Diversions :: William Tyler / Out West (A Tour Diary, Pt. 2 of 2)

Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing. Below, part 2 of William Tyler’s stream of consciousness reflections concerning his late-Summer North American tour out west. Read part one, here. . .

It’s been said that this is a country ruled by its coastlines, but it’s only a half-truth. To be sure, the realms of big finance and cultural capital are largely controlled by the mega cities that line the east and west coasts. But the vast interior of the country is the realm of big dreaming, of yearning and reimagining. It’s often called the ‘heartland’ as if there is some continuum of wheat fields, big sky, churches, small towns in the middle of nowhere that produce football stars and corn, little else? Yet this is precisely the body integral of what makes the nation such a peculiar animal. The scope of the interior, the distances necessary to traverse, the land all at once full of haunted memory, new possibility, and a sly promise of something greater as one chases the horizon. This is the hypnosis of the land; the thing that keeps the traveler wandering, wondering, and moving westward.

I forgot that driving through Eastern Washington was a lot of high lonely desert, the promise of lush pine and frequent rainfall and access to the coast drawing you onward. I played in Seattle outside on a gorgeous Friday afternoon. Nothing like a place that doesn’t take sunny days for granted.

South through Portland, Eugene, down the coastal 101 highway. I was so relieved to be off the interstate for a few days, snaking through scenery humbling, exotic, and breathtakingly beautiful. Pine forests that seemed to rush all the way to the jagged coastline and then, off beyond the sheer cliffs and the sand dunes violently jutting down, nothing but the Pacific. This was the payoff for the folks who didn’t give out on the Oregon Trail. Manifest Destiny really began when Columbus accidentally hit a continent he didn’t think existed, and it ended when Lewis and Clark reached a point where they realized there wasn’t any further west you could go. The rest of the history was grisly detail.

I had stopped for a rare night off in Bandon, Oregon. My place of lodging for the night was an old school type drive up motel and it was walking distance from the waterfront. I wandered around the town at nightfall, grateful for an evening of respite in a quiet, hidden place. I found an Italian restaurant overlooking the dock and ate by myself half looking out the window, half paying attention to the conversation of the table beside me. It was a group of five or six middle aged guys from Texas, probably on a ‘let’s get the college gang back together’ kind of bro vibe, playing golf, drinking a lot of wine and scotch and making lots of bummer jokes about ‘the left coast’ and ‘bein out here with the liberals’ when the waiter wasn’t around. I was frightfully homesick for hearing southern accents, but not when the conversation was of this bent.

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Lou Reed / Mick Rock :: Transformer Photo Book / 7″ Giveaway

I rarely do giveaways...but couldn't pass this one up. Out this month via Genesis Publications: Transformer - a photo book documenting photographer Mick Rock's 40 year friendship with Lou Reed. From album covers to the candid. Their work is presented within a full leather bound tome, housed in a case that also encloses a 7" vinyl record. Further details via the book's promo video, become a member or log in.

Zachary Cale :: Blue Rider

There are definitely times when it seems like the last thing the world needs is another singer-songwriter armed with an acoustic guitar. But then a record like Zachary Cale's Blue Rider shows up and you're reminded that the well is far from dry when it comes to this breed of music. Over eight diamond sharp tunes, Cale casts a captivating spell. The LP is centered around his elegantly fingerpicked guitar (equal parts Takoma School . . .

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The Men :: The Aquarium Drunkard Interview

The Men rarely subjugate themselves to any neat genre filing system, essentially daring record store clerks to stock an acoustic record, entitled Campfire Songs, in punk bins. And while no one will actually fight over where the band's varied output should sit, there's two things that are becoming increasingly clear concerning the (present) quintet. First - how technically gifted and precise they can be, and secondly, how incredibly well they play when they toss those gifts and chops out the window and just rip. With Campfire Songs, that ripping proves to not only be of the turnt-up amp variety. Enter Kevin Faulkner, who brought pedal steel, and then much more, to the New Moon  sessions that birthed this month's acoustic EP.

