Countrygaze outfit Wednesday cover Gary Stewart, Roger Miller's "Lock, Stock, And Teardrops," and offer a loose and heavy one for all the "Cooley Heads" in the house with Drive-By Truckers' "Women Without Whiskey . . .
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Today on our weekly interview podcast Transmissions: occult scholar Mitch Horowitz. For this talk, Horowitz opens up about his musical roots, Bad Brains, his vast t-shirt collection, musical telepathy, and much more . . .
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A muscular guitar record that never succumbs to cliches, sometimes wiry and sharp-edged like Adventure-era Television, sometimes loose and groovy like early 70s Dead. The multi-generational aspect of Garcia Peoples is another boon; not only do they count the mighty PG Six (Tower Recordings, Wet Tuna) in their ranks, for Dodging Dues they’ve brought in the ultimate ringer Matt Sweeney (Chavez, Endless Boogie, Superwolves) to produce and add his expert six-string skills . . .
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A mysterious entry in the canon of Japanese minimalism, Série Réflexion 1 was the debut and swan song of Oscilation Circuit, a short-lived ensemble helmed by composer Kenichiro Isoda. Released in 1984, the album was intended to launch a new series for Satoshi Ashikawa’s Sound Process label, whose Wave Notation albums had already heralded a new phase of ambient composition . . .
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During the late '00s Strut Records launched its Inspiration Information series, an experiment in collaboration placing simpatico artists in the studio together for semi-impromptu recording sessions. The series fourth installment found Nigerian Afrobeat drumming legend Tony Allen in the room with Finnish multi-instrumentalist Jimi Tenor . . .
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Bandcamp Fridays may be a thing of the past (or maybe not!), but hey, throw a couple extra bucks on top of any asking price and voila — any day is Bandcamp Friday. With things still fairly uncertain for touring musicians in 2022, it can make a difference. As always, we’ve got a whole bunch of recommendations for you. Fill up your cart . . .
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Australia’s Surprise Chef dish out heaps of heady grooves. The instrumental quartet first issued their debut album, All News Is Good News, in late 2019 as a blink and you’ll miss it pressing on their own College of Knowledge imprint. Copies sold out within a week, but thankfully the good folks at Mr. Bongo have done us all a solid, making it available for the wider world to hear . . .
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Welcome to a bonus edition of Transmissions with David Bazan joining Transmissions to discuss Pedro the Lion's surprise album Havasu, Christian Rock, Fugazi, Tom Petty, and more with host Jason P. Woodbury . . .
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For his fourth and latest album, Good and Green Again, Fussell worked with James Elkington to bring rich, subtle shadings to these reconstructed songs, achieving a melancholy clarity and modern-day resonance in music first conceived centuries ago. We spoke earlier this year about how he finds personal meaning in old songs, why he respects but doesn’t emulate the note-for-note recreators, and how the way you hear traditional music can change as you change over time . . .
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Monde UFO—the LA-based duo of Ray Monde and Kris Chau—put out one of our favorite records last year with 7171, a vibrant collection of free jazz and bossa nova inflected low-key psychedelia. For their inaugural Lagniappe Session, the duo covers three selections from Fugazi, meeting the seminal post-hardcore band’s skeletal manifestos with their own woozy bedroom-pop prescription . . .
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Prior to disbanding in 2010, Tokyo's Yura Yura Teikoku banged out 10 studio albums, a handful of EPs and a live record. Over the course of their 21 years as a working band, the trio's sound morphed considerably, stretching from their inception as a garage rock outfit to the lush, considered arrangements of their final LP, Hollow Me -- an album that would anticipate the direction vocalist Shintaro Sakamoto would soon explore via a solo career . . .
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Cosmic trigger. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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After a somewhat, er, “shakey” start, the online home of the Neil Young Archives has hit its stride. The past year has seen an incredible array of previously unavailable material show up for subscribers to enjoy. Outtakes stretching back to the Buffalo Springfield days, full live shows available to stream, rare films … All this and Neil himself regularly answering your questions in the Letters to the Editor column. Suffice to say, if you’re a fan of the man, you should consider signing up for the Archives. Below, we’ve got a small sampler mix of some of the goodies . . .
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Today on Transmissions: Haley Fohr, better known as Circuit des Yeux and Jackie Lynn. Her latest is called iO, and it’s a stunning work of art rock bravado. No one sounds like Fohr—she possesses a four octave voice—and few artists are pushing as intensely as she is these days. She joined us to discuss the evolution of Jackie Lynn, her label buying her a star, and of course, stunt work . . .
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Proceed With Caution is the second two bonafide heaters that guitarist Calvin Keys recorded for Black Jazz Records. Originally released in 1974, Keys’ sophomore session as leader honed the free-flowing spiritual soul-jazz of Shawn-Neeq into more complex and layered compositions, bolstered by the broader instrumentation of a septet that included a mix of session vets and Black Jazz mainstays. As the title implies, all expectations should be checked at the door. While most of the album delivers an eloquent punch, Keys and company aren’t above getting a little dirty if the occasion calls . . .
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