SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 497: Jean Michel Bernard — Générique Stephane ++ Wilco - Handshake Drugs (First Demo Version) ++ Kevin Morby - 1234 ++ Jonathan Rado - All The Jung Girls (Diane Coffee cover) ++ John Cale - The Man Who Couldn’t Afford To Orgy ++ David Vandervelde - Corduroy Blues ++  Girls - Headache ++ Amen Dunes - Green Eyes ++ Nap Eyes - Stargazer ++ John Andrews & The Yawns - Relax ++ Silver Jews - Federal Dust ++ Richard Swift - Most . . .

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Aquarium Drunkard Presents: Songhoy Blues / Teragram OCT 19

The desert blues from Timbuktu. Thursday night, October 19th, Aquarium Drunkard Presents Songhoy Blues at the Teragram Ballroom in Los Angeles. You want to see this. We've saved a stack of tickets we're giving away to AD readers. Hit up the comments with your name to enter, along with your favorite LP of 2017...so far.

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SQURL (Jim Jarmusch & Carter Logan) :: The AD Interview

In Jim Jarmusch's beatific Paterson, Adam Driver plays a bus driving poet named Paterson, living in Paterson, New Jersey. It's a film guided by patterns: the patterns Paterson's wife Laura wears, the pattern of his day to day routine, the repeating patterns of twins throughout the film. It's a film about the poetry of "normal life," and it features words by Ron Padgett, writing for Driver's character, which call back to William Carlos Williams' epic poem, called Paterson, of course. There's a quick but pivotal verse by Method Man . . .

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Tom Petty & The Heartbreakers – Don’t Bring Me Down (Live ’78)

Putting on a Tom Petty record at wall shaking volume is one of life’s finest, simple pleasures. Tom Petty’s entire career is a wax wonder, and one thing that has been evident since his incredibly sad passing is that he was also a great uniter -- seemingly, everybody was moved by his music.

The man was the embodiment of rock ’n’ roll; he was a second generation fan who soaked up Elvis but then pledged his allegiance to the British invasion. No mere copycat, when he stepped up to cover a song from one of his heroes, the love . . .

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Rahsaan Roland Kirk :: Montreux Jazz Festival 1975

Until my machine is up-and-running, and I wake up with those stunning views of Lake Geneva, just plant me in front of youtube and start typing "Montreux Jazz Festival 197-".

Today, we highlight the 1975 set from Rahsaan Roland Kirk. "Mar-cee, mar-cee to you, thank you very much. Bright moments. Peace... and all that kind of stuff." Draped in his customary accouterments of instruments, Kirk leads his band through jazz in all its iterations, blurs the line between banter and spoken word, and educates the non-English speaking crowd on Fats Waller.

It was Kirk's return to the festival sur le lac, having cut the seminal I, Eye, Aye there in 1972. This performance would be part of the equally important and sanguine Kirkatron.

A mere four months after this taping, Kirk would suffer a devastating stroke - but he would soldier on for another two years before his untimely and all-too-soon passing at age 41. We're blessed with so much of his time in Montreux being accessible. Make the most of it...until your time machine is working again. words / b kramer

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Diversions :: Wand / The Various And Sundry Brew Behind Plum

Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing.

Following the quick succession of a trio of albums beginning in 2014 (along with the 2016 release of Cory Hanson's solo endeavor, The Unborn Capitalist From Limbo) the LA based Wand return with album four -- Plum. At 10 tracks it's the groups most nuanced work to to date, both aesthetically and atmospherically. As such, we were curious as to what was brewing behind the scenes while cutting the album in the Sierra Nevada foothills of Grass Valley, CA. As it turns out, a lot. Below, members Evan Burrows, Cory Hanson, Robert Cody, Sofia Arreguin and Lee Landey take us on a tour; one involving Sonic Youth and Joan Didion to Yerba Mate, tuna fish sandwiches and beyond.

