SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 340: Jean Michel Bernard — Générique Stephane ++ The B.C. Harmonizers — You Ought To Been There ++ The Blue Rondos — Baby, I Go For You ++ Rob Jo Star Band — I Call On One’s Muse ++ Cisneros & Garza Group — I’m A Man ++ Rolling Stones — We Love You ++   Courtney Barnett — Lance . . .

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Donald Thomas :: Black Night Is Calling Me Home (Demo)

Here's a little ditty culled from the the second installment in the Numero Group’s Local Customs series - 2010's Lone Star Lowlands. Mining the scene surrounding Port Neches, Texas between 1969 and 1974, the set represents a cross-breed of genres all touching on the various contemporary sounds of the day...pop, rock 'n roll, yacht rock, folk, boogie and beyond. Or as the Numero Group once described a not-for-sale comp: an alternate history of popular music.

Clocking . . .

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Mickey Newbury / Etta James :: Are My Thoughts With You?

Around the time when Mickey Newbury was working in Nashville as a hired gun, writing songs for some of the biggest names in country music, he was locked into a recording contract with RCA where he cut two albums of his own -- 1968's Harlequin Melodies and (the 1972 released) Sings His Own. Each record contains a few tracks not found on the other, but are otherwise the . . .

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Tommy James :: Midnight Train

Tommy James went solo in 1970 with a self-titled affair on Roulette Records. The album’s contents are not too far off from the likes of “Crimson and Clover” and “Crystal Blue Persuasion,” some real melodic psychedelic pop. However, side A contains a true outlier, a singular slice of underground cool by the name of “Midnight Train”. Kicking off with a pulsating beat and the wail of a distant guitar, the track sets an ominous tone before sliding into a seductive, almost hypnotic groove. We find . . .

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Clifton’s Corner :: Volume 22 – Sitar Soul

(Volume 22 of Clifton’s Corner. Clifton Weaver, aka DJ Soft Touch, shares some of his favorite spins, old and new, in the worlds of soul, r&b, funk, psych and beyond.)

Sometime during the 1960s it seemed almost every pop/rock group had the same idea, “let’s put a sitar on this!” The two most prominent examples are The Beatles’ “Norwegian Wood” and the Stones’ “Paint It Black”, but it was the Yardbirds who beat them both with an early version of “Heart Full Of Soul”. Regardless of who was first, or why, some of my favorite 60s tunes make use of the sitar and other eastern elements. Conversely, and just as interesting, is the effect that western artists were having on the music being made in the east. Musicians in India, Turkey, and beyond began incorporating sounds from psychedelia, pop, and r&b/soul to create some of the most compelling and truly progressive music of the era. The following sampling highlights nine of my favorites. Dig in and enjoy.

Phil Upchurch :: Sitar Soul - From the LP Lovin' Feeling, the jazz legend's take on the then prevalent Indian influence on pop music.

Larry Williams / Johnny "Guitar" Watson, & The Kaleidoscope :: Nobody - Interesting song by two r&b/soul greats collaborating with the L.A. psychedelic rock band.

Timebox :: Don't Make Promises - Timebox were a popular mod/club act that bridged the gap between British pop and psychedelia. Here they cover Tim Hardin's composition.

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Originals: The Story Of Gil Scott-Heron — Full Documentary

Gil Scott-Heron died three years ago this month. His 1994 LP, Spirits, has been on repeat of late, prompting a recent YouTube dig unearthing the following BBC documentary from 2004, which is streaming in full in six parts.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST. Cold Splinters' Jeff Thrope guests during the first hour of today's show.

SIRIUS 339: Jean Michel Bernard — Générique Stephane ++ The Beach Boys - The Warmth . . .

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William Tyler :: Whole New Dude / Lost Colony EP

Accept no substitutes! William Tyler's Lost Colony EP is the only piece of music you need in your car this summer. Or any season, really. The wide-open, panoramic sonic vistas on the three tracks here seem tailor made for epic, exploratory road trips. And Tyler's been doing plenty of road-tripping in the past year, touring nonstop in support of last year's masterful Impossible Truth. The Nashville guitarist was . . .

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Ryley Walker :: All Kinds Of You

You could probably convince someone that Ryley Walker's debut long player is the work of some long-lost UK singer-songwriter from the 1970s. Recalling at different moments John Martyn, Bert Jansch, John Renbourn and Nick Drake, All Kinds Of You conjures up a mystical, classic Britfolk feel -- it's even got a cover photograph that would fit in perfectly with that scene. But Walker is actually a 20-something dude from Chicago who made experimental/noise music before setting his sights on Albion. Lucky . . .

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Jackie Shane :: Any Other Way

Jackie Shane was a gay, cross-dressing soul singer born in Nashville, TN in 1940. He made his away across the Canadian border in the early '60s and, in 1963, scored a local and soon forgotten hit in Toronto. The song was a cover of William Bell’s “Any Other Way". Jackie replaced the country-soul flavor of the Bell original for a slower, gracefully hushed serving of smooth . . .

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The Aynsley Dunbar Retaliation :: Watch n’ Chain

Ye olde mailbag gets heavy whenever I play this one on the radio show...so, for those asking, this funky mess is the Aynsley Dunbar Retaliation doing "Watch n’ Chain" - Liberty Records, 1968. Trivia: Flying Lotus sampled this one on "Camel".

The Aynsley Dunbar Retaliation :: Watch n’ Chain

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST. Okkervil River's Will Sheff guests this week during the second hour of the show. Listen in as we froth about the upcoming Rock*A*Teens reunion...AND MORE.

SIRIUS 338: Jean . . .

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The Four Seasons Do Dylan

While spinning the recent reissue of Dylan’s Gospel, I was reminded of two incredibly odd Dylan "reinterpretations." To that, introducing Bob Dylan’s music through the lens of Frankie Valli and the Four Seasons. First up is their cover of “Queen Jane Approximately”, whose vocals and instrumentation are so boisterously rough and rousing that even the most diehard Dylan purest should find it compelling. It's interesting to hear Valli leave his world of sweet falsettos to do . . .

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Tinariwen :: Chaghaybou

Tinariwen’s music speaks for Kel Tamashek, the Tuaregs, and their desert home, the “tenere.” Formed in 1979, the group's latest LP (Emmaar) is a continuation of Tinariwen’s rhythmic, and at times incredibly psychedelic, Saharan desert blues. Unlike previous output, the new album was recorded in the U.S., specifically Joshua Tree, California -- the dusty cradle of “cosmic” American music -- due to violent political instability in the band’s home in Northern Mali.

A return to form following their previous (mostly) acoustic album,Tassili, Emmaar is a heady, droning, affair aided and abetted by guitarist Matt Sweeney and the Nashvillian multi-instrumentalist Fats Kaplan. The group is presently wrapping up a US tour before heading to Europe. See them live. You'll thank me later.Debut of the new video for "Chaghaybou", off the  Emmaar LP, directed by Antoine Carlier.

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Butch McGhee :: Stacked

Music historian John “Johnny D” Dixon must not sleep. In between hosting the freeform “Mostly Vinyl” and “Totally Jazzed” programs on Phoenix’s KWSS FM and creating a special Record Store Day single featuring Waylon Jennings and Sanford Clark -- which I had the pleasure of helping produce -- Dixon has cranked out a voluminous new collection of southwestern soul, Sha-Boom Bang! Vintage Arizona Doo Wop, R'n'B, Soul & Funk: 1956-71.

The CD features 31 songs — ranging from . . .

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