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David Kilgour & The Heavy 8’s :: End Times Undone

All hail the Brothers Kilgour! David and Hamish (along with Robert Scott) are still best known as the founders of The Clean, the unfathomably great New Zealand band that started way back in the late '70s and continues to this day. The Clean are playing a few select stateside dates this summer, but the band doesn't seem to have any new material on the horizon. That's alright, though, because both David and Hamish have excellent solo albums for us to enjoy.

David's new one with . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 351: Jean Michel Bernard — Générique Stephane ++ Mammane Sani et son Orgue — Tunan ++ Mulatu Astatqe — Yekermo Sew ++ Eddie Ray — You are Mine ++ Harumi — Fire by the River ++ Odetta — Don’t Think Twice, It’s all Right ++ Irma Thomas — Ruler of my Heart ++ Hawa Daisy Moore — Really Love Me ++ Africa — Here I . . .

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Aquarium Drunkard Presents :: Blue August Moon – A Mixtape

Fade out of the humidity and into this. Looming ominously, the following one hundred and thirty eight minutes are a product of their time: rising sea levels, sweltering temperatures, dense fog and waves of radiation. Governed equally by the spiritual and the secular, by science and superstition, magic and economy: Mammane’s organ, Odetta’s baritone, Patsy’s guitar. Soul, Jazz, Country, Gospel, Ambience. There are ghosts residing in guitars and synths alike, the instruments transporting them across space and time. Embrace the transience, listen to their stories and surf the rising tides where solace awaits you . . .

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Africa Unbound: A Tale of Cross-Cultural Influence

As you might expect from a  vast continent consisting of a number of countries and thousands of languages, African music is not so easily categorized. Unfortunately, the tendency has been to bag it all together in much the same way  we do African literature. Like the sameness of African book covers, we use Ladysmith Black Mambazo, Fela Kuti, and maybe Ali Farka Toure . . .

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Aaron Neville / Allen Toussaint :: Hercules (1973)

As Brett Ratner’s Hercules wallows in the steroid-spill of yet another summer blockbuster season, it's an opportune time to think about the nature of myth. Sure, the classic image of Hercules is all brawn and virility, thrashing his way through obstacles–but myth is a flexible, amorphous thing forever being retold. New spins on old yarns.

Take for instance the hero of Allen Toussaint’s "Hercules" (1973). As embodied by Aaron Neville on the Toussaint-produced single, the character is . . .

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King Tuff :: Bad Thing (At The Galaxy Barn, Pickathon 2013)

King Tuff performing “Bad Thing” (last summer in the Galaxy Barn at Pickathon) at the Pendarvis Farm in Happy Valley, Oregon. This year’s festival is happening this weekend - August 1-3. We’ll be there again, DJing all three days. Advance tickets still available, here.

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Roadside Graves :: Body

We last caught up with Roadside Graves via their 2011 LP, We Can Take Care of Ourselves, an eleven track song-cycle concerning S.E. Hinton’s The Outsiders. The band is back in early 2015 with a new record entitled ACNE/EARS. Roadside's John Gleason on the album's first taste, "Body", in his own words, after the jump...

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The Lagniappe Sessions :: Hamilton Leithauser on Frank Sinatra – The Covers

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

I can't think of a more fitting pairing than that of Hamilton Leithauser taking on Sinatra. Subtle solo piano renderings highlighting Leithauser's vocals, the pair of covers dig into the ageless nuance of Sinatra's music. The chairman of the board, indeed. Leithauser on Sinatra, in his own words, below...
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Bob Dylan And The Band :: Oakland, CA 1974

Seven and half years off the road, Dylan returns with the Band. Oakland Coliseum Stadium Feb 11, 1974.

Bob Dylan And The Band :: Oakland, CA 1974 (zipped folder, external link)

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Gracious Calamity :: Song That Grows Like A Vine (Demo)

Gracious Calamity are Kate Lee and Kit Wallach, a duo based in Jamaica Plain, MA. They describe their music as Gospel, Melodramatic Popular Song, Healing and Easy Listening. The descriptions are apt. “Song That Grows Like a Vine,” which appears on their 2011 album Carefree Since ’83, is a borderline spiritual experience. But it’s a demo of the tune, originally appearing on the now-defunct Hooves on the Turf blog, way back in 2009, that truly has the power to transport.

