Transmissions :: Swamp Dogg

Our guest week on Transmissions is Jerry Williams Jr., but if you know your musical cult heroes, you probably know him by the name Swamp Dogg. Since the early '50s, he's lived as a true record man—writing songs, producing artists, self-releasing music, and putting out major label flops that have gone on to achieve lost classic status. He’s always walked the line between R&B and country, making a joke of the music industry’s intentional segregating of white and black audiences. His latest is called Sorry You Couldn’t Make It, and it pairs him . . .

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Kiko Dinucci :: Rastilho

With Rastilho, Kiko Dinucci set out to make an album in the vein of Brazilian compatriot João Gilberto ... as scanned through the lens of São Paulo's avant-garde scene, African polyphonic rhythms and percussive post-punk. Sacrosanct this is not . . .

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Bob Dylan :: Pretty Good Stuff | Ep. 9

Pretty Good Stuff: Dylan historian James Adams’ hour-long, monthly, program diving deep into the depths of all things Dwarf Music. Listen to the show below, and to explore further, support our Patreon for the individual tracks and more. The penultimate episode, below . . .

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The Lagniappe Sessions :: Austin McCutchen

For his first ever Lagniappe Session, Liberty Hair Farm-based Austin McCutchen decided he’d look towards the sky. Recorded in quarantine and produced by Dan Horne, McCutchen’s takes on Jim Sullivan’s “UFO” (ft. Horne) and J.J. Cale’s “Cajun Moon” (featuring the Western Stars) offer us all a little respite from a weary world . . .

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I Don’t Know is a Good Mantra :: Catching Up With Devendra Banhart

Devendra Banhart is well aware of how good he’s got it right now. While he’s taken a financial hit by not being able to tour and has the occasional freakout about the state of the world, the singer-songwriter is in a comfortable enough position to be able stay home and stay busy. He’s continued to work, demoing a new record that he’s making with his regular collaborator Noah Georgeson and, with his longtime backing band, remotely recording a dreamy, elegiac cover of the Grateful Dead’s “Franklin’s Tower . . .

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Rayborn Live Archive :: Volume Five

The fifth volume of live recordings from taper Cory Rayborn for Aquarium Drunkard.

Featuring: Bonnie 'Prince' Billy, Mary Lattimore, Jack Rose, Daniel Bachman, Silkworm y mas . . .

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Benny Yurco :: You Are My Dreams

The strange and alluring sonic world of Burlington, Vermont’s Benny Yurco comes to life on his sophomore long player, You Are My Dreams, released last month via People in a Position to Know. Having gigged regularly as rhythm guitarist for Grace Potter and the Nocturnals, this is Yurco’s first solo output in almost a decade. Dranged and dubbed out bedroom cantina vibes . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Make 1, 2. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Eddie Chacon :: The Aquarium Drunkard Interview

Soul singer Eddie Chacon has spent years navigating the music industry. But on Pleasure, Joy and Happiness, his new album with John Carroll Kirby, Chacon sounds reborn as a cosmic R&B mystic. Here, he shares a playlist of some of the songs that inspired the lp and walks us along the many creative paths that led him here . . .

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Transmissions :: Chris Forsyth

Our guest this week is Chris Forsyth, guitarist, bandleader, composer, and DIY lifer. His studio albums evoke the punk psychedelia of Television, balancing ‘70s rock grooves the loose, exploratory feel of the Dead. But as good as his studio LPs are, it might be live recordings that best showcase his sound. His latest is called First Flight. On it, he’s joined by guitarist Dave Harrington, drummer Ryan Jewell, and bassist Spencer Zahn on stage at Nublu in New York City on September 20th, 2019 . . .

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Jack Nitzsche :: S/T

Known for his soundtracks and classic string arrangements with Phil Spector, Neil Young, and the Stones, Jack Nitzsche’s singer-songwriter side is a bit less well-known, but it gets its due on Mapache Records’ reissue of his self-titled LP. Recorded in 1974. it’s making its vinyl debut here—and it sounds absolutely great, an oddball orchestral pop extravaganza that calls to mind Van Dyke Parks, Randy Newman, Harry Nilsson, and other similarly styled West Coast weirdos . . .

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The Lagniappe Sessions :: Dirty Projectors

Dave Longstreth’s Lagniappe Session emboldens and broadens his homage to Gilberto. Performing two tender ballads from Stan Getz and João Gilberto’s seminal self-titled album, “Corcovado” and “Para Machuchar Meu Coracao,” Longstreth sings entirely in Portuguese, accompanied by only a nylon string guitar and the warm noise of a tape machine, in tribute to a bright and brilliant man and his all-embracing musical influence . . .

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H.C. McEntire :: The Aquarium Drunkard Interview

On her second solo album Eno Axis, North Carolina's H.C. McEntire sounds at peace. With her band luxuriating in gospel, soul, and country grooves behind her, her voice hovers above the down-home mix, buoyed by contentment. Inspired by time spent sinking into domestic routines and the blooming of a new relationship, the record feels like a cool breeze in this fiery summer. "I felt really centered in my body," she says. "I was anchored down, I was in a great spiritual place. Everything about this record felt—I don’t want to say easy—but it had . . .

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Transmissions :: Eric Slick

This week on Transmissions, we're joined by songwriter and Dr. Dog drummer Eric Slick. His new album of classic pop songcraft is called Wiseacre. Best known for his work with Dr. Dog and Natalie Prass, Wiseacre was inspired by the golden-hued melodies of Harry Nilsson, Haruomi Hosono, and a general '70s gloss. It's a deeply personal record, one that explores contentment and domesticity, as well as unpacking no small amount of personal weirdness and trauma . . .

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numün :: voyage au soleil

Inspired by mankind's visit to its nearest celestial body, numün's debut full length voyage au soleil layers stringed instruments, percussion, and ambient sound. Featuring members of SUSS and Gamelan Dharma Swara, the trio's debut lp suggests ever farther out trips into deep space, and deep listening . . .

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