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African Head Charge :: Drumming Is A Language 1990-2011

African Head ChargePosted on

As a sequel to their early album collection Environmental Holes & Drastic Tracks 1981 – 1986, African Head Charge have compiled the later years of their On-U Sound recordings in this 5CD, 9LP set. Alongside expanding their classic ’90s albums Songs of Praise and In Pursuit of Shashamane Land with bonus tracks, they have pressed 2005’s Vision of a Psychedelic Africa and 2011’s Voodoo of the Godsent on vinyl for the first time . . .

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Blake Hargreaves :: Improvisations on the Pipe Organs of Europe

Blake HargreavesPosted on

Blake Hargreaves’ musical resume is unusual, to say the least. He is possibly best known in subterranean circles as the founder of Montreal’s Cool Fest, a mind-scrambling sound and art gathering numbered by year (the first edition, Cool Fest 7, occurred in 2007). Over six years, it welcomed such titans as Bill Nace, Jenny Gräf, Sick Llama, Mouthus, Yamantaka // Sonic Titan, and the almighty Fat Worm of Error

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The Comeback Kids: The Wrens And Their Long-Awaited New Album

The WrensPosted on

When the four members of the New Jersey-based band The Wrens set to work on the follow-up to their 2003 record, the critically-lauded The Meadowlands, Wrens guitarist and vocalist Charles Bissell promised himself things were going to be different. This is that story . . .

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Posted on The Wrens

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Black sand blues. Transmitting via satellite somewhere off the coast of Los Angeles. SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Mosses :: T.V. Sun

MossesPosted on

A collaboration with Danette Bordenkircher, it’s a kaleidoscopic trip, encompassing a wide swathe of psychedelia. We’ve got Barrett-era Floyd mayhem, Can-y jams, Espers-esque folk (Meg Baird even drops in for a guest spot), OG Modern Lovers boogies and much more . . .

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Rachel Grimes :: The Aquarium Drunkard Interview

Rachel Grimes The AD InterviewPosted on

Part family memoir, part investigative fiction, part historical exploration, Rachel Grimes' The Way Forth is a multi-layered Southern epic that digs below the foundational myths of the country to uncover the true experiences of people often left out of the historical narrative . . .

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Posted on Rachel Grimes The AD Interview

John Martyn :: Rockpalast 1978

John MartynPosted on

John Martyn recorded his 1978 masterpiece One World with a cast of characters that included Lee “Scratch” Perry, Steve Winwood, Pentangle’s Danny Thompson and Fairport Convention’s Dave Pegg. But when it came time to promote the album live, the songwriter went out solo – and this selection from his appearance on the German Rockpalast show is a dazzling document of the era . . .

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The Lagniappe Sessions :: Ben Watt

Ben Watt Lagniappe SessionsPosted on

“Shed a skin, it’s no big thing," Ben Watt sings on "You've Changed, I've Changed," one of the 10 songs that makes up the Everything But The Girl co-founder's new album, Storm Damage. Watt's long career has demonstrated his ability to shift approaches, but no matter the format—glistening electronic music or autumnal Britfolk—his thoughtful voice remains constant. For his first ever Lagniappe Session, he brings two gorgeous covers of Sharon Van Etten's "Comeback Kid" and Ten City's "That's The Way Love Is . . .

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Mark Neeley/Yohei Shikano :: Fragments

Mark Neeley Yohei ShikanoPosted on

The human mind is an intriguing place, especially in the way we enforce patterns and structure on to the world around us. This includes the way we conflate events, even if they don't technically connect. This idea is at the heart of a short animation by artist Mark Neeley called "Fragments . . .

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Posted on Mark Neeley Yohei Shikano

Sam Gendel :: The Aquarium Drunkard Interview

Sam Gendel The AD InterviewPosted on

We caught up with Sam Gendel to learn more about the spontaneous production of Satin Doll, his friendship with Louis Cole, touring with Ry Cooder, collaborating with indie rock veterans, and navigating his peculiar relationship with jazz . . .

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Posted on Sam Gendel The AD Interview

Blanks And Postage :: The 21st Century Cosmicomics of Jesse Jacobs

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“Psychedelic but readable” is how the proprietor of my local heady art emporium, Desert Island Comics, introduced me to the work of Jesse Jacobs a few years ago. While an accurate blurb, it only barely covers 2017’s Crawl Space, the Canadian artist’s breakthrough full-length book as a sequential narrative-maker . . .

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Posted on Blanks And Postage

Jon Hassell :: The Aquarium Drunkard Interview

Jon Hassell The AD InterviewPosted on

Vernal Equinox introduced a new form of music, which Hassell and others who followed him called “fourth world,” a mix of classical Indian music, electronics, jazz, field recordings and ambient music.

More than 40 years later, the record still feels timeless and fresh, floating in a liminal space between the age-old traditions of raga and the innovations just beginning in electronics and tape manipulation . . .

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Posted on Jon Hassell The AD Interview

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

No static at all. The Aquarium Drunkard Show. SIRIUS/XM radio ~ Channel 35. Wednesdays / 7pm California time + on-demand.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Someone Left Moonlight in My Heart: An Exaltation of Duncan Browne’s Music

Duncan BrownePosted on

In an era when the most popular musicians were the most outrageous, Duncan Browne and his Spanish guitar offered something entirely different – sensitivity, sophistication, artful baroque and progressive leanings. Browne's foundation was that of classical training and with it, the ability to chart his own arrangements, buoyed by a flair for melodies so sweet and sad that they almost hurt to hear. At a time when most of his fellow countrymen desperately tried to sound American, Browne dared to embrace his British-ness, and although he favored unusual tunings, finger picking and classical guitar flourishes over power chords . . .

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Posted on Duncan Browne

Kearney Barton: Architect Of The Northwest Sound

Kearney BartonPosted on

With last month's release of Kearney Barton: Architect of the Northwest Sound, we asked Light In The Attic Records founder Matt Sullivan to share two of his favorite selects from the compilation, along with some context per the ongoing relationship between Barton and the label . . .

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Posted on Kearney Barton