Homespun and charmingly dusty, the demo does as its title suggests, changing throughout, though never requiring more than two voices, two guitars and a kick drum. Kate and Kit's voices are earthly and heavenly alike, delivering their deceptively plainspoken lyrics with a mystical matter-of-factness, although an air of sorrow and doubt and lingers within the recording.

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Palace / Bonnie ‘Prince’ Billy :: A Retrospective

A retrospective journey through the ever-evolving world of Will Oldham - spanning the lo-fi, acoustic Palace recordings of the early 90s, to the polished country/folk of the very prolific Bonnie “Prince” Billy.

Palace :: A Retrospective
Bonnie 'Prince' Billy :: A Retrospective

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 350: Jean Michel Bernard — Générique Stephane ++ The Fall - Frenz ++ Josef K - Pleasant Heart ++ Ought - Pleasant Heart ++ Girls Names - A Second Skin ++ Modern Vices - Keep Me Under Your Arms ++ The Jesus And Mary Chain - Some Candy Talking ++ Mission Of Burma - New Disco ++ Wire - Ex Lion Tamer ++ Parquet Courts - Borrowed Time ++ The . . .

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GT Moore And The Reggae Guitars :: Move It On Up

In an October 2010 issue of The Believer, I made passing reference to GT Moore and the Reggae Guitars, as the band Moore rather weirdly left Heron to pursue. However, Moore’s sophomore crew did go on to draw a large enough following on the pub rock circuit to see them through to the onset of punk. And unlike Heron they seem to have toured extensively during this time, opening shows for the likes of Jimmy . . .

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A Different Kind of Tension: Mission of Burma’s Roger Miller Details A Week In The Ukraine

Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing.

As the guitarist for post punk legends Mission of Burma, Roger Miller has played in some pretty crazy locales over the years, but he has never before boarded an airplane intent on playing in a divided country balancing the tensions behind a potential outbreak of civil war. What had before been an expected week of exciting performances with Alloy Orchestra (in which Miller plays keyboards) was now filled with curiosity as to how the people of the Ukraine were reacting to these developments, and what would it mean for the band and the concerts? There was only one way to find out, so he took his seat on the plane to Kiev and wondered what lay ahead…

Tuesday June 24:

Leaving Boston at 8:45pm, we were bounced up to Business Class at no extra charge: that was a definite bonus. Notice the expansive leg-room? After a pasta dinner with wild-caught mushrooms (probably grown on the lush organic gardens of Lufthansa's rear airplane wings), slept almost the entire flight in my seat's “Sleep Mode” position. Bodes well for the 7-hour time-change adaption to Kiev. Jimmy (Mission of Burma’s Tour Manager), if you're reading this, get us a free upgrade up to Business Class when Burma heads out to the West Coast in August: I know you can do it....

Wednesday June 25:

Arrived zonky in Kiev.   Amazingly easy Customs - they looked at our passports, at our faces, and let us right in.   Didn't ask us a single question.   More like entering a high school than a country in the middle of a crisis. Anna, our Ukrainian hostess from last year met us outside.   She works for the U.S. Embassy, which is the organization that brings us here (your U.S. Tax dollars at work!).   We were glad to see each other again, and off we were whisked into a van.

We unloaded our gear at the venue for tomorrow's show: a huge old arsenal turned into a Ukrainian avant-garde gallery/show-space.   Cool.   Then to the Intercontinental Hotel (same as last year) - good rooms, good English spoken, everyone charming and eager to help us.   After settling in we had a classic Ukrainian dinner in a local tent-restaurant: a bit kitschy, but great.   Beef Stroganoff please with various pickles and Borscht, please.   No reason to complain (except for the mild lager beer).

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Tony Joe White :: Black Panther Swamps

Tony Joe White turns 71 today — a good excuse as any to put on one of his many excellent platters. I recommend 1971’s self-titled Tony Joe White. Cut at Sounds of Memphis Studio and Ardent Recording Studio in Memphis for Warner Brothers, it’s thick, greasy, and sticky, a potent blend of country, R&B, and down home blues, with the leering White serving as a sly, funky narrator. He was already a proven hit maker by that point, with singles like “Polk Salad Annie” and “Rainy Night in Georgia”   -- recorded by Elvis and . . .

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