Kevin Morby :: Little Wide Open

Kevin Morby’s eighth album tracks his passage into adulthood, a time when settled life and family takes precedence over youthful adventure, when losses pile up but so do solid rewards. The open road may still beckon on cuts like “Badlands,” and Morby may admit to some ambiguous feelings about his current state (“I can’t tell/whether I’m in heaven or in hell”), but overall contentment prevails. And why not?

Kevin Morby :: This Is A Photograph

The awareness of our own mortality is a blessing and a curse. This isn’t a new idea, and it’s one that we’ve seen reflected time and again in art. While catalysts vary, for Kevin Morby it was witnessing the sudden collapse of his father at a dinner. Thankfully his dad survived the incident, but much in the same way that just seeing parents, or ourselves, get older can send us down that spiral staircase of mortality, Morby turned his thoughts inward.

Diversions :: Kevin Morby On His Favorite Demos/Home Recordings

For this installment of Diversions we caught up with Kevin Morby on the eve of his upcoming release, A Night At The Little Los Angeles (Sundowner 4-Track Demos). Comprised of ten tracks recorded at Morby’s home studio in Kansas, we asked the singer-songwriter to riff on some of his all-time favorite demos and/or home recordings. From Jandek to Aretha, and beyond.

Catching Up With Kevin Morby

“Joey, Johnny, Dee Dee, Tommy/they were all my friends and they died,” Kevin Morby sings on “1234,” a punk-influenced gem from his new album, City Music. In Morby’s mouth, the recitation of the departed Ramones’ […]