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Multis E Gentibus Vires: A Vintage Saskatchewan Mixtape

Dig into an all-vinyl helping from one of Canada’s overlooked and underappreciated provinces. Rural rock with guitars informed by six months of winter. Prairie Lily ladies and god-fearing men. 800 pounds of country rock from a trio of CFL players. A paean to a Métis folk hero. And Howard. Welcome to Saskatchewan.

Multis E Gentibus Vires: A Vintage Saskatchewan Mixtape

Playlist after the jump. . .

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Hans Condor :: My Lyin’ Mind

There are rock and roll bands and there are powerhouses like Nashville, TN’s recently resuscitated Hans Condor that drag the aforementioned out into the alley behind the club at the end of the night. Not many can pull off calling their debut  Sweat, Piss, Jizz & Blood, but Hans Condor did it back in 2010 with equal parts fury and bravado. Ten songs in thirty minutes chock full of careening rhythms, gristly bass lines, and guitar moves greasier than the skillet at Wendell Smith’s . . .

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Willis Earl Beal :: Noctunes

Willis Earl Beal returns this week with Noctunes, a record of songs inspired by night-time. Limited to a 300 compact disc release, this new collection is being self-released through Beal’s Electric Soul Records. Those interested in a copy, should reach out to the man directly via his site.

Below, two tastes from the record. These new works play like an out of body experience, hovering over one’s own existence . . .

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Sonny & The Sunsets :: The Aquarium Drunkard Interview

To be fearless in any aspect of one's life is a feat not easily attained. In the art-world, perhaps the stakes are even higher. As an artist's credibility and validity are, by nature, prone to scrutiny, often those who make it through the ringer are the ones capable of re-invention and whom resist the urge to be anything other than themselves.

For Bay Area native Sonny Smith, whose rich output across theater, music, and visual is nothing if not proliferate, this dedication to creating honest art is exactly what makes him so alluring. Whether backed with his band the Sunsets or collaborating with various artists, there remains a backbone to his work rooted in letting all your weirdness out, even the darkest parts. Ahead of Talent Night at the Ashram, his latest effort for Polyvinyl Records, we caught up with Sonny to speak out being a dad, transformation, and health food stores.

Sonny & The Sunsets :: Happy Carrot Health Food Store

Aquarium Drunkard: You've been doing music, film, theater, etc. for over a decade now. Do you follow any sort of daily rituals/routines to keep the mind active?

Sonny Smith: No, I don't. I've always wished I was one of those writer types that wrote from 7-11 AM every day or something like that. I just do creative stuff in between all the life stuff. I've got a notebook with me everywhere I go. I write songs in the car, while I'm at my kids soccer practice.

AD: Are you getting used to the parent/musician balancing act or is there always something new to learn?

Sonny Smith: Well, it's kind of both. You get a handle on things after a couple of years when you're  raising  a kid.  Seemed  like when my son turned five, there was kind of this plateau where I could breathe more and have a little more time. The balancing act of being a musician and raising children is crazy. They don't really fit together. It's like day to day survival. Every day is like how am I going to record this song AND get my kid from karate? My son is 10 and he's not missing an eye or any limbs or anything which is good.

AD: Sounds like you're doing alright. Having spent time in so many different mediums, was there one one in particular that  sparked  your interest in being an artist?

Sonny Smith: When I was younger I kind of wanted to be a writer. I fell for a lot of the bohemian, beat writher aesthetic. I was 17 or 18 and heavy into  Kerouac  and Burroughs and all that. I romanticized being a writer. Music was something I was doing cause it was fun and i was naturally attracted to it. But I didn't see it in the same light. I didn't see it it as serious, in the way that being a serious writer held some mystique for me. Slowly, what happened was that I was able to begin to make songs out of some of the stories I was writing.

Not to get too convoluted but if you could picture me as like a double headed person. One guy was the writer and he supplied the themes and words and ideas and the other guy was like well I'll just put this to music.   It's like a collaboration within myself. It's weird but it's how I've done it for a long time. And it always feels fresh because I'm always discovering those roles are there.

