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The Southern Dream of Freedom

This Spring, after devouring Volume 1 and 2 of the masterfully curated Dirty Laundry black country/soul compilations (do check those out if '70s southern soul is your thang), I went poking around the label's website searching for other similarly themed curios. And, not surprisingly . . .

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The Avett Brothers :: The Second Gleam

The Avett Brothers have been slowly transforming their sound in the six years they've been releasing records. They've winnowed the best parts of their rag-tag and raucous energy and truly begun to marry it to their growing skills as songwriters. Now, on the verge of recording their first major label album for American Recordings and having Rick Rubin put his stamp on their work, they've released a final EP for their long-time indie home, Ramseur Records . . .

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Beirut :: The Black Sessions (Paris 2007)

Black Session :: Studio 104 Maison de Radio France

In terms of radio sessions I can't think of a more fitting city for Beirut's Zach Condon to demonstrate his trans-Euro flair. The covers cut for the session are especially of note as they translate seamlessly into the Beirut world of sound. Per usual for this series, Radio France deliver the goods.

Download:
MP3: Beirut :: Intro by Bernard Lenoir . . .

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Ronnie Wood :: Sure The One You Need (w/ Keef)

Ron Wood & Keith Richards :: Sure The One You Need (Live 1974)

I've recently been seriously dipping into Ronnie Wood's debut solo album I've Got My Own Album To Do - a cutthroat minor classic if there ever was one. More about that record later - right now, go check out this clip of Wood and Keith Richard . . .

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Newport Folk Festival, Aug 2008 :: Sunday Preview

Yesterday we told you about who we’re planning on seeing on the first day of this year’s Newport Folk Festival. Here’s what it's looking like we’ll be doing on day two. If you’re going, drop us a line in the comments and tell us who you’re going to see.

Levon Helm :: Helm’s swampy Dirt Farmer won the Grammy for Best Folk Album this year, though the former drummer for the Band didn’t need any excuse to celebrate; Dirt Farmer was recorded following a long battle with throat cancer that saw him miraculously regain 80% of his singing voice. And though his voice warbles like Garth Hudson’s Hammond B-3 when he talks, the singing on Dirt Farmer is some of the most moving, soulful stuff of last or any year. Helm would be the highlight of the festival even if he were only playing tracks from this record; throw in the Band’s back catalog, and Helm’s set is bound to be rock for the ages.

The Avett Brothers :: Bringing the same punky spirit to folk and bluegrass as the Felice Brothers, North Carolina’s prolific Avett clan have seen their national profile rise considerably in recent years. With that has come something of a smoothing in their style that’s every bit as engaging as their early work while appealing to a somewhat broader audience, landing the group a deal with American/Columbia.

Calexico :: Like the Avetts, Calexico’s punkier background has lately given way to a dedication to pop songcraft. Still, though, the band couldn’t have chosen a better name for themselves; equal parts California and Mexico, they are the unspoken sound of spaghetti westerns and are more suited to west Texas in the scorching heat. Seeing them in the spread of the Bay should be interesting.

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Newport Folk Festival, Aug 2008 :: Saturday Preview

As we mentioned yesterday, Aquarium Drunkard will be stomping around Fort Adams State Park next month, taking in the Newport Folk Festival. Following the obvious night-show of Brian Wilson, Kate Taylor, and Willy Mason on Friday night, here’s a quick preview of who we’ll be checking out on Saturday. If you’re going, drop us a line in the comments and tell us who you’re going to see.

Cat Power :: At one point in the not-so-distant past, Cat Power figurehead Chan Marshall was a notoriously flakey performer. Marshall had a history of playing shows with her back to the audience, sometimes even quitting the stage halfway through performances. Following the recording of 2006’s definitive The Greatest, Marshall entered rehab and emerged something of a sober fighting machine, effectively grabbing the touring market by the hand and forcing it to go along with her; where she once shied away from the public, she’s now the face of Chanel. This would be meaningless, of course, if Marshall’s music was anything less than stellar. The Greatest is a smoky, Memphis-smoked record that’s equal parts fall-down and get-up. while her latest release, Jukebox, is a collection of covers, with Marshall putting a mellow golden stamp on everything from Hank Williams’ “Ramblin’ Man” (or “(Wo)man,” as she re-titles it) to Dylan’s “I Believe in You” to a snaked-out version of Sinatra’s “New York.”

