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Lissie :: The Aquarium Drunkard Session

Last March, driving back to L.A. from Texas after SXSW, there was one thing the four of us riding down the highway in an old Ford could all agree upon: that Lissie had the best pipes of the week. Reminiscent of the same stuff that made Bonnie Raitt a star four decades before, Lissie, or Elisabeth Maurus, cut a session for us last month with Raymond Richards at Red Rockets Glare Studios in west Los Angeles. I'll be airing the . . .

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Megafaun :: Heretofore

Megafaun's breadth of style has been a hallmark of all its releases thus far, but the Heretofore EP is possibly the best example yet of the rambling, shifting and well-sequenced tendencies of the band. But it's a touch ironic to say that considering that this record is, in many ways, also their most accessible and pop-leavened.

The EP is bookended by two of the loveliest songs in their catalogue . . .

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George Harrison :: All Things Must Pass (3 LP Set)

First off, if you copped one of the Dylan biographies from us last month, please refrain from entering into this one. This week Aquarium Drunkard is giving away a copy of the new, 3 LP, 180-gram vinyl set of George Harrison's 1970 opus, All Things Must Pass. This is the mother lode for Harrison fans. Details: become a member or log in.

The BBC Documentary :: Laurel Canyon, LA And Beyond

The BBC produced documentaries that take on the mythical American west, or Americana, consistently impress.   The footage found after the jump is no exception. Presently, via YouTube, is the network's take on the music coming out of Los Angeles, beginning in the mid-60s with the Byrds, on through its eventual, comparatively bleak, decline. Broken up in 7 segments the doc is a great visual companion for anyone who appreciated Barney Hoskyns, excellent L.A. history,"Waiting For The Sun," its follow-up "Hotel California," or Michael Walker's "Laurel Canyon: The Inside Story of Rock-and-Roll's Legendary Neighborhood."

After the jump: Video - Part one of seven.....

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Under The Covers :: Young Marble Giants/Credit In The Straight World

Welsh bands aren't typically at the top of the British music heap, but that's not because the country hasn't produced its fair share of amazing music. Young Marble Giants were one of the earliest truly post-punk bands to approach minimalism as a style. Their debut full length, 1980's Colossal Youth, is a testimony to the 'less is more' philosophy of rock . . .

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

Futurebirds session here....

SIRIUS 166: Jean Michel Bernard - Generique Stephane ++ Fugazi - Repeater ++ No Age - Sorts ++ Sonic Youth - Hot Wire My Heart ++ Deerhunter - Cover Me (Slowly) ++ Deerhunter - Desire Lines ++ Gauntlet . . .

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Futurebirds :: Aquarium Drunkard Session

Tomorrow, during the second hour of the SIRIUS show, I am airing the AD session Futurebirds laid down in September at Red Rockets Glare Studios while touring out west. For those sans satelllite radio, check out the band, below, stretching out on five tracks culled from their Autumn Tone full-length, Hampton's Lullaby. The band is set to again hit the road, this time with ever-mysterious Jonny Corndawg throughout the month of November.

MP3: Futurebirds :: Johnny Utah (AD Session)
MP3: Futurebirds :: Battle For Rome (AD Session)
MP3: Futurebirds :: Sam Jones (AD Session)
MP3: Futurebirds :: There Is No Place To This To Go (AD Session)
MP3: Futurebirds :: Man With No Knees (AD Session)
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Diversions :: Ben Weaver – A Lowride: Larry Brown, Rick Bass & Southern Literature

(Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing.)

I have been writing about Ben Weaver as long as I've been publishing Aquarium Drunkard.   His music, and words, are comprised of the same grit that initially drew me in me to the works of Larry Brown, the late Mississippi author Weaver writes about below. Ben has a new LP out, Mirepoix And Smoke, via his home at Bloodshot Records; a record that once again pulls the listener into his world and doesn't let go. Below, Weaver waxes on his relationship with not only Brown, but that of Southern literature.   A lowride indeed.