We caught up with Faulkner last month to discuss how the band's live sound is evolving, and the ever-evolving expectations - or lack thereof - for The Men. For those of you reading in Los Angeles, the band gigs at The Echo on October 10th.

The Men :: I Saw Her Face (acoustic)

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Field Recordings / Alan Lomax’s Southern Journey, 1959-1960

I've had this on the mind, and stereo, of late: Worried Now, Won't Be Worried Long: Field Recordings From Alan Lomax's Southern Journey, 1959-1960. Specifically the track "Ida Reed". Compiled and annotated by Nathan Salsburg, coinciding with the fiftieth anniversary of Lomax's "Southern Journey", Worried is the second of five Alan Lomax collections released by the Portland based Mississippi Records in 2010. The five . . .

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Studio One: Ironsides / Coxsone’s Downbeat 1963-1979

First off, in regards to Jamaican vintage, our summer Bomboclat series is still available - volumes 1-3, here and volume 4, here. Onwards. Soul Jazz Records continues to . . .

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Afrobeat Airways 2: Return Flight To Ghana – 1974-1983

The second installment of Analog Africa's Afrobeat Airwaves series touched down earlier this month with Return Flight to Ghana, probing the years 1974-1983. Once again afro-funk, beat, heavy groove, highlife and soul focused. As with the first installment (and, really, most anything associated with the label), the selection is choice, digging from both relatively known Ghanese players to the obscure - yet, thankfully, nothing here feels solely included for the sake . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

Michael Morin, part of LA's Blundertown, is my guest this week. We met up on a stifling day in Echo Park to lay down the show shortly before he resumed his . . .

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Hailu Mergia :: The Aquarium Drunkard Interview

"The sound is good…  the sound is modern and old fashioned. The melodies are very nice melodies, so because of this, everybody had some kind of…. nostalgia."

That's how Hailu Mergia describes the sound of his album Hailu Mergia & His Classical Instrument, the most recent release on the Awesome Tapes From Africa label. In short, Mergia is a keyboardist, arranger, composer, and veteran of the Addis scene. "Nostalgia" is an apt word–it's the rough translation of the Amharic word "tezeta," which is also used to describe a distinct style of Ethiopian song (articulated in the Ethiopiques series as "blues and ballads"). Like nostalgia, there's something magical about Mergia's music on this record that is hard to put a finger on, difficult to grasp… it's beautiful, familiar, but bearing the disconnect of something past being remembered.

Perhaps that magic has something to do with how Mergia is the sole performer on this entire record. The original cassette of Hailu Mergia & His Classical Instrument came out in 1985 as Shemonmuanaye, during the early days of drum machines, synthesizers, and affordable home recording gear. The gossamer beauty of traditional Amhara, Tigrinya and Oromo melodies are thickened in a swirling arrangement of accordion, Rhodes piano, and Moog Synthesizer by a lone performer. Now that this album has been reintroduced in the digital age, it's initial conceit of sounding "modern and old fashioned" has grown even more complicated–Shemonmuanaye documents the past, future, past-future, and, as well as the present day. As piece of "past-future," the album jives neatly with Awesome Tapes' aesthetic, the old (bygone cassette music) given a new life (easily downloadable via their blog).

However as a solo, "proto-bedroom" rendition of Ethiopian popular tunes, Hailu Mergia & His Classical Instrument isn't quite representative of Mergia's legacy as a musician. He performed and recorded throughout the Halie Selassie era and into the more authoritarian reign of the Communist Derg government before eventually emigrating to the United States in the 1980s. Walias Band, Mergia's best-known, funky ensemble held down a badass, nightly gig at the prestigious Hilton Hotel in Addis Ababa for nearly eight years, providing full evening programs of "international" music for the cosmopolitan jet set in Ethiopia. AD caught up with Mergia in his taxi in DC, where he operates his own airport car service and continues to makes music. Over the phone, the legendary keyboardist reflected on his lengthy career, innovation and competition in Addis' nightlife, and how his music has played throughout so many episodes in his home country's narrative.