Sonic Youth / Sister: This record was indispensable for me during the time we were working on  Plum--  as  an accomplice, a refuge in my grief and confusion, a sterling object lesson in musical space and surface.  Plenty's been said about it, so why not say more? It's like a pulsing heart, shimmed at every junction with slides of freezing glass, liters of blue blood leaking everywhere. Or it's like a waning half moon, tilted just so, spilling silver all over all the many-colored things. Somehow, this record seems to seek in sympathy with the struggle of youth for reality. I think we have always wanted our own records to feel like a sympathetic seeking along these lines.  Sister  howls in celebration at how splendid, mad circuitries of dystopian fantasy sprawl out from pre-verbal grief. It allows asymmetry, and wonders at how feedback sings and swells like a brain in an otherwise empty skull. "Angels are dreaming of you." - EB

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Transmissions Podcast :: Hiss Golden Messenger

"It's a strange, sweet kind of light/To be lost out in the darkness of the border."

On Hiss Golden Messenger's new album, Hallelujah Anyhow, songwriter M.C. Taylor stares down darkness, only to find it's simply "a different kind of light." It’s a record about chasing freedom and finding hope in unexpected places: among worn guitars, in clouds of smoke, and in the sound of wafting Caledonia soul music. The record continues Hiss’s evolution from solitary, lonesome folk to celebratory and loose country rock and soul. It’s “music for hope,” Taylor says, and though it doesn’t hide its concerns, stressed, or worries, it’s nonetheless a welcome moment of lightness in these heavy times.

For this episode of the Aquarium Drunkard Transmissions podcast, AD's Jason P. Woodbury spoke with Taylor in Oregon at the Pickathon music festival. The conversation -- like Hiss's songs -- is frank, earnest, and genuinely warm. It pairs well with Hiss Golden Messenger's Lagniappe Session, which found the group covering the Faces and Ralph Stanley & the Clinch Mountain Boys. Hiss Golden Messenger's Hallelujah Anyhow is available now via Merge Records.

Transmissions Podcast :: Hiss Golden Messenger

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST. This week during the second hour: Rich Elson of the Paris/London based reissue label Africa Seven sits in . . .

SIRIUS 496: Jean Michel Bernard — Générique Stephane ++ Gal Costa - Relance ++ David Byrne & Brian Eno - Regiment ++ The Fall - Marquis Cha Cha ++ Ryo Kawasaki - Hawaiian Caravan ++ Sinkane - Yacha (Peaking Lights Dub Mix) ++ Bob Chance - Jungle . . .

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Sonic Youth :: Peel Session, October 1988 (The Fall Covers)

Sonic Youth vs. The Fall. In October of 1988 Sonic Youth paid a visit to the  John Peel show on BBC Radio 1 a week before the release of Daydream Nation. Having recorded with Peel just two years prior, the group used the '88 session to pay tribute to UK post-punk godheads The Fall.

Kicking off with a jagged "My New House" (via The Fall's 1985 lp This Nation's Saving Grace), Sonic Youth imprint their . . .

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Peaking Lights: Head + Soup (A Mixtape)

Aquarium Drunkard presents Head + Soup, a 120 minute pan-global mî¶bius strip of sound spanning genre, tone, and era. Brewed by Peaking Lights, who  self-released the double lp The Fifth State of Consciousness in June, the following is something akin to aural hypnagogia. The in sound from way out.

Charles Webster - Sweet Butterfly
Lena Platonos - Aimatines skies apo apostasi
Silent Riders - I See You (Dennis Bovell . . .

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Bill MacKay & Ryley Walker :: Lonesome Traveler

The stellar Chicago duo of Ryley Walker and Bill MacKay return next month with SpiderBeetleBee, a collection of fluid acoustic freedom flights, floating from Britfolk excursions to hazy rambles into unclassifiable zones. Walker and MacKay have an easy, loose-limbed rapport throughout – no one's leading and no one's following; it's more like they're discovering these songs together. Get a taste of SpiderBeetleBee via "Lonesome Traveler," here accompanied by Kim Alpert's found footage collage, a perfect visual complement to the song's dusty, meditative musings.   words / t wilcox

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The Weather Station :: The Aquarium Drunkard Interview

