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Ultimate Painting :: Dusk

Ultimate Painting, the collaborative pairing of James Hoare (of Veronica Falls) and Jack Cooper (of Mazes), return September 30th with the release of their third lp, Dusk, via label home Trouble In Mind Records. First taste off the new album, "Bills", below . . .

Per the genesis of the track, Jack from UP notes "(we) wanted to do something that . . .

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Exactly What I Need: A Mixtape – Songs That Are Sacred, And Songs That Might As Well Be

In times like these, music is exactly what we need. The songs collected here span the divides that separate country from folk and rock; organized religions from new-age cults; and sacred songs of devotion from wasted secular blues. Major label releases by well-known seekers are represented alongside recordings of Christian youth groups and outsiders'  self-financed  vanity projects. Regardless of whether you worship Jesus, Shiva, or some bearded hippie guy in a robe, these songs will lift you out of the darkness and take you OM. words / become a member or log in.

Skid Row / Phil Lynott :: New Faces, Old Places

Pastoral acoustic guitar, sylvan flute: both ornament a gentle song lamenting the government's displacement of the singer and his “old dad” in order to erect a new highway through their homestead. Before Phil Lynott was leading Thin Lizzy through the thundering “The Boys are Back in Town”, “Jailbreak” and other machismo-laced hard rock anthems, he was lead vocalist on this 1969 song as part of an Irish group called Skid Row (not to be confused with the 80s hair band of the same name).

The track . . .

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Eggs Over Easy :: The Aquarium Drunkard Interview

Eggs Over Easy represent a distinctly American branch of the pub rock tree, a group of singer/songwriters who banded together to create a raw, punchy style of rock & roll and ended up playing a year-long residency in London at the infamous Tally Ho, which helped inspired Nick Lowe, the Stiff Records gang, and the punk rock movement which followed pub rock's flare up.

The whole story is traced remarkably on Yep Roc's Good 'N' Cheap: The Eggs Over Easy Story,  which collects the band's entire recorded output, including remastered versions of the  1972 debut Good 'N' Cheap, produced by Link Wray in dusty Tucson, Arizona, the band’s second album Fear of Frying  and previously unheard London sessions recorded by Animals bassist and Jimi Hendrix manager Chas Chandler.

Rolling from rustic country funk to revved up rock & roll, the Eggs are well represented by the set as roots rock forebears. AD caught up with founding members Austin "Audie" De Lone and Jack O'Hara (the set is dedicated to late Egg Brien Hopkins) to discuss the band's formation and playing no-frills jams in front of prog and glam rock fans.

Good 'N' Cheap :: Don't Let Nobody

Aquarium Drunkard: Eggs Over Easy are considered pub rock pioneers. When did you first hear that term and what did you think of it?

Jack O'Hara: I never heard it until years after we left London. To me, it didn't mean much. But in the many years that have passed, I can see the significance of it...We came back to the States and went about our business and had no real idea about the impact that particular moment had.

Austin De Lone: We probably first heard of it somewhere mid-'70s...at that point we knew our buddies Nick Lowe and Brinsley Schwarz and Bees Make Honey had this groovy scene going [in London] and that there were a lot of places to play. When we started, we played at one club, the Tally Ho, and that was ground zero for pub rock pretty much. From then, a bunch of others bands and pubs jumped on and that's when it became a real scene.

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 439: Jean Michel Bernard — Générique Stephane ++  Quincy Jones — Hummin’ ++ Harare — Give ++ Jingo — Keep Holding On (pt. 1) ++ Dwight Sykes — Bye ++ Alton Memela — The Things We Do In Soweto ++  Gene Boyd — Thought Of You Today ++ The Montgomery Express — The Montgomery Express ++ The 4th Coming — Cruising Down The Street ++ Trinidad . . .

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James Booker :: Montreux Jazz Festival, July 1978

Spiders on keys, indeed. I'm heading to Zurich in the morning to catch a train to the jazz festival in Montreux, Switzerland -- something akin to a pilgrimage to mecca. I was first hipped  to James Booker sixteen years ago via a live solo recording from the early 70s. And that was it – there was no turning back, I had to hear it all. Prior to the omnipotence of the Internet, much of Booker’s life outside of the recordings themselves was a mystery comprised of hearsay, exaggeration and half-truths. In fact, much of what I initially cribbed concerning the late Booker’s life was thanks to excerpts from the excellent (now back in print) Dr. John biography “Under a Hoodoo Moon.” Wild/fascinating tales that only stoked the Booker mythology.