Wallias band :: Musicawi Silt
Hailu Mergia :: Hari Meru Meru

...interview after the jump

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The Fall :: The Wonderful And Frightening World Of Mark E Smith

Hey-uh, tell all yer frenz. . .one hour BBC documentary from 2005 chronicling the rise of The Fall and one Mark E Smith. Who knows, perhaps you'll even learn "how he "Wrote 'Elastic Man" Twenty-four Peel Sessions can't be wrong.

Aquarium Drunkard is 

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AD Presents: Twin Peaks – The Mercury Lounge, Oct 2nd – NYC

Wednesday night, October 2nd, AD presents Twin Peaks at the Mercury Lounge, NYC. No Diane, Dale Cooper, Laura Palmer or Donna Hayward. No midnight trysts over the border at One Eyed Jacks. Instead, itinerant fuzzy rock & roll from a bunch of young Turks who call Chicago home.

Tickets availble for purchase, here. We have a few pairs . . .

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Spacemen 3 :: Come Down Easy (Demo)

Released ten years ago, the Forged Prescriptions collection not only re-sparked my interest in Spacemen 3, but introduced what I now consider to be the 'definitive' version of several tracks - none more so than the   demo version of "Come Down Easy". A demo, yes, yet one that nearly renders other attempts superfluous. Reacquaint yourself, below.

Spacemen 3 :: Come Down Easy (Demo)

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The Complete Tom Waits Storytellers (Unedited)

There is little to no argument that Tom Waits is one of the longest standing bullshitters in the history of popular music. As such, upon the release of his 1999 Mule Variations lp, he graced television screens everywhere appearing on an episode of VH1 Storytellers. With his gruff voice and a cherry-picked ad hoc band of loyal outsiders in tow, Waits spun a good yarn on . . .

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Mazzy Star :: Seasons Of Your Day

Most people anticipating the return of Mazzy Star this month got their first taste nearly 20 years ago, playing "Fade Into You" on repeat (or rewinding the deck, as it were) over and over and over and (seriously) over again. After a few hours of this, they'd give So Tonight That I Might See an honest go in full, start to finish, before turning back to the practice of stop, rewind, play, over and over and over and (yes) over again. After about a week of that, by measures of necessity and near-boredom, they'd let it finally turn over to track two (for just the second time ever), and then track three and so on, until the saturation point. And then they'd go back and buy Mazzy Star's first record, She Hangs Brightly. And they'd love all of it just as much as "Fade Into You" because it was just like that song -- almost the very same in fact -- but without the monotony of stop, rewind, play, stop, rewind, play. It could give them a break without ever having to change.

People are gonna try to make Mazzy Star something they're not. I think we've all already been doing it. It's something like: Iconic '90s alt group that briefly sniffed at pop stardom before deciding they didn't like the smell. Returned to the quiet of overwrought artistry. Reemerged after 17 years with Seasons of Your Day, one of the most anticipated releases of 2013. Actually, that all sounds mostly true. But behind it, we're maybe inflating what Mazzy Star were a bit. We're forgetting that, despite some critical claim, Among My Swan was a mostly forgotten print that marked the band's walk off into the sunset. It didn't help at all, either, that they mostly shunned fame and were never entirely comfortable with the people part of the process -- shows, fans, etc.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 311: Jean Michel Bernard — Générique Stephane ++ Shin Joong Hyun   - I've Got Nothing To Say ++ The Upsetters - Taste Of Killing ++ Jacques Dutronc - J'Ai Mis Un Tigre Dans Ma Guitare ++ Dutch Rhythm And Steel Show Band - Down By The River ++ Fela Kuti - Lover ++ King Khan & The Shrines - Que . . .

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