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SIRIUS/XMU :: Aquarium Drunkard Show

SIRIUSPosted on

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 204: Jean-Michel Bernard - Generique Stephane ++ William Sheller - Exitissimo ++ Jacques Dutronc - Sur Une Nappe De Restaurant ++ Yura Yura Teikoku - Ohayo Mada Yaro ++ Richard Swift - Broken Finger Blues ++ White Denim - Burnished ++ White Denim - At The Farm ++ The Shakes - You Ain't Alone ++ Witch - Introduction ++ Ofo And The Black Company - Allah Wakbar ++ Henri Texier - Les "lî -bas" ++ Sea-Ders - Thanks A Lot ++ Nina Simone - Save Me ++ Amanaz - Khala My Friend ++ The . . .

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Sonny & the Sunsets :: The Aquarium Drunkard Session

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For those of you sans satellite radio, below is the Aquarium Drunkard session we cut with Sonny & The Sunsets earlier this month in Los Angeles. It debuts on my SIRIUS/XMU show tomorrow. No stranger to the AD show (between his various and sundry projects and handles, Sonny Smith's music seems to make an appearance every other week) the bay area singer/songwriter/producer is as prolific as he is inventive. The session was recorded, produced and engineered by Andrew Murdock at become a member or log in.

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Alain Goraguer :: La Planéte Sauvage

Fantastic Planet Rising StormPosted on

Alain Goraguer first made a name for himself as a sideman and arranger for Serge Gainsbourg, including the arrangement for Gainsbourg's 1966 Eurovision grand prize winning song "Poupée de cire, poupée de son." In 1972 he scored the bizarre and moving French language animated feature Le Planet Sauvage, released in the States as Fantastic Planet. The soundtrack blends funky psyched out jazz . . .

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Plastic Ono Band :: Sometime In New York City–Live Jam 1972

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I recently picked up a used copy of the 2010 reissue of John Lennon's Sometime in New York City on the cheap at Amoeba Records in Hollywood. While by no mean Lennon's crowning solo achievement, I've always felt the album was underrated as it's peppered with some ragged quick and dirty, off-the-cuff, gems. The real "get", here, is the bonus disc included in the reissue--the six-song Live Jam 1972 disc that accompanied the original early 70s vinyl release. I've never heard a copy of it this . . .

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Richard Swift :: Broken Finger Blues

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Richard Swift dropped this number on his blog earlier today, a track he recorded in response to having a cast removed from a broken finger. A man of many musical hats, we find Swift donning his soul cap on this one. Swift's blog, by the way, is very much worth a bookmark.

MP3: Richard Swift :: Broken Finger Blues

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The Blue Echoes :: It’s Witchcraft

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The above still, taken from 1955's Rebel Without A Cause, was expertly used as the cover art to the woefully out-of-print, left of the dial rockabilly compilation, Teenage Repression. One of the (many) highlights of the set is the Blue Echoes "It's Witchcraft"---the b-side to their 1959 single, "Debbie." The production, arrangement and vox sound like something straight out of the David Lynch universe.

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The Lagniappe Sessions: Roadside Graves (Mickey Newbury)

Lagniappe Sessions Mickey Newbury Roadside GravesPosted on

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,' - 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Welcome to the second installment of the Lagniappe Sessions in which we invite some of our favorite artists to cut exclusive covers paying tribute to some of their favorite artists. This week's entry with Roadside Graves is especially fortuitous as it finds the band covering one of their heroes, Mickey Newbury, whose material just recently received a long overdue vinyl reissue via Drag City Records. The influence of, and deference to Newbury’s songwriting is peppered throughout the Graves' catalog, none more so than their new full-length We Can Take Care of Ourselves.

Session notes and details after the jump from the Graves' John Gleason and Jeremy Benson, and if you're in the NYC area look for upcoming Benson solo dates.

MP3: Roadside Graves :: Saint Cecilia (Mickey Newbury)
MP3: Roadside Graves :: People Are Talking (Mickey Newbury)
MP3: Roadside Graves :: Why You Been Gone So Long (Mickey Newbury)
MP3: Roadside Graves :: Interlude (Mickey Newbury)
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The Shakes :: You Ain’t Alone

Alabama Shakes Brittany Howard The ShakesPosted on

In reference to my posting 'new music' on the blog, I'm often asked what it is I'm looking for. It's simple, I'm hunting for 'the real' -- the stuff that can't be faked...the happy accidents, the sound of strings out of tune from humidity, Ike Turner's busted amp on "Rocket 88," blood, sweat, tears, what-have-you. In short, expressions of the human condition. The real is an elusive chase and one that rarely comes pre-packaged all nice and spit-shined via a PR firm. As such, finding it makes it . . .

