . .
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Orlando brothers Andy and Edwin White—a warm, enveloping duo known as Tonstartssbandht—return with Petunia, their follow-up to 2017’s Sorcerer, a record we dug for its dynamic and invigorated orbit of jammy neo-psych-folk, cloud-bound vocal harmonies, and spacey ambient soundscapes. This new work is a bit more song-oriented than its predecessor—it has four more tracks and one that even clocks in at well under two-minutes—but Tonstartssbandht still take their time letting their dreamy melodies and flowery, psychedelic riffs unfurl . . .
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On Vanity, Jason Martin's Starflyer 59 project incorporates touches from its rich back catalog and charts all new territory. It's a deeply felt guitar pop gem . . .
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The Path of the Clouds is a bit of a departure, coming after Nadler relocated from Boston to Nashville. Hemmed in by quarantine in an unfamiliar city, Nadler rekindled a childhood fascination for the stories in Unsolved Mysteries. She was transfixed, in particular, by the tales about people who disappeared suddenly and were never heard from again—the wilderness explorers Bessie and Glen Hyde, the hijacker D.B. Cooper, the prisoners who made the only successful escape from Alcatraz. She began obsessively rewatching episodes about these stories, taking notes and working the details into a collection of songs . . .
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Episode nine of the Aquarium Drunkard Picture Show. Weird times and strange signals reverberating from the hills of Glassell Park, CA. Autumn Equinox especial.
Feat: Karen Dalton | Ian Matthews | Crazy Horse | Dillard & Clark | Bob Dylan | Clover | JJ Cale | Little Feat . . .
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Via satellite, transmuting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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There's a fine tradition of albums named after the recording studios that birthed them, so in the modern era of so much at-home recording, it's almost a warm and welcoming anachronism when it happens. Harmonizer, the first recording to be completed at Ty Segall's new Harmonizer Studios, is just that. Coming two years after Segall's last album under his own name, Harmonizer is a svelte 10 songs and 35 minutes that hums along channeling its namesake. But it's also a bit of a coming out party for a more synth-driven sound for Segall . . .
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This week on Transmissions: Scott Hirsch. Sitting down with host Jason Woodbury, he discusses his new album, Windless Day, the spiritual topography of California and his punk rock immersion alongside MC Taylor of Hiss Golden Messenger . . .
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In our recent piece on Liam Kazar's Due North, we noted that the Kansas City/Chicago polymath was "justifiably confident no matter the subject or style," as the lp highlights both his croonerisms and lyrical word play. In choosing the following three tunes for his first Lagniappe Session, Kazar leans a bit more into the croon but not at the expense of variety . . .
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In the late '70s Gloria Ann Taylor walked away from the music business, her career having largely stalled out since its auspicious '60s origins. Renewed interest in her work resulted in the winning 2015 compilation Love Is A Hurtin' Thing and a return to the studio before her passing in 2017. Now, her latter day recordings with Misha Panfilov Sound Combo finally see release . . .
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Microtonal, atmospheric and ancient. East Pakistan Sky marks the third album from Ustad Saami, the last living practitioner of surti, a modal form of the khayál technique, and precursor of the Islamic devotional music of Qawwali. Comprised of two tracks (the first of which clocks in at meditative 29 minutes) it's an intentional listen with Saami's vocals accompanied by droning harmonium, tanpura and tablas . . .
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On the heels of two outstanding studio records, singer-songwriter Azniv Korkejian (Bedouine) has crafted an enviable trajectory sharing a creative space akin to the folk sphere of Karen Dalton or Nick Drake. Ahead of the forthcoming lp (out October 22), Bedouine joins us to discuss the nuances of the project, including the ability to truly focus on the recording and musicianship for the first time. Or, in her own words, "songs for the sake of songs . . .
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Floating in the ether once again. Radio Free Aquarium Drunkard returns for its regular third Sunday broadcast. October 17 from 4-8 PM Pacific. Observations of Deviance, an hour of righteous jazz vocals, Range and Basin, Doom and Gloom From the Tomb, and an hour of Sidecar Transmissions from Justin Gage . . .
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Vince Guaraldi's perfect autumnal groover "Little Birdie." Originally cut in Wally Heider Studios in 1974, last year an intrepid YouTube user named Cade Stricklin did what needed be done: looped it for a solid hour of repeat listening . . .
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Welcome back to the stacks. It’s Aquarium Drunkard’s Book Club, our monthly gathering of recent (or not so recent) recommended reading. This month: Sam Shepard on Bob Dylan, Prince in the studio, René Daumal's Mount Analogue, César Aira, Philip Frobos, Rachel Kushner, and the concrete poetry of Jim Johnson . . .
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