Hacienda :: She’s Got A Hold On Me

Hitting the road this fall with Dr. Dog, and with an album in the can produced by the Black Keys Dan Aurbach, San Antonio's Hacienda is on our watch list. And not to oversimplify the bands sound, but if you're a fan of the aforementioned Dog and Black Keys, you'd be doing yourself a slight injustice to not at least stream the below track off their upcoming album

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SIRIUS Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 62: Deerhunter - Cover Me (Slowly) ++ No Age - Teen Creeps ++ My Bloody Valentine - Loomer ++ Bjork - Human Behavior ++ Dark Meat - Well Fuck You Then ++ Blitzen Trapper - Sleeptime In . . .

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Sevens :: Nancy Sinatra: You Only Live Twice

(Sevens, a new feature on Aquarium Drunkard, pays tribute to the art of the individual song.)

This one is a favorite. It's a time machine. Recorded as the title track for the 1967 James Bond film of the same name, Nancy Sinatra's "You Only Live Twice," with its sweeping string arrangement, coyly imbues both a sense opportunity and warning. Take heed.

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Kurt Wagner (Lambchop) :: The AD Interview

Nashville's Lambchop return to retail shelves next month with their eleventh full-length studio album OH (Ohio). Over the years the country-soul collective has employed as may as 16 sixteen members, rotating in and out of the fold, but for this go-round the lineup is slim (relatively speaking) with a core of eight musicians tapped for contribution. We caught up with Lambchop principal, Kurt Wagner, last week, to discuss the art of collaboration, the new LP, his 2007 tour-only solo album, and a dream he once had of having a drink with Dr. Martin Luther King. - AD

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Aquarium Drunkard: Lambchop has a new album coming out in early October - OH (Ohio) - do you call the record Ohio or 'oh?'

Kurt Wagner: I call it Ohio. The OH is just like the postal abbreviation and then the parenthetical pronunciation of it, so, yes, it's confusing. [laughs]

AD: So, why this as the album title? Did you realize Sufjan Stevens was never going to make it through all 50 states and you decided to jump in and help him?

KW: [laughs] No, no. The simple explanation is that it's the title of the first song on the record, but I just sort of liked the word and I liked the way it worked with the painting on the cover and I just sort of liked it. It doesn't really have an identity - you don't conjure up a lot of stuff when you see the word 'Ohio.' Although it's pretty prevalent, you know - it's a state. [laughs]

AD: Yeah, it's a state that when you think about it, and no offense to anyone who lives in Ohio, but when you think about it, me personally, I don't know what comes to mind.

KW: Not much. And I kind of like that, as a word and stuff like that. It's a little more undefined. I think that's kind of - there's something neat about that. It makes it possible to make a connection between that and this music and artwork, etc.

AD: How big was Lambchop this time around?

KW: Well, it's pretty similar to the band from Damaged. Basically Lambchop has been distilled down into a group of 7 or 8 people who can travel and perform live. And I wanted to see if we could make a record that could represent the sound that that small ensemble made, so we didn't dig into the alumni association file too much to make it. It's more representing the sound of these guys who have been the core of the group.

AD
: Are you going on the road for this record?

KW: As a band, yeah, eventually in the United States, we'll be doing a lot of European stuff. I'm doing some solo performances to sort of pick up the slack of not having a band prior to the release. We'll do a lot in Europe in the fall and the United States, hopefully, in January.

AD: Speaking of solo shows, you released a self-title solo record last year..

KW: Well, I didn't really release it, I just sort of sold it at some solo shows here and in Europe. It was just sort of leading up to the recording of the record and I thought it'd be a new approach for me as a writer to try to perform these songs solo and see how that went. And that was the way of developing the songs before I brought them to the band, and we went ahead and made a recording to put out.

AD: The two records - Kurt and OH - share about five songs?

KW: Yeah, maybe even one more. That was a starting point and then I went on the tour and then I worked on almost all the songs except for a couple. And that was my chance to sort of start to develop them - just so it was a different approach to the way I go about writing. They changed as the performances went on. It was just an idea to go out there and play songs and work on them in the live context. I was kind of interested in seeing what would happen if I did that. I've never tried that before.

AD: So how did it work out?

KW: You'd have to tell me. [laughs] As a process, I was really happy with it and as results I was really happy with it. There was something a little different about how these songs have come together and how they sound, I think. It was a good process.

Continue Reading After The Jump.+ MP3s...

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Paul Westerberg :: 3oclockKreep/Finally Here Once

Perhaps Paul ought to drive a screwdriver through his hand more often.

Not that having Westerberg out of commission for a year was a good thing, but ever since his accident, he has come roaring back with a creative vengeance. First the copyright infringin', vying for best post-Replacements album 49:00 was dropped on us, followed closely by another independent song, become a member or log in.

Calexico (Joey Burns) :: The AD Interview

Now a decade into their career, Tucson's Calexico continue to cull their sound from the surrounding deserts. Just as their name implies, that sound is equally rooted in California and Mexico - border-hopping back and forth - absorbing whichever styles that happen to be pulled in by their ever-widening wake. 2006's Garden Ruin was greeted with equal parts exuberance and . . .

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The AD Interviews :: The Summer Recap 2008

It's Labor Day weekend; somehow the summer has already come and gone..damn that was fast. So, before we roll out the next set of AD Interviews, let's recap the ones we've posted over the past three months. Turn on, catch up, or re-read the highlights. Oh, and that photo above is of my man Gordon Lightfoot being interviewed back in the '70s. Dig the Jesus sandals.

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Bottle Rocket :: Criterion Collection (November 2008)

Earlier this month Goldenfiddle reminded us that the latest Wes Anderson addition to the Criterion Collection DVD series is due out November 25th. Anderson's first feature film, Bottle Rocket, is finally getting the all-star, deluxe, two-disc reissue treatment complete with: Eleven deleted scenes, commentary by Wes Anderson and co-writer/actor . . .

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SIRIUS Radio :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 61: The World Record - Serious ++ The Broken West - House of Lies ++ The Henry Clay People - Working Part Time ++ Catfish Haven - Set In . . .

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Howe Gelb (Giant Sand) :: The AD Interview

Fear not, Howe Gelb is back, and is once again picking up the reins of the Giant Sand moniker for his new LP proVISIONS. Gelb's last album, the gospel heavy 'Sno Angel Like You

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My Morning Jacket :: Rocket Man (Elton John)


"...And I'm gonna be high, as a kite, by then." - Elton John, 1972, Honkey Chateau

Jim James and Co. have long been about the choice cover song. A number of which can be found on the Darla Records issued Early Recordings Chapter 1 & 2. These two (separate) collections cull tracks recorded prior to the release of 2001's At Dawn including eclectic covers, demos, and b-sides.

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