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The Lagniappe Sessions: William Tyler

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Whether solo, with Lambchop, Silver Jews and beyond, I've been following William Tyler's career, in one form or another, for over a decade. This week, the Lagniappe Sessions find the Nashville based artist taking on four covers - from . . .

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AD Presents: An Evening With Jessica Pratt & Kevin Morby

Friday, February 27th, Aquarium Drunkard presents an intimate evening with Kevin Morby and Jessica Pratt in Long Beach. Location to be announced.

Limited capacity. Tickets available for purchase, here. We have a few pair to giveaway to AD readers. To enter, leave you name and a valid email address we can reach . . .

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Yaphet Kotto :: Have You Ever Seen The Blues (1968)

Actor/producer/musician Yaphet Kotto laid down this dark slice of soul in 1968 via the Chisa label. Proto-rap in its delivery, “Have You Ever Seen The Blues” rides the cymbals like Max Roach, all percussive piano with Kotto spitting lines like “..and all the while visions of suicide were boogalooin’ in your head and you was thinking how you might as well be dead.” And then shit gets real.

Sourced from a 45 picked up for ten . . .

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Wizz Jones :: The First Girl I Loved

Dylan’s magpie genius of course exerted its influence over the British folk scene of the mid-1960s. The Incredible String Band, however, were the ones perhaps most responsible for breaking the British folk idiom wide open, taking it back from the purists and making it strange again. They were weird but in the same way that Blake is weird, in the way that British children’s books have always been weird too. Had it not been for Robin Williamson and Mike Heron, on the one hand, and perhaps . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 373: Jean Michel Bernard — Générique Stephane ++ Tinariwen - Tenere Taqqim Tossam ++ The Ify Jerry Krusade - Everybody Likes Something Good ++ Johnny 'Guitar' Watson - Lovin' You ++ Fatback Band - Goin' To See My Baby ++ We The People - Function Underground ++ Darondo - Let My People Go ++ Los Issufu & His Moslems :: Kana Soro ++ Moses Dillard - Tribute . . .

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Kim Fowley :: International Heroes

Waxed around the time he produced legendary recordings by the Modern Lovers, it’s no surprise International Heroes is one of the best albums from the ubiquitous Kim Fowley. Son of actor Douglas Fowley, Kim produced the novelty hit "Alley Oop" in 1960, released several commercially unsuccessful solo albums and produced/composed various oddities for other artists (including Kiss) before eventually unleashing the Runaways on the world. And that’s just skimming the surface. He even found time to write songs with Skip Battin, which . . .

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The Lagniappe Sessions: Chris Forsyth & The Solar Motel Band

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

This week the Lagniappe Sessions touch down with Chris Forsyth & The Solar Motel Band -- fronted by an artist we've previously described as your "new favorite guitar anti-hero," creating music akin to   "Television circa 1977 recording a cover of Pharoah Sanders’ “The . . .

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Scott Walker :: We Had It All

Setting aside his more contemporary avant-garde adventures, We Had It All is a bit of an oddity, even for 60s pop crooner extraordinaire Scott Walker. After releasing some very seminal solo material - four albums in the span of three years during the late 60s - Walker settled into a little bit of mediocrity, a lot of drinking, and then mostly obscurity - recording a series of four albums comprised of no original material.

Enter We Had It All - Walker’s foray . . .

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Imaginational Anthem: Volume Seven

Since 2005, Tompkins Square's Imaginational Anthem compilations have offered essential overviews of the rich American Primitive/guitar soli landscape, highlighting the cream of the diverse post-Fahey crop. Label head honcho Josh Rosenthal; put together the first several volumes, but he's handed over the reins to the musicians themselves. The latest volume was curated by Amarillo, TX-based guitarist Hayden Pedigo (whose Five Steps LP was . . .

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Woods – With Light And With Love :: Pickathon / Galaxy Barn

Welcome to the second installment of an ongoing series with Pickathon, showcasing footage from the Galaxy Barn located at Pendarvis Farm in Oregon. Woods played twice that weekend, once...on the Woods Stage, out in the woods, and once here, inside the barn . . .

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