I was 21 years old. Was living in a farmhouse in southern Minnesota. Up on a hill. Surrounded by rotated corn and soybeans. Used to sometimes climb to the top of the old windmill and watch the storms sweep the landscape.

A few years earlier I had discovered the short stories of Rick Bass, who was originally from Texas, but at that time was living up in Montana by way of Jackson, Mississippi. His stories were quiet and magical, about the mountains and the south. His words and characters resonated, had a sense of wildness lived. More than other current fiction I had come across.

It was partly because I was naive and had a lot of ambition but also because I genuinely wanted to tell Rick how much his stories meant to me, that I wrote him a letter. Sent it to his publisher with a copy of what would have been my first and only cd at the time. A record called El Camino Blues. I never actually thought he would respond.

A few weeks later I had a message on my machine from Rick saying he got my letter and loved the cd. He said if I was ever passing through Montana to drop him a line. He lived in a small valley called The Yaak, way up in the north west corner of the state. About 5 and a half hours from Missoula, almost into Canada, almost into Idaho, but still in Montana. Turned out I was booked for some west coast shows and would be playing Missoula in a few weeks. I called Rick and said I would be coming through.

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Vince Guaraldi…Sings

In terms of Guaraldi's varied career I've always viewed the Peanuts scores as a peek into the Guaraldi rabbit hole. As the televised specials moved into the late sixties and early seventies, so did the music. Guaraldi, a bay area bohemian of the old school, infused layers of funk, soul, r&b and all manner of groove into the latter specials. His underused vocals reeked of a smoldering blue cool that can't be faked. The below two tracks are culled from volume one of the high recommended compilation Lost Cues From The Charlie Brown Television Specials . . .

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Wanda Jackson :: Funnel Of Love…As Heard at 33rpm

A couple of years ago I posted a slowed down, 33rpm, version of Neko Case's "Deep Red Bells" which effectively transforms the already gothic tune into an even more surreal experience. The always on point Diddywah recently dropped a similar experiment with Wanda Jackson's "Funnel Of Love," as heard at 33rpm. The results are nothing less than incredible.

Speaking of, when is that new, Jack White produced, Wanda Jackson album supposed to be coming out?

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Timmy Thomas :: Why Can’t We Live Together

Shitty proto-drum machine. Check one. Woozy, repetitive, lounge organ. Check two. Billboard chart-busting hit? Yeah, it's that third one where you do the double take, as nothing about Timmy Thomas's "Why Can't We Live Together," from 1972, evokes any semblance of mainstream "hit"   (this one made the top three in the Billboard Hot 100).   More Gil Scott-Heron than Marvin Gaye, Thomas's groove here is no-frills and funky in a late-night, low lit, on your fifth scotch kinda way.

For those paying attention: We slid a fragment of . . .

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Get Out Of My Life, Woman :: Re-Revisited

Thanks to a super-fine tip, I have been knee deep in this blog post, over at Versions Galore, comprised of 100+ covers of Allen Toussaint's "Get Out Of My Life, Woman." Whereas the name Jimmy Smith, and his backroom organ undertaking of the tune, may not be foreign to many of you, the Memphis, TN r&b of the Mad Lads very likely is.   Slather it on . . .

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Diversions :: Breathe Owl Breathe on “Nine Ways to Disappear”

(Diversions, a recurring feature on Aquarium Drunkard, catches up with our favorite artists as they wax on subjects other than recording and performing.)

Named after the rural Michigan cabin Breathe Owl Breathe built, live in and work out of, the troupe's latest full-length, Magic Central, is . . .

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Wade Denning And Kay Lande :: Halloween

Halloween isn't that tough to spell. But anytime I write or type the word, I find myself subconsciously singing Wade Denning and Kay Lande's "Halloween." Released on Golden Records in 1969 as part of a record titled Halloween: Games, Songs and Stories, it's one of many songs on the album aimed at kids and their natural love of this most glorious of holidays.

I was exposed to this song in the mid to late 80s via my elementary music teacher, Ms. Bracey. I vividly remember her Halloween lesson plans. (Especially . . .

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