Sevens (Politiko) :: Drive-by Truckers – Ramon Casiano

(In October of 2008 we flipped the script on our Sevens column with Politiko, focusing solely on political songs until the general election. It’s now 2016…and we’re back.)

"It all started at the border / and that's still where it is today / someone killed Ramon Casiano / and the killer got away." The opening line to "Ramon Casiano" sounds as much like the invocation of a Cormac McCarthy novel as it does the lead track from a Drive-by Truckers album. But the first song on the Truckers' most thoroughly political album, American Band, opens with what seems like ought to be its most salient detail. Instead it becomes something much larger in the details.

The titular person was a 15-year-old Mexican boy killed in a disagreement with a 17-year-old American named Harlon Carter in 1931. Carter was convicted and sentenced to three years before an appeal overturned his sentence based on the judge's instructions to the jury before deliberation. He was never re-tried and the incident itself stayed buried until Carter was confronted about it in 1981.

This doesn't sound like an intensely important event, aside from the lack of justice, until you trace out Carter's life afterward. Throughout his adult life, he served as a border patrol agent and even became the head of all federal border operations during the time of the infamous Operation Wetback during the 1950s. He also became an active member of the National Rifle Association, then a fairly benign group dedicated to promoting sports shooting and hunting activities. But that would change in 1968.

The Gun Control Act of 1968 was the first legislation passed to restrict gun sales and transport in some way since the 1930s. The NRA leadership found itself supporting some parts of the law and not others, but Harlon Carter was insistent that the NRA should opposed all gun legislation at all times. As a piece from the Washington Post noted about Carter: "Asked in 1975 if he would rather let convicted violent felons and the mentally deranged buy guns than endorse a screening process for gun sales, Carter did not hesitate to say yes. That’s the 'price we pay for freedom.'"
Carter would lead a revolt from within the ranks of the NRA, and in 1977 he would become its president. Over the eight years of his leadership, he would push the NRA to become one of the most powerful lobbying organizations in the United States - powerful enough to almost permanently derail more serious consideration of further gun control.

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

SIRIUS/XMU :: Aquarium Drunkard Show (Halloween Edition)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 454: Count Chucula - Intro ++ Bob Mcfadden & Dor - The Mummy ++ The Blue Echoes — It’s Witchcraft ++ The Tomko’s - The Spook ++ The Gories - Casting My Spell ++ Screaming Lord Sutch — She’s Fallen In Love With A Monster Man ++ Elvira - End of Side One ++ The Five Blobs - The Blob ++ Baron Daemon & Vampires . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Elvis Presley :: And The Grass Won’t Pay No Mind

Tomorrow sees the limited theatrical release of my first feature film, Shangri-La Suite. It tells the story of two lovers-on-the-run during the summer of 1974. Their names: Jack Blueblood and Karen Bird. Their aim: to kill Elvis Presley. It stars Emily Browning, Luke Grimes, Avan Jogia and Ron Livingston (as the King). Burt Reynolds narrates. The trailer can be . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Aquarium Drunkard Presents: I’m Bored – A Mixtape

“You’re moving so fast, but baby you know not where”. - Wings, “Wild Life"

I'm Bored, a mixtape courtesy of our friend Jess Rotter, whose new book of illustrations by the same name was just published via Hat & Beard Press. Jess, in her own words, below.

This collection of jams is set on turtle speed, so please don’t get bored. Instead, embrace the tone and enjoy the moment. Pour . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Flying Saucers Are Real :: A Discussion with Jack Womack

Recently, science fiction author Jack Womack took a break from his near constant political watchdogging to tweet a quick reminder:

"I don't believe in Flying Saucers; I do believe in people who believe in them."

The tweet was more than just an offhand clarification. It's something of a defining statement from Womack, and necessary to make clear as he recently compiled a rather definitively titled book,  Flying Saucers Are Real, for become a member or log in.

Monsters of Rock: A History of RocknRoll’s Boogeymen Mascots

Diversions, a recurring feature on AD, catches up with our favorite artists as they wax on subjects other than recording and performing. For this installment (Halloween appropriate) we catch up with Zig Zags' Jed Maheu as he runs down a brief history of rocknroll's boogeyman mascots. All hail the Boognish.