Willy Mason :: I was initially made aware of Martha’s Vineyard’s Willy Mason when the then-nineteen year-old opened for My Morning Jacket in Houston the Thursday before Austin City Limits Fest in 2004. The nervous, foot-shuffling folk was matched only by Mason’s gentle demeanor (at one point, he shyly asked if he could catch a ride north to Austin for his ACL slot the following afternoon). Following a self-imposed exile from the music world, Mason reemerged in 2006 opening several American arena dates for Radiohead, of all bands.

Richie Havens :: Let’s get this out of the way: this isn’t Havens’ first time on a big stage. The 67 year-old Brooklyn native famously opened Woodstock thirty-nine years ago, playing his entire repertoire to a raucous crowd that demanded more, and culminating in a jaw-dropping improvisation on “Motherless Child.” Havens’ take on the folkie tradition is decidedly rhythmic; his flapping, fluttering guitar style is found today in the rejoicing hands of Devendra Banhart and the multi-thumping of the Dodos.

Jim James :: My Morning Jacket’s weirdo-in-chief has always sounded more soulful when he sticks to his acoustic guns than he does when aping Prince. Some of MMJ’s early, reverb-and-wine-soaked recordings still stand among his best and most ambitious work. From The Tennessee Fire’s “I Will Be There When You Die” through At Dawn’s “Hopefully” and It Still Moves’ “Golden,” not to mention subsequent solo tours with M. Ward and Conor Oberst, JJ has earned his place among Newport’s headliners. If nothing else, it should be interesting to hear Evil Urges funk-blasted tracks stripped to their core.

She & Him :: Only in 2008 could a record that sounds like 70s FM folk be considered revolutionary. What started as a side project between M. Ward and Zooey Deschanel has quickly developed a life of its own. Deschanel’s warm voice — somewhere in the neighborhood of Patsy Cline, though far more sweet than bitter — is a perfect match for the transistorisms that Ward has tweaked over several albums now.

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Newport Folk Festival :: August 2008

Aquarium Drunkard is nothing if not fans of pop music’s twisting and shaking history. While some may point towards Woodstock as the most important music festival in the history of our young country, one could make a very, very strong case for the early 60's incantations of the Newport Folk Festival. It was Newport, after all, that first trusted Bob Dylan enough to give him a national . . .

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Bruce Springsteen :: Boston Music Hall 10-29-1974

AKA - Flesh And Fantasy, this has long been one of my favorite early '70s Springsteen shows. Touring behind the Wild, the Innocent & the E Street Shuffle this show is loose as a goose. Keep an eye out for another Bruce show (from the same year) I also unearthed from my old CD trading books from back in the day (from ye olde days before file-sharing). - AD

Download . . .

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SIRIUS Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 56: Jean Michel Bernard - Generique Stephane (intro) ++ The Walkmen - What's In It For Me ++ Fugazi - Last Chance For A Slow Dance ++ Spoon - Stay Don't . . .

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Joe Jackson :: Steppin’ Out…

Culled from the 1982 album Night And Day, Joe Jackson's pitch-perfect single "Steppin' Out" has long held a perverse power over me. It's true. Besides being my round one, go-to, Karaoke jam, I've also been known on many occasions to (obviously, after a few drinks) make wild and grandiose statements such as "this is my all-time favorite song . . .

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Sevens :: The Band: Chest Fever

(Sevens, a new feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

From Garth Hudson's opening notes on the organ - on through to the songs climax - it's immediately apparent The Band's "Chest Fever" means business. "I know shes a tracker, any scarlet would back her. The say she's a chooser, but I just can't refuse her." A soulful, yet tortuous, ode to the . . .

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The Hold Steady :: Stay Positive

Over the course of four years and as many albums, The Hold Steady have been given the knee-jerk title of America’s Best Bar Band, and, stylistically speaking, Stay Positive, the group’s latest release on Vagrant, will do little to change that. The usual big riffs (“Stay Positive”) and Led Zeppelin name-checks (“Joke About Jamaica,”) are . . .

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Liz Durrett :: Outside Our Gates

Just heard these two new tracks from Liz Durret's upcoming LP Outside Our Gates (due out September 9th). Guest performances by Vic Chesnutt, Brian Causey (Man or Astro-man?), Amanda Kapousouz (Tin Cup Prophette) and members of Ham1.

Related:
Liz Durrett . . .

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