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SIRIUS/XMU :: Aquarium Drunkard Show

SIRIUSPosted on

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

SIRIUS 203: Jean Michel Bernard - Generique Stephane ++ Abe Vigoda - House ++ Gardens & Villa - Black Hills ++ Love And Rockets - Rain Bird ++ Women - Shaking Hand ++ Girls Names - I Lose ++ The Jesus & Mary Chain - Taste of Cindy ++ Crystal Stilts - Precarious Stair ++ Ty Segall - The Slider ++ Bleached - Dazed ++ Earth Girl Helen Brown - Girls Of My Dreams   ++ La Sera - Devils Hearts Grow Gold ++ The Vaselines - No Hope ++ Eddie The Wheel - Nearsayerfive ++ Twin Sister - Bad Street . . .

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Peggy Sue :: Long Division Blues

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Sometime around the reissue of the Raincoats debut LP some friends and I were nerding about, discussing what emerging artists could be considered 21st century heirs to the group's legacy. I recall London's Peggy Sue at the top of the list, a band I'd happened upon randomly in New York a couple of years back while performing in a support slot. Lately I've been working "Long Division Blues," the first track on their album

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Letting Up Despite Great Faults :: Paper Crush EP

Letting Up Despite Great FaultsPosted on

L.A.’s Letting Up Despite Great Faults spent a great deal of effort on their self-titled debut album reminding listeners that it’s possible to translate the moody highs and lows of New Order and The Radio Dept. into something fresh and immediate (see “In Steps” and “Our Younger Noise” in particular). Two years later and the band returns with Paper Crush, an ambitious and energetic EP filled with even more urgency, hooks and that sweet spot where twee-pop meets the soaring textures of the Creation Records catalog. That’s not easy company to be aligned with, but if there was ever a band to spearhead the recent renaissance of dream-pop fever then this is the act to get invested in. Don’t get me wrong, LUDGF don’t attempt to bring about any revolution or rekindle a bygone era of music. Paper Crush is a sound owned by its creators.

Mike Lee’s vocal delivery possesses a youthful, carefree tone that eases its way into the songs. He’s not too direct, not too hushed, and fits perfectly with textured keys and sustained guitars. Lee is also bolder and at the forefront of these mixes than on previous releases. This creates an added feel of spaciousness that’s instantly recognizable from the band’s debut album -- allowing heavier guitar progressions, propelling electronic rhythms and candy-coated synths to take shape right in front of you. It’s not a maturity issue we’re dealing with here; it’s simply a vocalist and his band getting better.

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Phosphorescent :: South (Of America)

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Phosphorescent's sophomore LP, 2005's Aw Come Aw Wry, is at its heart a folk record; albeit a folk record alternately made up of dirges, brass, waltzes, and choirs---a heady, if low-key, bouillabaisse of sound.   It also remains one of my favorite releases of that year. I put this one on late night, for the . . .

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Roadside Graves :: We Can Take Care Of Ourselves

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There are two broad views you can take of Roadside Graves latest, We Can’t Take Care of Ourselves: As the concept album that it is, inspired by the S.E. Hinton classic The Outsiders

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Turf War :: Cheers To The Years

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A raucous two and half minutes of sweaty tomfoolery, I debuted this Turf War track on the radio show a couple weeks back after catching the fellas in Athens last month. "Cheers To The Years" is the first taste off the Atlanta band's upcoming full-length, Years Of Living Dangerously, out this September via Old Flame Records. Fellow Atlantan Ian St. Pé, of the Black Lips, produced.

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John Lee Hooker & Miles Davis :: Bank Robbery

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A high point on the soundtrack to director Dennis Hopper's 1990 film The Hot Spot, "Bank Robbery" finds John Lee Hooker collaborating with Miles Davis alongside Taj Mahal, Roy Rogers, Earl Palmer, and Tim Drummond. Scored by Jack Nitzchse, the set is a rolling mix of Delta swagger coupled with Davis's (always) blue cool.

MP3: John Lee Hooker & Miles . . .

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