Since the launch of his NeilYoungArchives.com site, fans have been tantalized by several unreleased work, many of which feature Crazy Horse in starring roles. Check out what’s (possibly) in store . . .
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"Some of these songs have this kind of ramshackle rhythm first of all, and it'll kind of get into something and then kind of fall apart a bit." This is Stephen Malkmus talking with me on the phone about the title of his latest solo album, Groove Denied. It's an accurate description of an album that opens with a song that seems to have two very different beats going on for nearly . . .
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バイブon this from 2017: the first entry of Osaka-based (French) dj & record collector, Dckne's three part series, digging 1970s Japanese jazz/funk/groove . . .
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Synesthesia for all. Denizen of the French avant-garde, Brigitte Fontaine released six collaborative lps over the course of ten years (between 1970-80) with vocalist/composer Areski Belkacem. Released in 1973, Je ne connais pas cet homme is the first entry of the pair's formal collaboration . . .
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Sui generis. Ambient journeyman, Destroyer collaborator and jazz saxophonist, Joseph Shabason has captured and held our imagination over the course of two long-players: Aytche and Anne. As noted in our become a member or log in.
Chicago guitarist Bill MacKay returns with another winningly eclectic solo LP for Drag City. Fountain Fire sneaks up on you; its songs are unassuming at first, with a loose, conversational feel to them. Ahead of the album's release, MacKay joined Aquarium Drunkard to discuss his shifting approaches, cinematic inspirations, and establishing his own musical language . . .
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Slide into this twenty track survey of the wild Afro-Caribbean vibe that originated in Trinidad and Tobago, prior to leaping to Panama, mutating and taking root in 1950s NYC. Or: a sonic carrouseaux of boozey partying peppered with humorous political commentary, along with a number of overlooked gems from the genre. Be kind and rewind. words / p schouten
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Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard every Wednesday at 7pm PST with encore broadcasts on-demand via the SIRIUS/XM app.
SIRIUS 558: Broadcast - Echo's Answer (Black Session) ++ Broadcast - Dead The Long Year (Black Session) ++ Broadcast - Look Outside (Black Session) ++ Arnold Dreyblatt & Megafaun - Home Hat Placement ++ Brightblack Morning Light - Fry Bread ++ Lower Dens - Tea Light ++ Brigitte Fontaine et Areski - C’est Normal ++ Pierre Bensusan Le conseil de guerre (AD edit) ++ Jessica Pratt - Opening Night > As The World . . .
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Can prank calls be an art form? It isn't hard to answer "yes" once you've heard Longmont Potion Castle. A new documentary, Where In the Hell Is the Lavender House, seeks to offer a glimpse at this obscured figure . . .
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Few contemporary artists have graced these pages as often as Michael Nau. As Cotton Jones, Nau and his wife, Whitney McGraw, landed on our radar a decade ago with the release of Paranoid Cocoon, officially propelling the long-time side project into a full-time endeavor. Eschewing the whimsical indie pop of their former group, Page France, this altogether new sonic guise seemed to arrive out of nowhere, yet fully-formed. Timeless, but right on time . . .
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50 years ago a different Feelies, predating the Jersey bred post-punk demigods by seven years, approached perfection for three minutes and thirty seconds. The opening bass riff is a misdirection, ceding to a sonic and lyrical landscape that’s both bucolic and post-apocalyptic. When everything drops, right at a minute-thirty-five, we’re suddenly on the musical equivalent of a moving walkway - sped and slowed simultaneously. Let’s ignore the song’s forgettable coda - when you’ve tapped the motherlode, you’ll eventually only strike gangue. words /
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For about a quarter century, P.S.F. Records was an amazingly reliable source for Japan’s wildest underground sounds. The label’s founder, Hideo Ikeezumi, passed away in 2017, but he’s paid fitting tribute to on Black Editions’ new volume in the supremely heady Tokyo Flashback series, Psychedelic Speed Freaks (Black Editions reissued the original Tokyo Flashback last year.) A lavishly packaged four-LP set made up entirely of previously unreleased material, it showcases the awesome breadth of the P.S.F. discography, ranging from Fillmore East-ready jams (Ghost, White Heaven) to hair-raising free jazz (Masayoshi . . .
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Some tunes have the easy melodicism and melancholy of early Neil Young, while the more atmospheric numbers might call to mind Bruce Langhorne’s classic Hired Hand soundtrack (the harmonica that wafts into the mix occasionally adds an especially lonely flavor). As a player, Nelson is an original; he rambles but never meanders, wanders but never gets lost . . .
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During a recent set with the Nels Cline 4 at the Musical Instrument Museum, guitarist Julian Lage couldn't stop smiling. It was a repeated sight. Whether aggressively dueling with Cline or offering supportive chords, Lage appeared to be having the most fun. That joyful spirit is also audible on his latest record as a bandleader, Love Hurts. Working with drummer Dave King (of the Bad Plus) and bassist Jorge Roeder, the set was cut mostly off-the-cuff at the Wilco Loft, and it's a beautiful, layered testament to spontaneity . . .
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Roberto Carlos Lange, the mind behind Helado Negro, feels like music's eternal optimist. This Is How You Smile, his new album, first saw daylight last week via Brooklyn's RVNG Intl. If not the one we deserve, Lange is definitely the hero we need. His music unfolds with a patient grace and an absolutely sublime beauty; his cooing vocals floating gently across electronic atmospheres, radiantly beaming about Latin pride, family, friendship, and love . . .
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