I featured the following 1978 live recording (recorded at the Montreux Jazz Festival) back in October of 2005 as part of the original Live Upload Series. I’m re-upping it here. I’ve collected a number of live documents from this New Orleans piano master, and Live at Montreux is by far my favorite. Pearls on black velvet, the set is essential listening for Booker  acolytes and New Orleans piano disciples alike. Very raw arrangements with Booker backed by a loose electric pick-up band that just swings.

Download / tracklisting after the jump. . .

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The Lagniappe Sessions: Adan & Xavi

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

From recording in the living room of John and Yoko's Manhattan apartment, to songs purloined while traveling through Argentina and recorded back home in Paris, this installment of the Lagniappe Sessions catches up with musical co-conspirators Adan & Xavi. The pair's new lp,

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 438: Jean-Michel Bernard — Générique Stéphane ++ Sun Ra - Springtime Is Here ++ Harlem River Drive - Idle Hands ++ Nina Simone - Be My Husband (Live, 1987)   ++ Little Stevie Wonder - Soul Bongo ++ Red Garrison - Taboo ++ Alexis Korner's Blues Incorporated - Early In The Morning ++ Quincy Jones - Hikky-Burr (Take 2) ++ The Headhunters . . .

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Ohioan :: Empty/Every MT

Last summer, we teased the release of Tucson avant-roots combo Ohioan's Empty/Every MT, and upon its release last month, our initial hopes for the record were strongly confirmed: it's the strongest and most developed work from songwriter O Ryne Warner (formerly of Castanets)  yet. Blending diverse influences, from Malian  blues to . . .

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Transmissions Podcast :: Idris Ackamoor & the Pyramids / Eleanor Friedberger

Welcome to the fourth  episode of Aquarium Drunkard’s Transmissions podcast, our recurring series of in-depth conversations and unexpected sounds..  On this week's episode, we're splitting our time with two unique artists.

Up first is Idris Ackamoor,  leader of the intergalactic combo the Pyramids, whose new album We Be All Africans . . .

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The Lagniappe Sessions: Omni

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

Next month sees the release of Deluxe, the debut lp from Atlanta's Omni. As we mentioned in May, Omni is comprised of former members of Deerunter / Balkans (Frankie Broyles) and Carnivores (Philip Frobos / Billy Mitchell). Theirs is a sound that is at once both gloaming and crystalline; one that . . .

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Ghetto Cross :: Dog Years

The world could use more of the fruits of this pairing. "Dog Years" from 2008, via Ghetto Cross, the sometime collaboration between Deerhunter/Atlas Sound's Bradford Cox and Black Lips' Cole Alexander. And while we're at it, go revisit "Still" -- you'll thank me later.

Ghetto Cross :: Dog Years

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Blondie :: Out In The Streets (1976 Demo)

I ripped this version of Blondie's cover of The Shangri-Las "Out In The Streets" a few years back, via youtube, having failed to locate an 'official' version. Blondie freaks, feel free to learn me in the comments as to its provenance.

Unlike the rendition found on the 2001 reissue of the group's eponymous 1976 debut, here we find the band sticking much closer to the song's original aesthetic intent.

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Adrian Sherwood :: The Aquarium Drunkard Interview

"I never tried to make a commercial record...I know that sounds like a bit of a weird thing to say, because you try to sell records, but I was always trying to find a path of my own," producer, deejay, and "mixologist" Adrian Sherwood explains via Skype, hanging out in his kitchen cooking and discussing the contents of Sherwood at the Controls Vol. 2: 1985-1990, out now on his label, On-U Sound

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

SIRIUS 437: Jean-Michel Bernard — Générique Stéphane ++ Can - I Want More ++ The Velvet Underground - I’m Waiting For The Man ++ The Soft Boys - Vegetable Man ++ White Fence - Growing Faith ++ The Olivia Tremor Control - Memories of Jacqueline 1906 ++ Faust - It’s A Rainy Day, Sunshine Girl (AD Edit) ++ The . . .

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