Posts

Introducing Karl Blau

Washington State’s Karl Blau has been releasing music for the better part of two decades, much of which has remained under the radar. However, that may be changing.

On Introducing Karl Blau, his recently released covers record, we find the artist born again in the light of Cosmic American Music. Covering country and folk greats such as Tom T. Hall, Link Wray, and Townes Van Zandt, Blau rejoices, not in pastiche, but in the delicate . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 445: Jean Michel Bernard — Générique Stephane ++ Bongos Ikwue - All Night Long ++ Gabor Szabo - Caravan ++ Allen Hacksaw - Ski Bird ++ Bobby Hutcherson - NTU ++ Timmy Thomas - Why Can’t We Live Together ++ Serge Gainsbourg - Des Laid Des Laids ++ Annette Peacock - Pony ++ Shintaro Sakamoto - Dancing With The Pain ++ Arif Sag - Su Samsunun Evleri ++ Manu . . .

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Money Maker :: Studio One

Earlier this year, Yep Roc Music Group launched its massive Studio One reissue campaign. Founded in 1954 in Kingston by Clement "Coxsone" Dodd, the label practically defined reggae, releasing records by the biggest names in the genre: Bob Marley and the Wailers, Toots and the Maytals, The Skatalites, Lee "Scratch" Perry, Burning Spear, Culture, and dozens more. Working with total  access to Studio One's vaults, Yep Roc has over 150 reissues planned, and started in on it back in May with the release of The . . .

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Health&Beauty :: No Scare

There’s an enjoyably perplexing quality to Chicago trio Heath&Beauty’s new album, No Scare. Opening with “Back to the Place” – its title indicative of the sidewise humor which marks the songs of songwriter/vocalist/guitarist Brian J. Sulpizio – the record begins haltingly with distorted falsetto and light strums, before tangled guitar lines and a stuttering drum beat lurch in. It sets the template for what follows, a pull between cluttered beauty and lilting melodies. Along with keyboardist Ben Boye and drummer Frank Rosaly . . .

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The Palm Trees Fall Into The Sea: An August Mixtape

In recurring August fashion we offer the latest in a series of exploratory, atmospheric mixtapes. True to its seasonal home, like its predecessors, The Palm Trees Fall into the Sea exudes a humid, tropical ambiance. Below, dig into a thirty track experiment in openness across the spatial and temporal - and . . .

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Barney Kessel :: Live At The Jazz Mill 1954

Sometimes it’s all about right place, right time. When a 21-year-old Jack Miller camped out at the short-lived Jazz Mill night club in Phoenix, Arizona, for a few nights in late March of 1954, it was just to catch some sets by jazz guitarist Barney Kessel. Of course, with his Knight tape recorder in hand, a small mixer and three mics, he also had an ear for preservation, recording the sound of Kessel and the house band, the Jazz Millers, getting down. Miller scarcely could have known that 62 years later, his recordings would see official . . .

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Unfitting For The Lay People: Entheogens – The Gnostic Mass

During the 90s and the first part of the millennium there was a great UK based mail order psychedelic music store called the Freak Emporium. Their catalogs were as fun to read as   the music was to listen to. It would be impossible for all of the albums listed to be as mind-blowing as described, but one of the platters that lived up to the hype was a mysterious album called The Gnostic Mass by a group calling themselves The Entheogens.

The cover art features an alluring female hand beckoning the listener to come behind a set of closed purple curtains decorated with stars. Combined with the album's title it takes on the feel of an invitation to an ancient cult. But an invitation to what end? The flipside shows the band members in negative unexposed film images donning ceremonial robes, furthering the effect.

Entheogens, besides being psychoactive chemicals extracted from plants, were a temporary collective of Swedish musicians who delved in an adventurous yet melodic brand of Eastern-flavored psychedelia; mostly acoustically, using guitar, sitar, flute, organ, glockenspiel, bouzouki, and various percussion instruments. Guitarist and indie-label head Stefan Kery was ostensibly the de facto leader, releasing the album in a limited edition of 500 copies (re-released digitally a few years ago) on his Xotic Mind label. The imprint eventually morphed into Subliminal Sounds, still going strong today, and has the distinction of being the label that eclectic psych/folk rockers Dungen started on.

The Entheogens :: Io Pan

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 444: Jean Michel Bernard — Générique Stephane ++ Stereolab - Diagonals ++ Atlas Sound (w/ Laetitia Sadler) - Quick Canal ++ Suicide - Cheree ++ David Bowie - A New Career In A New Town ++ The Only Ones - The Whole of Law ++ Cass McCombs - Bum Bum Bum ++ Shintaro Sakamoto - Mask On Mask ++ The Limiî±anas - 3 Migas . . .

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AD Presents: Guided By Voices / Teragram Ballroom – Friday

The club is open. Friday night, Aquarium Drunkard presents Guided By Voices at the Teragram. Get tickets, HERE. Wanna roll? Hit us up in the comments with your favorite GBV era; we'll slide a few pairs to some of y'all at random.

