Blake Mills :: There Is No Now

Produced and co-composed with experimental-indie-jazz legend Chris Weisman, Blake Mills' new record feels like a slow-moving explosion -- a heated fog. Mills, who by now has already won a Grammy and played with Joni Mitchell for a while, inverts the very folk he aims for here, unwinding and disintegrating it into lush, counterintuitive arrangements . . .

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Ente :: Eternamente Sua

Ente is the main project of Arthur Bittencourt, one of the most promising names of contemporary Brazilian music. "eternamente sua", the band's second ever single (and the first from a debut record scheduled for this year), sounds like Clube da Esquina if they had been heavily into shoegaze. Bittencourt says he was influenced by Popol Vuh and Shostakovich as well as by the landscapes of Minas Gerais . . .

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Steven Bernstein (Sexmob) :: The Aquarium Drunkard Interview

Trumpeter Steve Bernstein joins us to discuss the electronically processed jazz of Sexmob's The Hard Way and share wild stories of working with legends like Lou Reed, how he helped prep the Sun Ra Arkestra to appear on-stage with U2, and tell us about the one time he had to tell Hal Willner "no . . .

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Sonhos Secretos :: In Conversation With Producer Tee Cardaci

From the rare and obscure to the unknown, producer Tee Cardaci mines eleven genre-spanning gems produced during the waning days of Brazil's military dictatorship, recorded by a new emerging class of artists operating outside of the major label system. Set to release August 4th, via AD and Org Music, we asked Brazilian music authority Allen Thayer to catch up with Cardaci in regards to the three year process it took to make the Sonhos Secretos compilation a reality . . .

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Giovanni Tommaso :: Indefinitive Atmosphere

A mere spelling error gave Giovanni Tommaso's 1970 solo debut Indefinitive Atmosphere its distinct title, but the Italian bassist is responsible for its groovy slices of spunky fusion, jazz rock, and out there vibrations . . .

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Various Artists :: Still Sad (Anthology)

Like its predecessor, this 16-song collection was compiled by garage rocker and record-maker Mikey Young (he’s played in Total Control, Eddy Suppression Ring, the Green Child, the Ooga Boogas and others, and mastered more hard-rocking down-under discs than you can shake a stick at) and Keith Abrahamsson (the founder and head of A&R at Anthology Recordings). Together the two have combed through dusty crates and piles of singles, finding long-neglected gems among collections bound for second-hand shops . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Gunn Truscinski Nace :: Glass Band

Steve Gunn and John Truscinski have been making improvised music together for a decade and a half and five albums, exploring the fiery conjunctions between experimental drone and rock and roll. Their Soundkeeper, from 2020, was a revelation in the way it channeled explosive rock energy into free-ranging instrumental inquiry. Now, the duo adds a third in Bill Nace, the Body/Head collaborator they first worked alongside on a Kim Gordon-fronted project to accompany Andy Warhol’s film Kiss. The expansion makes a fundamental difference, anchoring this often incendiary guitar and percussion experiment in an endless serene now . . .

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Transmissions :: Gia Margaret

Though Gia Margaret's 2018 debut, There’s Always Glimmer, was the striking work of a singer/songwriter, when medical issues put a strain on her voice, she turned to instrumental music, first with her ambient leaning self-titled 2020 album, and now Romantic Piano, a collection of moving piano compositions, mostly instrumental, that feels at once meditative and comforting. It’s the kind of music that carves out more space for the listener—and it turns out, it’s the kind of music that did something similar for its creator . . .

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The Lagniappe Sessions :: Emergency Group

Brooklyn's Emergency Group emerged earlier in 2023 with Inspection of Cruelty, a radical cassette on Island House Recordings. Blending electric Miles adventurism with kraut-y psychedelia, it was an auspicious debut — and its two extended tracks left you hungry for more. Fortunately, the quintet is already in the planning stages for a second LP, this one in collaboration with Psychic Temple / Big Ego mastermind Chris Schlarb. While we wait for the fruits of those sessions, dig Emergency Group's first Lagniappe Session — it's a doozy . . .

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Country Spice :: Clouds

The seemingly sole disc from a group called Country Spice emerged in 1975 via the short-lived, Milford, Iowa-based Sonic Records and a recent, low-key, digital reissue from Numero Group has newly illuminated this country-rock / psych-pop gem. The ever-reliable B-side is preciously strange – a female voice takes over for a big sky, Mac-inflected cosmopolitan pop, its rural sound upended by baroque harpsichord passages and lyrical, gothic chimera . . .

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Frank Zappa :: Funky Nothingness

The early part of 1970 has always been something of a black hole for Zappa fans. Session contracts suggested he was working, but on what exactly? Finally, with the release of Funky Nothingness, we get a look into this period. It’s not revelatory in the same way The Hot Rats Session box was, but it doesn’t feel like it’s supposed to be either. Instead it’s a peek into the studio and a look at Zappa’s music in transition, slowly moving from the jazz-rock of Hot Rats and into the harder jamming of his mid . . .

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Fran :: Leaving

On Leaving, a hushed masterstroke of chamber folk and scorched indie-rock, the Chicago-based artist tackles heavy, existential concerns—grief, isolation, heartbreak, the simple act of existing on a world that seems less habitable with each passing day—but plays on with quiet aplomb . . .

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Radio Free Aquarium Drunkard :: July 16, 2023

Signals coming from somewhere beyond. It's time for Radio Free Aquarium Drunkard. This month, resident DJ Chad DePasquale opens up with New Happy Gathering, an hour of atmospheric samba, dusty psych-folk, and sinewy funk. Next, Jason Woodbury’s Range and Basin dedicates a whole show to Bill Frisell's incredible "Egg Radio," spanning live takes, covers, studio work and beyond. Then, Doom and Gloom from the Tomb with Tyler Wilcox shares an hour's worth of bittersweet 2023 sounds. And to close, musician and writer Jeffrey Silverstein invites you to join him for an hour of slinky country . . .

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Country Fuzz Spectacular, Vol. I & II

In 2007 WFMU's Beware of the Blog shared a raucous collection of "the racket made by a fuzztone guitar" entitled Country Fuzz Spectacular. They followed it up in 2011 with a second offering, both expertly curated. Along with (the equally great compilation) God Less America, the two volumes soundtracked a good many days and nights around the AD hq. It's now 2023 and we recently rediscovered the set via an ancient hard drive. Hallelujah. For those who missed out in the '00s, we're sharing both volumes here via a zipped folder . . .

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