Transmissions :: A Conversation With Jesse Jarnow

For this episode of Transmissions, we’re joined by author, WFMU DJ, and historian of all things “heady,” Jesse Jarnow. With society in a state of monumental flux, it felt like the perfect time to ring Jesse up to discuss the radical possibilities of the current moment, science fiction, various dystopian and utopian happenings and jam culture’s ahead of the curve embrace of live streaming tech.

Pass The Hatchet :: On Yo La Tengo’s Guitar Sculptures

When Yo La Tengo shifts into “guitar sculpture” mode, you’d be forgiven for thinking the idea is simply to make as much noise as possible. But closer inspection reveals Alexander Calder-like complexity, a commitment to movement and grace. The band’s sculptures aren’t static objects made of hard materials like traditional sculpture, but instead are always shifting and moving. The following is a sampling—though not all—of Yo La Tengo in this zone. They are presented chronologically and unranked. After all, this isn’t Guitar Player magazine.

Aquarium Drunkard :: Mailbag, Vol. VI

Long time reader, first time caller? Welcome to Mailbag, our monthly column in which we dig in and respond to your questions. Got a query? Hit us up at aqdmailbag@gmail.com. In this month’s bag: a grip of essential mixtapes, jazz tomes, and overcoming listening burnout.

Skydance :: The Fusion of Jazz & Animation

Faith Hubley’s experimental short film Skydance opens with a simple message: “Reaching for life in the cosmos.” Animated in Hubley’s unmistakable visual style with sound provided by playwright and musician Elizabeth Swados, Skydance blended jazz and animation. A further blurring of the lines between mediums can be experienced with a new book edition of Skydance, published by Anthology Editions. Part abstract art book, part storybook, it’s a remarkable 2D adaptation of Hubley’s one of a kind film.

Lost Live Grease, Recovering the Hampton Grease Band

The importance of the Hampton Grease Band is almost always reduced to factoids. Mainly that their sole album, 1971’s Music To Eat, was allegedly the second worse-selling double-LP in Columbia Records’ history, after an instructional yoga set.

The Hampton Grease Band deserve better. The Hampton Grease Band were the South’s first freaks, and still their most incredible.

Cosmic Pedal Steel Situations :: Winter 2020

Pioneers like Daniel Lanois and Chas Smith paved the way in the 1980s, but the past several years have seen a very welcome pedal steel ambient scene emerging from the underground. Here are just a handful that have caught our ears from artists like Susan Alcorn, Barry Walker Jr., North Americans, Heather Leigh, and more.

Aquarium Drunkard Book Club :: Chapter One

Warren Zevon once said “We love to buy books because we believe we’re buying the time to read them.” But even if your towering “too read” can’t guarantee immortality, those pages can make life feel even more worth living. Welcome to the inaugural Aquarium Drunkard Book Club. This installment finds Tyler Wilcox guiding us through a few of his recent reads. Enjoy. More soon.

Blanks & Postage: Kyle Barnett and the Record Cultures of Wild Midwest

Despite a plot that takes place a century ago, nearly every twist of Kyle Barnett’s new scholarly work Record Cultures: The Transformation of the U.S. Recording Industry feels acutely connected to the present. With a big picture historical view, Barnett maps how the unsettled and undefined chaos of American music coalesced into the modern world of record labels and genres with all their racist complexities and romantic myths.