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Lou Barlow :: The Aquarium Drunkard Interview

If a band's going to stage a "comeback," there are few greater examples of doing it right than the one put down by Dinosaur Jr.

Since reforming in 2005, the original lineup of J Mascis, Lou Barlow, and Murph have gone on to put out more albums since reuniting than the three classics they released in the ‘80s -- Dinosaur, You're Living All Over Me, and Bug — helping to cement the framework of “alternative rock” in the process. Their latest, the quizzically titled Give a Glimpse of What Yer Not, is one of their strongest yet, 11 jammers alternating between whopping riffs and folky sway. Mascis’ signature drawl sounds as craggy as ever, his  toasty guitar solos effortless; Murph’s drums are locked in and boomy; Barlow offers his thick, melodic bass and sings two of the record’s best songs.

The fruitful return of Dinosaur Jr. was anything but assured. After Mascis fired Barlow from the band post-Bug, the bassist launched off on his own prolific and influential career, forming Sebadoh and Folk Implosion, and often remarking publicly about his dissatisfaction with Mascis.   Eventually, he began releasing records under his own name, maintaining a bare, sometimes shockingly honest emotional tone. But time has a way of smoothing out the creases, and Barlow seems perfectly at ease with his role in Dinosaur Jr. these days.

"When we came around to making these reunion records, [they didn't turn out] a whole lot different from what J had been doing," Barlow says. "He's been remarkably consistent throughout his career. So having Murph and I come back in, we kind of came into his ongoing story."

His solo output hasn’t slowed since rejoining — Sebadoh released Defend Yourself in 2013, and a solo album, Brace the Wave, followed in 2015, and he’s readying an EP for release by the end of the year.   He’s feeling creative since moving back to Massachusetts from Los Angeles,   putting him closer to his Dinosaur Jr. bandmates, which has brought “this kid of ease and flow to stuff I haven't had of a while, for a very long while," the bassist says.

Below, edited excerpts from an early morning phone talk with Barlow, about the familial connections between Dinosaur Jr. and his work outside the band, about not being classically “cool” and about the uncomfortable realizations that accompany personal growth.

Dinosaur Jr. :: Tiny

Aquarium Drunkard: Give a Glimpse of What Yer Not is an excellent album -- each of these new records has been better than the last, I think. When you initially reunited more than a  decade ago, what kind of discussions did you have about the state of things? Was there any talk about continuing on after making Beyond?  

Lou Barlow:  We don't have strategy talks. We never did. [Laughs] Every record could be the last as far as I know, has been since the beginning, which isn't a bad thing necessarily.

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Sandy Denny :: Ebbets Field, Denver, Colorado, April 1973

Sandy Denny played with plenty of great bands in her all-too-brief life, from The Strawbs to Fairport Convention to Fotheringay. She even jammed with Led Zeppelin. But the British singer-songwriter didn't need anything more than her voice, accompanied by acoustic guitar or piano, to captivate listeners. Sometimes she didn't even need an instrument: check out the spine-tingling a capella rendition of Richard Farina's "The Quiet Joys of Brotherhood," captured on this tape of a 1973 solo performance in the Mile . . .

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AD Presents: Vox Scapo – A Mixtape

Ethereal jazz and slow grooves throughout, this is Vox Scapo. Set it to cruise control and take in a free and easy summer soundscape as August begins to wane. Our fifth collaboration with Portland, OR based record collectors Sam Huff and Colton Tong.

Stella By Starlight - Jorge DaltoAvenida Atlantica — Rieber Hovde, Howard Roberts, Ed ThigpenSuspense - HornetsThe Juggler — FoxFly Away — BarrabasAtaraxia Part I — PassportSeptember 13 — DeodatoTime To Get It Together — Marvin GayeAre You There - AmericaSolar Flares — Sven Libaek and His OrchestraJeffy . . .

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Hank Williams :: The Complete Mother’s Best Collection

In 1951, Hank Williams -- one of the finest songwriters the USA has ever produced -- shilled shamelessly for Mother's Best, a Northern Alabama flour company. And thank the good lord he did. Otherwise, we wouldn't have this treasure trove of radio broadcasts, miraculously preserved on acetate, a collection of 142 time capsule performances that can be counted among Williams' best.

Many of these recordings have been released in smaller sized sets over the past several years, but become a member or log in.

SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 443: Jean Michel Bernard — Générique Stephane ++ Pot Party — Mike Curb & Bob Summers ++ I’m Five Years Ahead of My Time — The Third Bardo ++ Just Let Go — The Seeds ++ Candle Light — Benny Soebardja & Lizard ++ Mr. Moonshine — Fat Mattress ++ Stoned Woman — Ten Years After ++ Hole In His Hand — Doug Jerebine . . .

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