32 lessons in hypnotism. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
Tonight: new music from Chico Bernardes, Sessa, Will Oldham, Alex Izenbrg, PAINT, Mosses y mas . . .
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Our guest this week is Colin Dickey, author of The Unidentified: Mythical Monsters, Alien Encounters, and Our Obsession With The Unexplained. Bigfoot, UFOs, the Loch Ness Monster, phantom islands like Atlantis and Lemuria...the paranormal haunts our collective imagination. In his new book, Dickey smartly explores the lore woven into these topics, and along the way, he describes the way occult literature, pulp magazines, pop culture, and media myth-making influences and shapes our perception of these damned subjects . . .
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Founded 20 years ago, North Carolina's Three Lobed Records documents the psych-rock underground. There’s no signature Three Lobed sound or vibe — and that’s a very good thing. To celebrate 20 years of Three Lobed Recordings, we’ve pulled together a selection of noteworthy LPs from the label’s ever-expanding galaxy, with recommendations both from the Aquarium Drunkard crew and Three Lobed-related artists . . .
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Record Store Day (August 29) sees the vinyl release of Volume 2 of Aquarium Drunkard's ongoing Lagniappe Sessions. The 13 performances gathered here on wax all have one thing in common: they’re all bursting at the seams with love and appreciation for the power of song. We’re in a blessedly irony-free zone here; even if the song choices may occasionally seem unusual, there’s not a trace of mockery to be found. There are ghosts in the grooves here, as well. But don’t worry — they’re friendly . . .
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This fall promises the release of Transmissions: The Music of Beverly Glenn-Copeland—a survey of the brilliant catalog of a pioneering transgender artist. But first, the funk rock ep At Last! It's the latest affirmation of the seemingly impossible magic of Glenn-Copeland’s catalog . . .
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Izenberg's unpredictable song structures and weary vocal lines are his and his alone. The ride is a wild—almost terrifying—one at times, but as soon as you start to feel a little turned around, Izenberg is there to pick you up and dust you off . . .
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Loaded has been rightly celebrated plenty over the decades, but what the hell, let's celebrate it a little more. This latest Unearthed mix cobbles together an alternate version of the LP via some tasty live recordings, rehearsal tapes, backstage jams and other obscurities. Recording quality varies wildly, performance quality is great throughout. Heavenly wine & roses await . . .
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It’s been a little over seven years since the untimely death of Jason Molina, and despite his relatively prolific output with Songs: Ohia and Magnolia Electric Co., his story still feels like one with missing parts, especially towards the end. Enter: Eight Gates . . .
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When Matt Popieluch of Big Search began writing the song “Infinite Mirror,” he heard musician's musician Chris Cohen’s voice in his head. That dream becomes a reality with the duo’s gorgeous harmonies guiding a piano-led tune, swelling in splendor with wordless vocals and warm jets of guitar while drifting towards its conclusion . . .
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Jazz comp aficionados might know The Positive Force with Ade Olatunji’s “The Afrikan In Winter” from Jazzman’s essential 2008 collection, Spiritual Jazz - Esoteric, Modal And Deep Jazz From The Underground 1968-77. But it's hardly the only remarkable composition on the hyper-rare private press album it was pulled from, 1977's Oracy. An invigorating blend of spiritual jazz, funk rhythms, and socially-conscious poetry, this incandescent document of the independent Black art scene of '70s Detroit has recently been reissued by New Zealand label Rain&Shine . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays . . .
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With everything falling apart around us, the need for honest sounds is great. On A Hero's Death, Irish post-punks Fontaines D.C. offer up "anthems full of sulking, threatening poetry." Guest reviewer Ken Layne of Desert Oracle weighs in on their punk rock poetry and fervor: Irish poetry and literature mixed with “post punk” sounds like a formula that would be pretty well worked over by now, but Fontaines D.C. make it sound alive and kicking, a brilliant new idea . . .
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It’s hard to sum up Phil Elverum’s story, but in a weird way, that’s kind of what he does on his new record, The Microphones in 2020, which features one, 44-minute long song. It’s his first time using the Microphones name since 2003, and to hear him express it, it’s kind of an album about identity. While it’s no less autobiographical than his recent records, it’s a step in a different direction, temporal poetry about transience and the way a person becomes a different person—but somehow, it's also how they . . .
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Timing is everything. In the case of musician Steve Elliott Sloan nothing could be more true. Born in 1950, Steve is a self taught musician, producer, songwriter, and a pioneer of DIY bedroom recording. Between 1981 - 1982 he self-recorded and released two records. At the time of release, he only sold about 15 copies of each. Last year, both albums were remastered and reissued by New Zealand’s Rain and Shine Records . . .
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Dylan historian James Adams’ hour-long, monthly, program diving deep into the depths of all things Dwarf Music.
Episode 008: Remembering the late Bucky Baxter (1955-2020 . . .
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