… reverberating flutes, amplified saxophones, liquid Fender Rhodes keyboards The guitars are jazzy and lysergic in turn, sometimes in the very same track. At times, the drums sit right in the pocket; moments later, they are thundering out for the old gods. It was not so much a fusion of jazz and rock as a continuum where these forms could mutate one into another and back again. All of this music is compelling; some of it is sublime. This darker corner of the krautrock era of the 1970s deserves a good deal more light.
Category: Mixtapes
Bill Laswell Research Institute: Vol I & II
The Bill Laswell Research Institute was coined by a group of like-minded record heads based in Philadelphia. Time and time again, someone in the crew would bring something mind blowing to a listening session and Bill Laswell’s name would pop up in the credits. It’s truly astonishing how Laswell collided with vastly divergent musicians and genres while somehow still representing complementary musical spheres.
While pulling together tracks to compile a mix that we felt would best represent Bill’s work, we realized it was going to take multiple volumes due to the sheer magnitude of his output. As such, we decided to compile the mixes based on two 15 year blocks.
Absolute Sons of Bitches: Global Fusion Grooves, 1970-1977
In the smoking aftermath of Miles Davis’s landmark Bitches Brew, musicians across the planet tried to come to grips with its dense, freaky, electric grooves. Aquarium Drunkard scoured the globe to bring you five hours of seismic seventies funk and fusion from far and near. The weather’s changing. Nights are growing longer. And this is the way we all keep our heads right.
First & Last: Japanese Private Press, Vol. 6
A dozen dusky acid folk songs for the waning days of summer. Welcome to the sixth installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board.”
Who Knows Where The Time Goes: Twelve Years of Turquoise Wisdom
Aquarium Drunkard turned 17 a few months ago, and Zach Cowie (aka Turquoise Wisdom) has been a part of it for 12 of those years, beginning with the third entry in our (then new) guest selector series. A music supervisor by trade, Cowie’s mixes span myriad decades, genres, and moods, always aesthetically maintaining an empathetic through line. Now totaling a baker’s dozen, we have re-upped each individual mix beginning with the first volume from 2010.
Mwandishi: Wandering Spirit Songs
Unlike Bitches Brew’s monolithic density that, at times, obscured the band, it was Mwandishi’s individual players who got the machine up and running. If one part of the equation were to be removed, the entire unit would collapse. It was one of music’s most successful experiments in Group Dynamics and set the tone in jazz for a decade. Here, we have assembled these players at the height of their creative powers in the early seventies. All are accompanied by at least one of their Mwandishi compatriots, and most feature much of the ensemble. The breadth of this universe is expansive but listen closely and the sonic tether keeping them connected is revealed.
First & Last: Japanese Private Press, Vol. 5
Fourteen humble, cosmic and fragile tracks scanning folk and rock. Welcome to the fifth installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board.” A proper companion for these lingering, dusky summer days.
Radio Is A Foreign Country :: Electro-Folk Sounds of North Sumatra (Mixtape)
Radio Is A Foreign Country is a not-for-profit radio platform and mixtape series that exposes listeners to obscure (and mostly vintage) regional folk and pop music from the global hinterlands, featuring cut-ups of international radio broadcasts (AM, FM, shortwave), field recordings, ethnographic film, vintage records and cassettes, and digital ephemera from the far reaches of the internet. For this special mixtape, the Radio Is A Foreign Country crew brings us a cross-section of North Sumatran electro folk.
Dealer’s Choice :: A Chance Meeting With Ras Tayo (Roots Reggae & Beyond)
By chance I met Ras Tayo at Deadly Dragon Sound a decade ago. He invited me to bring some tunes out to The Den in Brooklyn, and soon I began spinning with a serious group of selectors every Sunday night. All the DJs had their big tunes and favorites that I’d look forward to hearing. These songs are ones they played often.
Abstract Truths: An Evolving Jazz Compendium – Volume 8
The return of Abstract Truths. This series began in 2016 as a way to highlight jazz in all its many forms. The selector for this installment’s dig finds musician and collage artist Ilyas Ahmed weaving a two-plus hour tapestry of sound, spanning 1964-2021.
Mark Mothersbaugh’s Insomniak Flora (A Mixtape)
A one hour compilation of assorted Mothersbaugh muzak, from Insomniaks cuts to highlights from 2017’s 45 RPM box set Mutant Flora. Sprinkled in are other rarities, musical pieces composed for some of the musician’s visual art exhibitions. The weirder the better.
First & Last: Japanese Private Press, Vol. 4
This fourth volume of First And Last features a menagerie of tunes for the early days of summer (with seven of the twelve songs culled from EPs), from psych-pop to breezy bossa nova, wrapping up with a grip of introspective folk.
AD Presents: Sonor Music Editions | Italian Library Music (A Mixtape)
Founded in 2013 by Lorenzo Fabrizi and Andrea Galtieri, the Rome based Sonor Music Editions focuses strictly on the world of vintage Italian Library music and original soundtracks, largely from the 1970s and early ’80s. Prolific, we asked Fabrizi and Galtieri to curate a medley of sounds via their catalog, and the following mix is most definitely a vibe.
First & Last: Japanese Private Press, Vol. 3
For much of Japan’s youth, the five nationally televised Beatles concerts of 1966 were transformational. Japanese academic Toshinobu Fukuya stated that the Beatles embodied a new identity for the country’s youth. Their presence had signaled that “one did not always have to obediently follow arrangements prescribed by adults; it was possible to follow one’s own path and still be socially and financially successful in life”
In this vein, we open this third installment of First & Last with a track from 1974 by 田中寛 (Hiroshi Tanaka) & 不破洋一 (Yoichi Fuwa), who in their liner notes written by a friend, dub the band as the “Late-Arriving Heirs of the Beatles.”
Tinariwen :: Radio Tisdas/Amassakoul Influences (Mixtape)
To commemorate a pair of remastered reissues of Tinariwen’s first albums—2001’s The Radio Tisdas Sessions and its 2004 followup, Amassakoul, the desert blues masters drop by with a special mixtape showcasing their influences.