Posts

SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

During the second of of today's show, Megafaun will be guest DJ'ing.

SIRIUS 212: Jean Michel Bernard - Generique Stephane ++ Jean Michel Bernard - Generique Stephane ++ REM - Moral Kiosk ++ Richard Swift - Whitman ++ Cass McCombs - The Same Thing ++ The Walkmen - Paper ++ The Strokes - I'll . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

The Lagniappe Sessions :: Strand Of Oaks / Michael Hurley, Moby

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Welcome to the third installment of the Lagniappe Sessions in which we invite some of our favorite artists to cut exclusive covers paying tribute to some of their favorite artists. This week we're joined by Strand of Oaks, the nom de tune of Timothy Showalter whose album from last year, Pope Killdragon, exemplified some of the finest in contemporary, imaginative, folk music happening today.

Below, highlighting the malleability of his muse, Showalter takes on two disparate artists. The first is a relatively straightforward take on Michael Hurley's "Tea Song," culled from Hurley's 1965 debut. Next, juxtaposing Hurley's innate outsider folk yarn, is Moby's haunting, synth driven, "When It's Cold I'd Like To Die" off his 1995 LP, Everything Is Wrong.

Strand Of Oaks :: Tea Song (Michael Hurley)
Strand Of Oaks :: When It's Cold I'd like to Die (Moby)

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Ian Dury :: New Boots And Panties

In the wake of pop’s rediscovery of itself, prompted by the blitzkrieg success of punk, 1977 proved to be a banner year for debut albums. Most of the artists concerned were promising newcomers, but a fair number were veterans in new guises. In the UK, musicians who had cut their teeth in the back-to-basics pub-rock bands of 1973-75 recombined into new units or declared themselves solo artists and, riding on the New Wave of energy generated by punk, sought to combine their established chops with its novelty, brevity and audacity. While the younger hardline . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

AA Bondy :: The AD Interview

If there's one thing I've learned about talking to A.A. Bondy over the years, it's that conversations can take unexpected turns - sometimes fruitful, sometimes dead ends - but you also never quite end up where you expected. It's a similar spirit to what seems to occupy his work as a songwriter. AD talked with Bondy this past week about his new album, Believers, experiences since his first solo records, discomfort with his own work, liminal states and how, whether autumn or summer, it's all about perspective.

Aquarium Drunkard: It's been a couple of years since your last record, When The Devil's Loose. How have things been going for you after these first two albums?

A.A. Bondy: Well, you know, I've had so much experience crammed into the first four years [since the release of his debut, American Hearts - ed.], that it seems like a lot longer. Prior to that album coming out, there was this dead zone in terms of touring or anything like that. It came out in 2007. The last time I'd toured with a band was 2003. 2008, 2009 - I've never toured that much in my life. Even more so when the second record came out. So, I guess in some ways, everything sped up. Which was cool in a lot of ways. I guess if I look back at it - it's just a weird little trip. There's never been this situation where you walk outside your door one day and things have changed entirely. You go outside and a brick has been moved six inches to the left, but over time, a whole building moves. So it's tricky. It's kind of changed slowly in front of our faces. I don't know who this 'we' is I'm talking about. [laughs.]

AD: The royal 'we.' [laughs]

AAB: Exactly. Back when we wrote [Believers], we were very tired from all the touring we'd been doing. [laughs] The whole idea of getting older is kind of psychedelic in its own way. Not actually psychedelic. But you actually think about time as a construct and the way you perceive things and just the mindset you carry forward and the things you discard. It's just a weird job that I have. [laughs] I look at two years gone by, or three years, or record to record, some things change not a bit and other things do a lot.

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

The Walkmen :: Paper House

Last week at the Greek theater, just prior to the Walkmen taking the stage, I overheard a man trying to explain the band's sound to his date. A number of adjectives and descriptors were tossed about -- 'torchy,' 'indie rock,' 'crooner,' 'jazz' -- which is fitting for a group that continues to defy easy genre construction, inhabiting their own space in contemporary music. When I got back that night I put this one on, "Paper House" --- a b-side from last year's become a member or log in.

My Bloody Valentine :: Isn’t Anything

On no other record before it’s time does anything sound so out of this world, odd and disorienting than My Bloody Valentine’s 1988 landmark album Isn’t Anything. It’s a raw, visceral, and surreal experience rooted in punk and layered with texture and distortion. Most importantly, it features Kevin Shields’ signature tremolo-bended guitar and expansive use of . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Fugazi :: The Argument (A Decade Later)

Though they didn't go on hiatus until the following year, next month marks ten years since the release of the last Fugazi album, The Argument, more or less giving us a decade without one of post-punk's most iconic bands. The Argument, if it indeed turns out to be, is a swan-song of the highest order - a proper end punctuation to a career spent redefining rock and roll ethics and the post-hardcore musical landscape. In short, despite . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Tom Waits :: Ivanhoe Theater 11/21/76 – Radio Broadcast (WXRT)

The collective Waits-ian growl has reached near audible levels as fans anticipate the release of October's Bad As Me. If you haven't yet, do check out the teaser video that was unveiled last month for the record --- It's pure Waits. So, to help quell your jones, here's a captured radio broadcast (WXRT) from 1976 of Tom's performance in Chicago at the Ivanhoe Theater.

