Who Knows Where The Time Goes: Twelve Years of Turquoise Wisdom

Aquarium Drunkard turned 17 a few months ago, and Zach Cowie (aka Turquoise Wisdom) has been a part of it for 12 of those years, beginning with the third entry in our (then new) guest selector series. A music supervisor by trade, Cowie’s mixes span myriad decades, genres, and moods, always aesthetically maintaining an empathetic through line. Now totaling a baker’s dozen, we have re-upped each individual mix beginning with the first volume from 2010.

Mwandishi: Wandering Spirit Songs

Unlike Bitches Brew’s monolithic density that, at times, obscured the band, it was Mwandishi’s individual players who got the machine up and running. If one part of the equation were to be removed, the entire unit would collapse. It was one of music’s most successful experiments in Group Dynamics and set the tone in jazz for a decade. Here, we have assembled these players at the height of their creative powers in the early seventies. All are accompanied by at least one of their Mwandishi compatriots, and most feature much of the ensemble. The breadth of this universe is expansive but listen closely and the sonic tether keeping them connected is revealed.

First & Last: Japanese Private Press, Vol. 5

Fourteen humble, cosmic and fragile tracks scanning folk and rock. Welcome to the fifth installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board.” A proper companion for these lingering, dusky summer days.

Radio Is A Foreign Country :: Electro-Folk Sounds of North Sumatra (Mixtape)

Radio Is A Foreign Country is a not-for-profit radio platform and mixtape series that exposes listeners to obscure (and mostly vintage) regional folk and pop music from the global hinterlands, featuring cut-ups of international radio broadcasts (AM, FM, shortwave), field recordings, ethnographic film, vintage records and cassettes, and digital ephemera from the far reaches of the internet. For this special mixtape, the Radio Is A Foreign Country crew brings us a cross-section of North Sumatran electro folk.

First & Last: Japanese Private Press, Vol. 3

For much of Japan’s youth, the five nationally televised Beatles concerts of 1966 were transformational. Japanese academic Toshinobu Fukuya stated that the Beatles embodied a new identity for the country’s youth. Their presence had signaled that “one did not always have to obediently follow arrangements prescribed by adults; it was possible to follow one’s own path and still be socially and financially successful in life”

In this vein, we open this third installment of First & Last with a track from 1974 by 田中寛 (Hiroshi Tanaka) & 不破洋一 (Yoichi Fuwa), who in their liner notes written by a friend, dub the band as the “Late-Arriving Heirs of the Beatles.”

First & Last: Japanese Private Press, Vol. 2

Welcome to the second installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board.” This second entry picks up where volume one left off, including a live recording from a concert compilation (track one), and music from the incredibly rare First Album, by Elf, of which only fifteen copies were manufactured.

First & Last: Japanese Private Press, Vol. 1

Welcome to the opening installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board.”

This first mix, a menagerie of songs from across the spectrum of Japanese private press, serves as an introduction to subsequent mixes. Tanoshī.

AD Presents: Off-Piste | A Mixtape

From the confines of a snowed in cabin, Aquarium Drunkard presents Off-Piste, a 90 minute TDK mixtape. Expect a taut embrace of ice cold synths, nascent drum machines, reverb, echo, ornithology infused Danish funk, and two tracks referencing penguins. Duck the rope.