On her fourth album under the Weather Station banner, Toronto-based songwriter and actor Tamara Lindeman steps into a new light. Though the self-titled LP is every bit as gorgeous and engrossing as  previous triumphs  like All Of It Was Mine and Loyalty, it's looser, more enraged, and far more  restless. "I had to get so ruthless, to cut right down to the quick," she sings on "Impossible," addressing  the intentionality  that drives the new record. Though the touchstones of her sound still linger here (the haunting lilt of Fairport Convention most especially),  new reference points emerge on nervy, lyrically dense songs like "Kept It All To Myself" and the stunning "Thirty," in  which Lindeman evokes punk poets like Patti Smith and Jim Carroll, wrangling observations both personally and political into musical formation. The Weather Station's  arrangements are less delicate and its melodies more sprawling, and it finds Lindeman tossing her voice into new context, singing over locked grooves and string arrangements she wrote for the record. At times, it's as hushed as ever, but often  the album blooms with a open-hearted swagger. It's a set of songs  about defining oneself, about recognizing the changing winds that swirl around us, and dedicated to poring over the words and ideas that bind us together. It's Lindeman's most accomplished and seems to reveal more brilliance with each listen.

Aquarium Drunkard reached Lindeman at her mother's house in  Aylmer, Ontario, to discuss the record's blustery sound and the role setting plays in her songs.
  Aquarium Drunkard: I've been enthralled with The Weather Station. Does this record feel for you -- for lack of a better term -- more "punk" that your other albums?
Tamara Lindeman: Yeah, totally. [Laughs] I mean, I don’t claim to know what punk means, because people are very opinionated about that word, but totally. It was born from this very different spirit than my other records. I felt like I didn’t have the luxury of being careful like I had before. If felt necessary to just move forward and create something…you know what I mean? [Laughs]

AD:  What were some of the conditions in your life that led to that different motivation?

Tamara Lindeman: I think being older. I’m in my 30s and being a musician is a strange thing to be when you’re a woman in your 30s. There are so many things. I feel like there are too many answers to that question. I just didn’t have time to be decorous. I was bored of certain ideas and sounds and also I was touring a lot. I didn’t have a lot of peaceful time. You know, touring is crazy. It’s awesome. [You are]  thrown headlong into the world. That definitely brought out a different thing in me. And I think that the way...the world is right now makes me feel angry and reckless. I was like, "I don’t have time to be nice."

AD: You wanted to make a record that reflected less niceness and more something else. Urgency, maybe?

Tamara Lindeman: Yeah, totally. For sure.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 495: Jean Michel Bernard — Générique Stephane ++ The Fall - The Classical ++ Omni - Equestrian ++ Thee Oh Sees - Girls Who Smile ++ Omni - Afterlife ++ Wire - Feeling Called Love ++ Pylon - Cool ++ Pavement - Jackals, False Grails: The Lonesome Era ++ Pavement - Perfume V ++ Pavement - Conduit For Sale! ++ The Art Museums - Oh Modern Girls ++ The Vaselines - Slushy ++ The Only Ones - The Whole Of The Law ++ Felt - Something Sends Me . . .

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Jean-Claude Vannier: Histoire De Melody Vannier / A Medley

Histoire De Melody Vannier: Sixty slices of rare, vintage Parisian prog and pop-psych from the musical mind of Jean-Claude Vannier. A name likely familiar to the cognoscere surrounding his work with Serge Gainsbourg's Histoire de Melody Nelson, the French composer Jean-Claude Vannier was paid a loving tribute in 2008 via Andy Votel's kaleidoscopic medley of the composer's varied work. Press play and prendre plaisir.

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Screamin’ Jay Hawkins :: Monkberry Moon Delight

I recently wrapped up reading Mark Binelli's 2016 tome Screamin' Jay Hawkins All-Time Greatest Hits. Part novel, part historical account, the book offered Binelli a chance to explore the enigmatic singer, and the excellent author dug  far deeper than his trademark 1956 hit "I Put a Spell on You." Over his many decades, Hawkins excelled at crafting a myth from his own life, employing theatrical absurdity and over the top humor to achieve transgressive power. He was . . .

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