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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 228: Thurston Moore - Psychic Hearts ++ Suicide - Dream Baby Dream ++ Talking Heads - Houses In Motion ++ Pylon - Cool ++ Liquid Liquid - Optimo ++ LCD Soundsystem - Losing My Edge ++ Atlas Sound - Another Bedroom ++ Cant - Ghosts ++ Broadcast - Echoes Answer ++ Abe Vigoda - The Reaper ++ Tubeway Army - Are 'Friends' Electric? ++ Bear In . . .

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Four Men Reflect On The 20th Anniversary of Gish…

Last fall marked the 20th anniversary of Nirvana's Nevermind. As watershed moments in music history go it was surely one well worth noting. But in terms of my own continued enjoyment of the record, not so much. But I did like the idea - the idea of reflecting on a big album by a big band (read: 'zeitgeist significant') that was released during my teenage years and was also turning twenty. And what bigger band than that of the alt.rock zenith that was Smashing Pumpkins? As coincidence would have it I had just recently dusted off group's debut, Gish, probably for the first time since high school, and, unlike Nevermind, found it surprisingly enjoyable, bombast and all. So - in the spirit of revisiting the past I recruited three other AD contributors and asked them to indulge in reflecting on the LP with me. Below you will find each of our scattered thoughts, recollections, personal narratives and opinions of the album. Four different perspectives spanning two coasts, and as our collective age-range spans almost ten years so does the point in our lives in which each of us first encountered the album (two of us upon its original release, one after Siamese Dream and one a mere two weeks ago).   I'll kick off after the jump...

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Michael Kiwanuka :: Home Again EP

While AD's 2011 Year In Review solely focused on full-lengths, I did have a favorite single of the year: Michael Kiwanuka's "Tell Me A Tale" - a track I wrote about last May. I described Kiwanuka as having "picked up the torch from Terry Callier and Bill Withers," a sentiment only bolstered after having seen him perform live in December. Kiwanuka released the Home Again EP, (his 3rd) this month. Title track after the jump.

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Africa :: Music From “Lil Brown” (1968)

Known to J Dilla disciples for his sampling of "Light My Fire" on Donuts, it was Lil Brown's title and artwork - an obvious nod to Music From Big Pink - that initially caught my ear a few years back. I suppose all roads do lead to Rome.

Aside . . .

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The Owsley Brothers :: Rotten On The Vine

Dark, reverb-y, Kentucky-born garage blues strike back. "Rotten On The Vine" - the new single from the Owsley Brothers upcoming full-length - delivers on all the promise of last year's Pure Lust ep (see: "Blood & Fire" below). Look for the new LP,  Cobalt, out March 6.

MP3: The Owsley Brothers :: Rotten . . .

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Junior Parker :: Tomorrow Never Knows

Sip on this narcoleptic soul brew - Junior Parker's psychedelic molasses rendition of the Beatles "Tomorrow Never Knows." One of three Beatles covers found on his 1971 LP, Love ain't Nothin' But A Business Goin' On, Parker died of a brain tumor the year of its release just shy of his fortieth birthday.

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Calvin Keys :: Shawn-Neeq

Originally released in 1971 via the Black Jazz label, Tompkins Square is set to drop a vinyl-only reissue of Calvin Keys debut LP, Shawn-Neeq, this Tuesday. Check out "B.E." below for a taste, and stream the LP in its entirety here.

Calvin Keys :: B.E.

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 227: Jean Michel Bernard — Generique Stephane ++  Reparata & the Delrons - Boys and Girls ++  Dum Dum Girls - Pay For Me ++ Bleached - Dazed ++ Gentleman Jesse - Highland Crawler ++ The Owsley Brothers - Blood & Fire ++ Takeshi Terauchi — What Have They Done / Venice — 30Th Century ++ Beatle-Ettes — Only Seventeen ++ Arif Sag — Su Sansunun Evleri . . .

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Coeur Magique :: Mademoiselle Marie (1971)

Culled from the BYG vaults, I've had Coeur Magique's slice of French psychedelia, "Mademoiselle Marie," on deck for awhile now slated for an upcoming DJ set. Track two off the groups 1971 LP, Wakan Tanka, the track exemplifies the substrain of heavy, guitar-driven, underground French psych blasting off at the time (see also: become a member or log in.

The Girls / The Crystals :: Chico’s Girl

As promised, more sixties girl-group stuff. If you keep up with this sort of thing (we do), you'll remember The Girls were rescued from collector obscurity awhile back via the mutli-volume Girls In The Garage series - and then later on the similar themed, higher profile, ACE Records compilation become a member or log in.

Reparata & The Delrons :: Boys And Girls

Caveat Lector: I've been on another vintage girl-group kick of late and will be featuring some lesser known faves over the next few days beginning with Reparata & The Delrons "Boys And Girls." Clocking in at an all too brief one minute and forty-six seconds, it's propulsive drums and percussive piano that drive the track. Pair the two with syncopated handclaps, attitude and elevated vocal harmonics and the song finds itself residing in that oft elusive, intangible, sweet spot.

Formed in 1962 at . . .

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Pete Drake :: Talking Steel Guitar

Pete Drake’s performance of his hit song, “Forever,” in the film Second Fiddle to a Steel Guitar is a proto-Hee-Haw flight of fancy. The assembled band members nod their heads back and forth to a hypnotic beat on a down-home, front porch set. Drake sits at a pedal steel emblazoned with his name and is dressed in a crisp suit. The scene has all the trappings of high honky-tonk decadence and country fancy. But when the verse comes around . . .

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Father John Misty & Phosphorescent :: I Would Love You

Welcome to 2012. Here's one for the last year of our existence, Father John Misty's duet with Phosphorescent on the Misty original, "I Would Love You."

MP3: Father John Misty & Phosphorescent :: I Would Love You

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Sevens :: The Roots – Tip the Scale

(Sevens, a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

The Roots' Undun is a concept record - a man's life told in reverse, starting with the flatlining of his heartbeat and working backward through his life. But it's interesting that within that concept, the last song with lyrics, and therefore the earliest song in our protagonist's . . .

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