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Richard Buckner :: Our Blood

Richard Buckner always felt like an artist you had to meet half way. His songs weren't always easy, but if you made a little effort, the payoff would be generous. It'd be easier not to try, though. That's possibly why one of the best songwriters of the last 20 years has lingered in cult status. I'm not sure Our Blood will change that part of it, but . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

AD Presents :: Rebirth Brass Band @ The Echoplex, Friday Night

This is, without a doubt, the party Friday night -- AD Presents New Orleans own Rebirth Brass Band at the Echoplex. We've got three pairs of tickets for AD readers. If you're hip to Rebirth, hit up the comments below with your name and email. Winners contacted Thursday afternoon; tickets held at will-call . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Kathleen Edwards :: Change the Sheets / Wapusk (w/ Bon Iver)

By the time Kathleen Edwards' forthcoming album, Voyageur, sees the light of day early next January, it will have been almost four years since her last album, Asking For Flowers. A complete travesty for those of us who have had her records in constant rotation since her debut LP in 2003. But thankfully the first single from the record, "Change the Sheets

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

MTV @ 30 :: A Discussion With John Norris

MTV turned 30 last month. Last week AD's J Neas looked back at the legacy of network and its place in pop culture. He also spoke with one of the more recognizable faces of MTV's news department, former MTV News anchor and reporter John Norris. Having spent close to two decades with the network, Norris shares how his relationship began with the network, his own favorite moments, how MTV News became one of the network's bright spots and what the channel's move away from music meant for the pop culture landscape.

Aquarium Drunkard: First off, tell me a bit about your background at MTV. When did you start working there?

John Norris: I started working there in the late 80s. I was an intern for a couple of years before I became a part-time and then full-time employee. The internship began in '86 and I was getting paid in some fashion around '88 or '89. I wasn't fully staffed until 1990. I wasn't full-time on camera until late '90, '91. I left at the very end of '08.

AD: Did you have a journalism background coming in to work with MTV?

JN: I did. I was a broadcast journalism major at NYU. Music had always been a passion and I had worked at the radio station at NYU and then interned at another radio station that led to my internship at MTV. In the late 80s, there were still a lot of people just getting into MTV and discovering it.

AD: By the time you started your internship and were working with the news department, was MTV News taken seriously?

JN: Well, 'seriously,' is relative. You could argue whether it was ever really taken seriously. When Kurt [Loder; MTV News anchor] came on, that sort of gave it some gravitas. He had a print background. He had just done the Tina Turner book at the time. The first few years of MTV, it was called "Music News," not MTV News. It consisted of little more than tour dates and album news and interviews. I wasn't part of it then. The VJs did the news until they hired Kurt. And I think they all traded off doing the news. Hiring Kurt was a big step. They really wanted to make the news department into something more substantive and it took off from there. The '90s were when they expanded beyond music and movies and pop culture into Choose or Lose and some of the more pro-social stuff. That was all done through the news department.

AD: From my perspective, being as old as MTV basically, what I consciously remember is that the moment the news department really seemed to take off was the '92 Choose or Lose with the Clinton election and the famous town hall interview and all that.

JN: Yeah, and that was certainly about MTV being more proactive about really doing something different and offering a different type of political coverage for young people, but it also had to do with Bill Clinton being so suited for that kind of coverage.

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 35, can now be heard twice, every Friday — Noon EST with an encore broadcast at Midnight EST.

During the second of of today's show, Jennifer Clavin of Bleached will be guest DJ'ing. Be sure to tune in, and do check out the new Bleached video for "Think of You," become a member or log in.

The Beach Boys :: Rehearsal Session 1967

Dug reading all of your thoughts on the upcoming Beach Boys SMiLE sessions earlier this week. After posting it, a deluge of emails came in requesting that we re-post the Beach Boys rehearsal sessions that have popped up on AD a couple of times since 2005. So, in lieu of uploading each of the tracks separately, we've bundled the session in a zip file in hopes that it will be around for a while to download... you know, for 'posterity.'

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.

Aquarium Drunkard Presents :: Low @ The El Rey Theatre, 9/20

Next Tuesday, September 20th, Aquarium Drunkard presents Low at the El Rey Theatre in Los Angeles. Bachelorette support. Low are presently touring behind their 2011 Sub Pop release, C'mon. We’re giving away three pairs . . .

Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.

To continue reading, become a member or log in.