When I was growing up outside of Portland, Oregon I had a babysitter named Randy. He was your typical 80’s hesher . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Radio Cramps :: The Purple Knif Show

Lux Interior: inter-dimensional, pan-sexual, time-traveling rock & roll alien. And radio host. As Halloween draws nigh we're revving up for our annual airing of The Purple Knif Show, the one-off radio program hosted by Lux in 1984 deep in the bowels of Hollywood. As master of ceremonies, Lux runs through his personal archives spinning the weird ranging from rockabilly and garage to early punk, campy novelty and exotica. His bag of tricks was the best. So . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Itasca :: Open To Chance

Given the time of year, the temptation with Itasca's  Open To Chance  is to call it the perfect autumnal soundtrack. But the truth is, it would sound just as good had it been released in April, or July or February. Singer-songwriter-guitarist Kayla Cohen has been releasing spare acoustic music under the Itasca moniker for a few years . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

MV & EE :: Root/Void

Several years ago, I discovered that MV & EE held the distinction of being the Most Represented Artist in my record collection, nudging out previous record-holders The Fall. I confess this not to assert my authority when it comes to MV & EE music, but to sympathize with those curious listeners who are perhaps intimidated by an enormous and overwhelming discography, not knowing the way “in.” To those listeners I say Root/Void

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Ananda Shankar :: Jumping Jack Flash / Light My Fire

The last time we highlighted a Stones cover was several years back upon the release of Alex Chilton's Free Again Sessions from 1970 - specifically his proto-punk rendering of "Jumping Jack Flash". Here, we find  Bengali musician Ananda Shankar's psychedelic sitar take on that tune (also from 1970) and the Doors' "Light My Fire", both via the Snow Flower lp.

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 453: Jean Michel Bernard — Générique Stephane ++ The Swamp Rats — I’m Going Home ++ Dennis Wilson / Beach Boys — Lady ++ The Kinks — I Go To Sleep (demo) ++ Le Bain Didonc — 4 Cheveux Dans Le Vent ++ The Brummels — Bof! ++ Nancy Sinatra (w/ Hal Blaine) — Drummer Man ++ The Motions — Beatle Drums ++ Naomi And The . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Light In The Attic Records Presents: Lagniappe Sessions Vol. 1 / Black Friday Release – Gold Vinyl

On Black Friday (November 25th) Light In The Attic Records will release Lagniappe Sessions, Vol. 1, documenting the first five years of the series on gold vinyl. Since launching the series in 2011, the Lagniappe Sessions have come to define the genre-spanning, eclectic ethos of of A.D.

Vol. 1 features become a member or log in.

Shintaro Sakamoto :: How To Live With A Phantom

The album that keeps on giving - Shintaro Sakamoto's 2011 debut, How To Live With A Phantom. Following his two decade involvement with Japanese psych-rockers Yura Yura Teikoku, Sakamoto eased into second gear with Phantom, assembling a heady quilt with nods to euro-lounge, exotica, funk and 70s crystalline pop.

I just included the lp in a guest selector role for become a member or log in.

David Crosby :: The Aquarium Drunkard Interview

David Crosby punctuates many of his sentences with an incredulous chuckle.

It’s a knowing sound, the kind someone makes when they can’t quite believe their luck. In Crosby’s case, it carries a recognition of how improbable it is for him to be able to speak on the phone about anything, let alone a new record. Like so many of his counter cultural peers, Crosby often seemed doomed in the decades since the ‘60s, his struggles with the law, heroin, cocaine, and health well documented.

But on Lighthouse, his new solo record, the 75-year-old sounds vital. It’s a sparse record, filled mostly with Crosby’s inventive acoustic guitar playing, but occasionally the harmonies –- by Crosby and singers Becca Stevens and Michelle Willis – echo the classic sounds of his most famous groups, the Byrds and Crosby, Stills, Nash and Young. The record’s ethereal West Coast jazziness – it was produced by Michael League of fusion combo Snarky Puppy – echoes his best solo work, including his 1971 solo debut If I Could Only Remember My Name, which featured members of the Grateful Dead, Joni Mitchell, and his CSNY bandmates Neil Young and Graham Nash. At times the record carries political weight, but mostly it reflects the soft, idyllic way Crosby spends his time at his home in Santa Ynez: listening to and making music (when he’s not tweeting, that is).

The album follows his 2014 gem Croz. Though it had been decades since he’d released a solo LP before it, that album seems to have unlocked something for the songwriter. These days, Crosby’s feeling productive. In addition to Lighthouse, out Friday, October 21, he’s already got another record finished, produced by his son and frequent collaborator James Raymond.

Crosby says when he’s happy, he writes, and he’s resolute when he says, “You won’t talk to a happier guy today,” following the statement with that signature soft laugh. Aquarium Drunkard spoke with Crosby about the various roles he plays as a songwriter and his new records. The conversation has been edited for clarity and condensed.

Aquarium Drunkard: Croz was great record, and now you’ve followed it up with Lighthouse, a very intimate sounding album. What led to the sparseness here?

David Crosby: When I started working on this one with Michael League I thought, because he’s the leader of Snarky Puppy and they are such great players, it was like hiring a master carpenter with a gigantic tool box. But when I started talking to him he said, "You know we could [make a fully arranged record]." But he loved my first solo record, If I Could Only Remember My Name, and said, “That’s the way I want to go.” It’s acoustic guitars and big vocal stacks. I said, “Oh man, that’s right in my wheelhouse.”

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.